7182 Results
Form:
books
books
Title:
Transmettre en architecture : de l'héritage de Le Corbusier à l'enseignement de Henri Ciriani
Transmettre en architecture : de l'héritage de Le Corbusier à l'enseignement de Henri Ciriani
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$58.95
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Autour du cas d’école que représente la chaîne allant de Le Corbusier à Ciriani et de Ciriani à ses anciens élèves, les entretiens réunis dans cet ouvrage permettent d’analyser la façon dont s’opère la transmission du savoir architectural et des valeurs qui le fondent. Issu du film Je ne suis pas un homme pressé, réalisé par les mêmes auteurs en 2001, le livre utilise(...)
$58.95
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Autour du cas d’école que représente la chaîne allant de Le Corbusier à Ciriani et de Ciriani à ses anciens élèves, les entretiens réunis dans cet ouvrage permettent d’analyser la façon dont s’opère la transmission du savoir architectural et des valeurs qui le fondent. Issu du film Je ne suis pas un homme pressé, réalisé par les mêmes auteurs en 2001, le livre utilise(...)
Title:
Transmettre en architecture : de l'héritage de Le Corbusier à l'enseignement de Henri Ciriani
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$58.95
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Summary:
Autour du cas d’école que représente la chaîne allant de Le Corbusier à Ciriani et de Ciriani à ses anciens élèves, les entretiens réunis dans cet ouvrage permettent d’analyser la façon dont s’opère la transmission du savoir architectural et des valeurs qui le fondent. Issu du film Je ne suis pas un homme pressé, réalisé par les mêmes auteurs en 2001, le livre utilise l’abondant matériel qui servit pour le documentaire, 43 heures d’entretiens avec des architectes (dont les membres du groupe Uno, exprimant ici pour la première fois les convictions qui les unissent), mais aussi avec un historien et un sociologue. Il retrace ainsi l’ensemble des propos tenus sur l’héritage de Le Corbusier et du Mouvement moderne, le rôle social de l’architecte et sa construction identitaire et, enfin, sur la figure de Ciriani enseignant, qui apparaît ici en véritable passeur, comme celui « qui donne envie de changer le monde ».
Transmettre en architecture : de l'héritage de Le Corbusier à l'enseignement de Henri Ciriani
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$58.95
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Summary:
Autour du cas d’école que représente la chaîne allant de Le Corbusier à Ciriani et de Ciriani à ses anciens élèves, les entretiens réunis dans cet ouvrage permettent d’analyser la façon dont s’opère la transmission du savoir architectural et des valeurs qui le fondent. Issu du film Je ne suis pas un homme pressé, réalisé par les mêmes auteurs en 2001, le livre utilise l’abondant matériel qui servit pour le documentaire, 43 heures d’entretiens avec des architectes (dont les membres du groupe Uno, exprimant ici pour la première fois les convictions qui les unissent), mais aussi avec un historien et un sociologue. Il retrace ainsi l’ensemble des propos tenus sur l’héritage de Le Corbusier et du Mouvement moderne, le rôle social de l’architecte et sa construction identitaire et, enfin, sur la figure de Ciriani enseignant, qui apparaît ici en véritable passeur, comme celui « qui donne envie de changer le monde ».
Form:
books
books
Publication:
July 2002, Paris
July 2002, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Serpentine gallery pavillons
Serpentine gallery pavillons
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$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
$64.95
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary(...)
Title:
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Serpentine gallery pavillons
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Since 2000, the Serpentine Gallery in London's Kensington Gardens has called on some of the world's top architects to design summer pavilions - temporary structures that are erected next to the Gallery itself for a three-month period. The Serpentine, which was built in 1934 as a tea pavilion, opened in 1970 as a show-place for exhibitions of modern and contemporary artists. The projects completed or envisaged include the work of: Zaha Hadid, 2000; Daniel Libeskind, 2001; Toyo Ito, 2002; Oscar Niemeyer, 2003; MVRDV, 2004 (un-realised); Alvaro Siza and Eduardo Souto de Moura with Cecil Balmond, 2005; Rem Koolhaas and Cecil Balmond, 2006; Olafur Eliasson and Kjetil Thorsen, 2007; Frank Gehry, 2008; SANAA, 2009; Jean Nouvel, 2010; and, other works such as Zaha Hadid's temporary 2006 installation Lilas are included in the book as well. This book is the first to bring together all of the Serpentine Pavilions.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Title:
Ryoji Ikeda: dataphonics
Ryoji Ikeda: dataphonics
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$40.00
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Summary:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated(...)
