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''Toward a Living Architecture?'' is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects' rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences(...)
Toward a living architecture? Complexism and biology in generative design
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''Toward a Living Architecture?'' is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects' rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences they draw on—complex systems theory, evolutionary theory, genetics and epigenetics, and synthetic biology. She reveals significant disconnects while also pointing to approaches and projects with significant potential for further development. Arguing that architectural design today often only masquerades as sustainable, Cogdell demonstrates how the language of some cutting-edge practitioners and educators can mislead students and clients into thinking they are getting something biological when they are not.
Architectural Theory
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In recent years there has been an enormous interest among emerging and established artists in architecture of the modern period. Revisiting the Glass House explores the ways in which contemporary artists incorporate images of modern buildings in their work as a means to explore the utopian potential of architecture and to provide an antidote to the cynicism of our(...)
Revisiting the glass house: Contemporary art and modern architecture
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In recent years there has been an enormous interest among emerging and established artists in architecture of the modern period. Revisiting the Glass House explores the ways in which contemporary artists incorporate images of modern buildings in their work as a means to explore the utopian potential of architecture and to provide an antidote to the cynicism of our time. The book features painting, photography, video art, and other two-dimensional work by twenty-two artists from around the world whose engagement with architecture has more to do with ideas and ideals than with structure.
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October 2008
Modernism
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Baudrillard has become incredibly popular in architecture in recent years and this is the first time that the work of one of the world’s greatest philosophers has been pulled together to present a complete assessment and understanding of it. In Baudrillard's terms, architecture could be seen as the supreme medium of contemporary visual culture, especially in its(...)
December 2005, Chichester
Mass identity architecture : architectural writings of Jean Beaudrillard
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Baudrillard has become incredibly popular in architecture in recent years and this is the first time that the work of one of the world’s greatest philosophers has been pulled together to present a complete assessment and understanding of it. In Baudrillard's terms, architecture could be seen as the supreme medium of contemporary visual culture, especially in its potential to influence the individual's perception of reality as a component of the massmedia system. This type of cultural analysis of the built environment is a relatively new idea in architectural criticism and this book provides the first invaluable directory for the reader. Proto uses extracts from Baudrillard's very own work, including previously unpublished material. Proto's style makes Baudrillard's work easy to read and easily accessible to readers in cultural studies, geography and art, as well as sociology and social theory.
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the(...)
Noise orders : jazz, improvisation, and architecture
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In this book, David Brown locates jazz music within the broad aesthetic, political, and theoretical upheavals of our time, asserting that modern architecture and urbanism in particular can be strongly influenced and defined by the ways that improvisation is facilitated in jazz. Improvised music consists of diverse properties that fail to register in the object-oriented understanding of composition. As a result, it is often dismissed as noise — an interfering signal. However, Brown asserts, such interference can bear meaning and stimulate change. "Noise orders" identifies how architecture can respond to the inclusive dynamics of extemporaneous movements, variable conceptions of composition, multiple durations, and wide manipulation of resources found in jazz to enable outcomes that far exceed a design’s seeming potential. By exploring overlapping moments between modernism and the cultural dimensions of jazz, "Noise orders" suggests that the discipline of improvisation continues to open and redefine architectural theory and practice, creating a world where designers contribute to emerging environments rather than make predetermined ones. Comparing modern and avant-garde artists and architects with individuals and groups in jazz—including Piet Mondrian and boogie-woogie, John Cage and Rahsaan Roland Kirk, Le Corbusier and Louis Armstrong, and Ludwig Mies van der Rohe and the Association for the Advancement of Creative Musicians (AACM)—Brown examines how jazz can offer alternative design ideas and directions, be incorporated in contemporary architectural practices, and provide insight on how to develop dynamic metropolitan environments. Interdisciplinary in its approace, "Noise orders" argues for a deeper understanding of the infinite potential inherent in both music and architecture.
Acoustics
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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative(...)
