books
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168 p. : ill. (some col.) ; 31 cm.
Amsterdam : Uitgeverij SUN, 2011.
Bloemkoolwijken : analyse en perspectief / Martijn Ubink en Thijs van der Steeg ; fotografie, Raimond Wouda.
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168 p. : ill. (some col.) ; 31 cm.
books
Amsterdam : Uitgeverij SUN, 2011.
books
Spaces for people.
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approximately 100 pages (1 folded) : illustrations (some color) ; 27 x 31 cm
[Ontario] : [publisher not identified], [1979?]
Spaces for people.
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Description:
approximately 100 pages (1 folded) : illustrations (some color) ; 27 x 31 cm
books
[Ontario] : [publisher not identified], [1979?]
books
Description:
60 p. (some folded) : ill., map, plans ; 29 cm.
Don Mills, Ont. : Southam Business Publications, 1967.
An engineers guide to Expo 67.
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60 p. (some folded) : ill., map, plans ; 29 cm.
books
Don Mills, Ont. : Southam Business Publications, 1967.
books
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363 pages : illustrations (chiefly color) ; 25 cm
Milano : La Triennale di Milano : Electa, 2019.
Broken nature : XXII Triennale di Milano / [editors] Paola Antonelli and Ala Tannir.
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363 pages : illustrations (chiefly color) ; 25 cm
books
Milano : La Triennale di Milano : Electa, 2019.
$45.00
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political(...)
Sámi media and Indigenous agency in the Arctic North
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$45.00
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Summary:
Digital media–GIFs, films, TED Talks, tweets, and more–have become integral to daily life and, unsurprisingly, to Indigenous people’s strategies for addressing the historical and ongoing effects of colonization. In this volume, Thomas DuBois and Coppélie Cocq examine how Sámi people of Norway, Finland, and Sweden use media to advance a social, cultural, and political agenda anchored in notions of cultural continuity and self-determination. Beginning in the 1970s, Sámi have used Sámi-language media—including commercially produced musical recordings, feature and documentary films, books of literature and poetry, and magazines—to communicate a sense of identity both within the Sámi community and within broader Nordic and international arenas. In more contemporary contexts, Sámi activists, artists, and cultural workers have used the media to undo layers of ignorance surrounding Sámi livelihoods and rights to self-determination. Downloadable songs, music festivals, films, videos, social media posts, images, and tweets are just some of the diverse media through which Sámi activists transform how Nordic majority populations view and understand Sámi minority communities and, more globally, how modern states regard and treat Indigenous populations.
Social
Alvin Baltrop: The Piers
$87.00
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Summary:
Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop(...)
Alvin Baltrop: The Piers
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$87.00
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Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins.
Current Exhibitions
$90.00
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Summary:
This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are(...)
Steven Shore: Transparencies, Small camera works 1971-1979
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Summary:
This publication offers an alternative account of one of the most fabled episodes in photographic history: the cross-country journeys that produced Stephen Shore’s luminous new vision of the American landscape, Uncommon Places. Along with his large-format camera, Shore also brought a 35mm Leica on his travels. The images made with it, on luminous colour slide film, are intimate, spontaneous and personal, while retaining Shore’s studied formal sensitivity. In these entirely unseen photographs, a parallel iteration of an iconic vision emerges like a piece of music played in a new key. The vocabulary is familiar: highways and homes, phone boxes, fast food and sun-strewn parking lots. But the alternative format unmistakably re-envisions these subjects through distinct experiments with composition, attitude, and colour. Transparencies uncovers both a detail-oriented survey of the American landscape of the 1970s and a rigorous, imaginative exercise in form by an undisputed modern master. With an afterword by Britt Salvesen, curator at LACMA, titled 'Ordinary Speech: The Vernacular in Stephen Shore’s Early 35mm Photography'.
Photography monographs
Performing Xenakis
$44.95
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This volume is a collection of essays by thirty contributors, all internationally recognized performers of Xenakis' music. Many of these artists have worked closely with Xenakis and several works are discussed by their dedicatees. These testimonies prove, through real life experience and performance, the feasibility of realizing his very difficult writing, not only(...)
Performing Xenakis
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This volume is a collection of essays by thirty contributors, all internationally recognized performers of Xenakis' music. Many of these artists have worked closely with Xenakis and several works are discussed by their dedicatees. These testimonies prove, through real life experience and performance, the feasibility of realizing his very difficult writing, not only attested to by those close to the composer during his lifetime, but also by the younger generation that continues to be drawn to it. Each essay gives a new perspective: on what the composer was really looking for, on tricks of the trade for negotiating treacherously technical prowess, or on the attainment of an enhanced sense of self through the performance of this music. Following an extensive preface by Kanach, who collaborated closely with Xenakis from the late 1970s until his death in 2001, the book is divided into chapters organized by family of instruments. Every instrument of the orchestra is discussed by its practitioner; issues unique to the voice, as well as ensemble and orchestral works are explored, and two contributions concern the performance of Xenakis pioneering electronic works.
Acoustics
Idea 340: Forms of practice
$54.00
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design(...)
Idea 340: Forms of practice
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$54.00
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Summary:
A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design production from the approach of a more personal practice, inflecting their work with nuanced, idiosyncratic conceptual and formal approaches. While widely varied due to cultural context and social/environmental differences, all have a kinship in unique approaches to developing formal options for clients. The use of the word "option" as applied here is perhaps the most relevant key point for the latest wave of graphic design from abroad- perhaps the "solution" as an end result of graphic design as a process is a dead methodology. What are instead offered are graphic "options" in lieu of "solutions"- inquiries answered with inquiries, questions answered with questions. The work featured offers playful, tentative answers instead of cold, hard end results.
Magazines
$31.00
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Summary:
"Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this(...)
The view from the train : cities and other landscapes
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"Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development – from surrealism to post-2008 economic catastrophe – and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.
Urban Theory