textual records
DR2012:0012:098:015
Description:
File containing one complete copy (along with photocopies) of Parachute magazine, issue 17 (winter 1979), which includes references to Edifice. Original folder inscribed in graphite: 1979 PARACHUTE 17 / JOHANNE LAMOUREUX
1979
Publication "Parachute" related to Melvin Charney's projects
Actions:
DR2012:0012:098:015
Description:
File containing one complete copy (along with photocopies) of Parachute magazine, issue 17 (winter 1979), which includes references to Edifice. Original folder inscribed in graphite: 1979 PARACHUTE 17 / JOHANNE LAMOUREUX
textual records
1979
textual records
DR2012:0012:094:001
Description:
File containing documents in English and French (predominant), including magazine and newspaper clippings, and press releases related to Skyscraper, waterfall, brooks - a construction. Original folder inscribed in graphite: PLACE BERRI : REVIEWS / NEWSPAPERS
1990-1993
Press clippings related to Melvin Charney and his projects
Actions:
DR2012:0012:094:001
Description:
File containing documents in English and French (predominant), including magazine and newspaper clippings, and press releases related to Skyscraper, waterfall, brooks - a construction. Original folder inscribed in graphite: PLACE BERRI : REVIEWS / NEWSPAPERS
textual records
1990-1993
textual records
ARCH276940
Description:
2 files - Simon Fraser University Calendar and posters for Arthur Erickson Day posters (14 June 1984, Vancouver) program for A Celebration of the Life and Work of Athur Charles Erickson (2009); magazine clippings.
1984-2009
Press material on Arthur Erickson and his projects
Actions:
ARCH276940
Description:
2 files - Simon Fraser University Calendar and posters for Arthur Erickson Day posters (14 June 1984, Vancouver) program for A Celebration of the Life and Work of Athur Charles Erickson (2009); magazine clippings.
textual records
1984-2009
archives
Level of archival description:
Fonds
Kenneth Frampton fonds
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
1958-2016
Kenneth Frampton fonds
Actions:
AP197
Synopsis:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
archives
Level of archival description:
Fonds
1958-2016
Series
Carl Krayl
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
1918-1945
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
series
1918-1945
textual records
Acceptera
ARCH153610
Description:
manifesto, signed by, amongst others, Erik Gunnar Asplund, rejected for publication for publication by editorial board of Oppositions magazine; includes photocopy of original Finnish text (written 1931) and typewritten English translation (unknown translator)
circa 1970-1981
Acceptera
Actions:
ARCH153610
Description:
manifesto, signed by, amongst others, Erik Gunnar Asplund, rejected for publication for publication by editorial board of Oppositions magazine; includes photocopy of original Finnish text (written 1931) and typewritten English translation (unknown translator)
textual records
circa 1970-1981
photographs
ARCH276911
Description:
Project documentation for multiple architectural projects, organized alphabetically by name, A-E (includes early, middle and late career works). Includes photographs of completed buildings, views of models, plans, renderings, newspaper and magazine clippings.
Photographic documentation for various projects
Actions:
ARCH276911
Description:
Project documentation for multiple architectural projects, organized alphabetically by name, A-E (includes early, middle and late career works). Includes photographs of completed buildings, views of models, plans, renderings, newspaper and magazine clippings.
photographs
drawings, textual records
AP142.S1.D192.P1
Description:
Warning : This file contains violent images. Sketches, drawings, maps, correspondence, specifications, notes, a July 1991 issue of 'Europeo' magazine, and colour photocopies of views of the completed Centre d'art contemporain de l'île de Vassivière
Sketches, drawings, maps, correspondence, specifications
Actions:
AP142.S1.D192.P1
Description:
Warning : This file contains violent images. Sketches, drawings, maps, correspondence, specifications, notes, a July 1991 issue of 'Europeo' magazine, and colour photocopies of views of the completed Centre d'art contemporain de l'île de Vassivière
drawings, textual records
photographs
ARCH276912
Description:
Project documentation for multiple architectural projects, organized alphabetically by name, F-Y (includes early, middle and late career works). Includes photographs of completed buildings, views of models, plans, renderings, newspaper and magazine clippings.
Photographic documentation for various projects
Actions:
ARCH276912
Description:
Project documentation for multiple architectural projects, organized alphabetically by name, F-Y (includes early, middle and late career works). Includes photographs of completed buildings, views of models, plans, renderings, newspaper and magazine clippings.
photographs
Project
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
1971-1972
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Project
1971-1972