The other architect: another way of building architecture
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The Other Architect presents 23 case studies that emphasize the potential for architecture to identify the urgent issues of our time. These international and often multidisciplinary groups, with examples from the 1960s to today, invented and adopted new methods outside of traditional design practices in order to create architecture without building. The alternative approaches shown in the exhibition challenge the concept of individual authorship in favor of establishing collaborative networks or partnerships with permeable roles. Their work took on non-traditional forms such as bibliographies, surveys, databases, conferences, posters, questionnaires and manifestos. By avoiding the built form, these unexpected ways of practicing allow architecture to actively shape a cultural agenda. 416 pages and over 300 colour facsimiles of traces left in letters, books, drawings, photographs, budgets, videos, mission statements, meeting minutes, T-shirts, boats, and buses
CCA Publications
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New approaches in architecture reveal a trend towards “upcycling”. Yet the history of building has also always been a history of recycled and upcycled building materials and components, as well as of building knowledge and styles. Comprehending buildings as part of a process of social change poses a challenge to our modern concept of unambiguity, seclusion, and authorship(...)
Upcycling: reuse as a design principle in architecture
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New approaches in architecture reveal a trend towards “upcycling”. Yet the history of building has also always been a history of recycled and upcycled building materials and components, as well as of building knowledge and styles. Comprehending buildings as part of a process of social change poses a challenge to our modern concept of unambiguity, seclusion, and authorship in architecture. This volume explores the potential of historical concepts of upcycling, and confronts them with new developments in architectural and building practice. Rather than a matter of idealism, recycling and upcycling present an argument for economy and the quality of structure and design.
Materials and Lighting
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall,(...)
October 2008, Köln
Architecture materials glass verre glas
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The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries. In a record time of just five months, Joseph Paxton, himself a garden designer, put up the Crystal Palace in London's Hyde Park for the Great Exhibition of 1851. A totally glazed exhibition hall, of gigantic proportions by the standards of the time, it was a milestone in the history of building in glass. The result was a totally new spatial quality and a new aesthetic, as interior and exterior could now enter into a quite unique mutual relationship. Since then, architecture without glass has been inconceivable, and glass has been used as a construction material by renowned architects worldwide for industrial buildings and private houses. Glass masterpieces, erected in particular in combination with other materials, for example, wood, stone or steel, demonstrate the potential and variety of glass architecture.
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199 pages : illustrations (some color), plans ; 25 cm
Ludwigsburg : AV Edition, ©2014.
Experimente : Architektur digital konzipiert / Tobias Wallisser und Martin Schroth.
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199 pages : illustrations (some color), plans ; 25 cm
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Ludwigsburg : AV Edition, ©2014.
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Contemporary South Africain architecture in a landscape of transition explores the ways in which local architects have contributed to change in this country through their work and to the development of a new sense of cultural identity. The focus is on buildings that create beauty from utility and need, that respect their place in the landscape, that connect people to(...)
December 2008
Contemporary South African architecture in a landscape of transition
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Contemporary South Africain architecture in a landscape of transition explores the ways in which local architects have contributed to change in this country through their work and to the development of a new sense of cultural identity. The focus is on buildings that create beauty from utility and need, that respect their place in the landscape, that connect people to their social and physical environment, and that unlock the potential of cities to amaze and astound. This book will bring South African architecture to the center of the international architectural debate.
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December 2008
books
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In this volume in the "Pamphlet Architecture" series, the authors examine common architectural forms (chairs, doors, and walls) and programs (a cinema, a health club, a skyscraper) in order to dissect and reconfigure them. In the process they create ten(...)
small format
December 1998, New York
Pamphlet architecture #21 : situation normal...
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In this volume in the "Pamphlet Architecture" series, the authors examine common architectural forms (chairs, doors, and walls) and programs (a cinema, a health club, a skyscraper) in order to dissect and reconfigure them. In the process they create ten new projects that draw their power from an oscillation between the recognizable and the surreal. Cleverly undermining the conventions and norms of contemporary architectural design, the authors pose a direct challenge to the seemingly endless search for new styles, arguing instead that the greatest potential for architecture in the twenty-first century rests on an imaginative examination of what we take for granted. Designed by the authors, "Situation Normal..." weaves together text, photographs, and drawings. An introductory essay establishes the theoretical and historical position of the book.
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December 1998, New York
small format