Title:
Ryoji Ikeda: dataphonics
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Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Ryoji Ikeda: dataphonics
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$40.00
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Summary:
Japan's leading electronic composer and sound artist Ryoji Ikeda (born 1966) focuses on the building blocks of sound and aural minutiae, often deploying frequencies at the very edges of human hearing. His albums +/- (1997) and Matrix (2001) spread this soundworld of sine waves and ambient glitchery to a wider audience; since then, he has exhibited and collaborated (notably with Carsten Nicolai) across the world. A homage to Musique Concrète pioneer Pierre Schaeffer's Solfege de l'objet sonore, Dataphonics began as a monthly broadcast on France culture's Atelier de Création Radiophonique, in which Ikeda created a highly physical auditory experience based on the idea of binary-logic data made audible, “to materialize the invisible domain of ‘totally pure digital data.'” This book and CD includes spreads of graphic scores, codes, symbols and the composition itself, recomposed from the ten segments in which it was originally conceived.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Acoustics
Acoustics
Form:
books
books
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$104.95
(available to order)
Summary:
Fondé en 2000, l’atelier de Julien Descombes et Marco Rampini s’est distingué sur la scène architecturale par son large éventail d’intérêts, du territoire à l’urbanisme, de l’architecture aux ouvrages d’art. Il s’intéresse en particulier aux aménagements paysagers et urbains. En témoignent plusieurs projets de haute qualité : la Turbinenplatz (2000-2003), à Zurich, étonne(...)
$104.95
(available to order)
Summary:
Fondé en 2000, l’atelier de Julien Descombes et Marco Rampini s’est distingué sur la scène architecturale par son large éventail d’intérêts, du territoire à l’urbanisme, de l’architecture aux ouvrages d’art. Il s’intéresse en particulier aux aménagements paysagers et urbains. En témoignent plusieurs projets de haute qualité : la Turbinenplatz (2000-2003), à Zurich, étonne(...)
Title:
Atelier Descombes Rampini : lieux communs
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Fondé en 2000, l’atelier de Julien Descombes et Marco Rampini s’est distingué sur la scène architecturale par son large éventail d’intérêts, du territoire à l’urbanisme, de l’architecture aux ouvrages d’art. Il s’intéresse en particulier aux aménagements paysagers et urbains. En témoignent plusieurs projets de haute qualité : la Turbinenplatz (2000-2003), à Zurich, étonne l’observateur par le contraste entre les aménagements « minimalistes » et le spectacle féerique offert par son éclairage artificiel ; la place Simon Goulart recrée une ambiance festive et conviviale au centre de Genève ; entamé en 2001, le projet de la renaturation sur quatre kilomètres de l’Aire, un cours d’eau canalisé au XXe siècle, se matérialise peu à peu, offrant un nouvel espace de promenade au promeneur contemplatif. La production de l’atelier, territoriale, urbaine et architecturale, s’étend hors des frontières helvétiques, par l’aménagement des rives de la Saône à Lyon-Confluence ou le dessin du Jardin d’Eole à Paris.
Atelier Descombes Rampini : lieux communs
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Summary:
Fondé en 2000, l’atelier de Julien Descombes et Marco Rampini s’est distingué sur la scène architecturale par son large éventail d’intérêts, du territoire à l’urbanisme, de l’architecture aux ouvrages d’art. Il s’intéresse en particulier aux aménagements paysagers et urbains. En témoignent plusieurs projets de haute qualité : la Turbinenplatz (2000-2003), à Zurich, étonne l’observateur par le contraste entre les aménagements « minimalistes » et le spectacle féerique offert par son éclairage artificiel ; la place Simon Goulart recrée une ambiance festive et conviviale au centre de Genève ; entamé en 2001, le projet de la renaturation sur quatre kilomètres de l’Aire, un cours d’eau canalisé au XXe siècle, se matérialise peu à peu, offrant un nouvel espace de promenade au promeneur contemplatif. La production de l’atelier, territoriale, urbaine et architecturale, s’étend hors des frontières helvétiques, par l’aménagement des rives de la Saône à Lyon-Confluence ou le dessin du Jardin d’Eole à Paris.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Title:
Dwelling for intervals
Dwelling for intervals
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$25.00
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Summary:
Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
$25.00
(available to order)
Summary:
Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in(...)
Title:
Dwelling for intervals
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$25.00
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Summary:
Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Dwelling for intervals
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$25.00
(available to order)
Summary:
Dwelling for Intervals is a morphing International Artist Residency program, based on a forest retreat, that has hosted more than 150 resident artists from around the world since it began in 2001. First known as “A Week in the Woods”, it was situated in a room, in an apartment, in Montreal. Three years later, it became “This Neck of the Woods”, in a cabin in a backyard in Rotterdam, The Netherlands. Finally, the project became a roving para-site called “Knock on Woods” which has temporarily staked claim to land in Holland, France, Portugal, Berlin, Japan, and Canada. Dwelling for Intervals is an independent state, a sculpture, a series of collaborations, an international artist residency, a wilderness, a tree house, a travelling circus and a relative site/situation for temporary doing and undoing. The publication documents both the sites and the on-site work of the residents.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Group Exhibitions
Group Exhibitions
Form:
books
books
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$35.00
(available to order)
Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
$35.00
(available to order)
Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist(...)
Title:
Hans Ulrich Obrist : the Czech files
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$35.00
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Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Hans Ulrich Obrist : the Czech files
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$35.00
(available to order)
Summary:
This publication is a result of visits and discussions carried out by Hans Ulrich Obrist in artists’ studios in Prague around 2001 and 2008. Interviews with Milan Grygar, Jií Kovanda, Karel Malich, Zdenk Sýkora, and many others, map the historical events as well as unknown stories of the actors of the Czech “second avant-garde” or “neo-modernism” of the former socialist block. The artists and intellectuals of this generation were born in between 1920–1945. They lived through the 1960s cultural upheaval known as the Prague Spring, becoming part of international cultural movements for a limited time, and witnessed the “normalization” of the 1970s when censorship was re-introduced. This series of interviews contextualize a generation of Czech artists within the historical events that marked their lives and careers, and draw attention to their urgency to resist historical events while keeping their artistic practices sustained, radical, and vital.
Form:
books
books
Publication:
February 2015
February 2015
Subject:
Art Theory
Art Theory
Form:
books
books
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$26.95
(available to order)
Summary:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
$26.95
(available to order)
Summary:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the(...)
Title:
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
The ordinary: recordings. Rem Koolhaas, Denise Scott Brown, Yoshiharu Tsukamoto
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$26.95
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Summary:
Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. "The Ordinary" articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city—Denise Scott Brown's "Learning from Las Vegas" (1972), Rem Koolhaas's "Delirious New York" (1978), and Yoshiharu Tsukamoto's "Made in Tokyo" (2001)—this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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Description:
560 pages : illustrations (some color) ; 26 cm
Description:
560 pages : illustrations (some color) ; 26 cm
Author:
Subject:
- Museum of Modern Art (New York, N.Y.) Catalogs.,
- Museum of Modern Art (New York, N.Y.).,
- Museum of Modern Art (New York, N.Y.) Expositions.,
- The Museum of Modern Art New York, NY,
- Museum of Modern Art (New York, N.Y.). Exhibitions.,
- Arts, Modern 20th century Catalogs.,
- Arts New York (State) New York Catalogs.,
- Art 20e siècle Expositions.,
- Arts 20e siècle Catalogues.,
- Arts New York (État) New York Catalogues.,
- Arts,
- Arts, Modern,
- Kunst,
- Ausstellung,
- Beeldende kunsten.,
- Filmkunst.,
- Museum of Modern Art (N.Y.),
- Art, European 20th century Exhibitions.,
- New York (State) New York,
- Ausstellung New York (NY) 2000.,
- Exhibition catalogs.,
- catalogs (documents),
- Catalogs,
- Ausstellungskatalog The Museum of Modern Art 28.09.2000-30.01.2001 New York, NY.,
- Catalogues.,
- New York (NY, 2000)
(See more)
Publication:
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
Title:
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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Description:
560 pages : illustrations (some color) ; 26 cm
Modern contemporary : art at MoMA since 1980 / edited by Kirk Varnedoe, Paola Antonelli, Joshua Siegel.
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Holdings:
Description:
560 pages : illustrations (some color) ; 26 cm
Form:
books
books
Publication:
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
New York, NY : Museum of Modern Art : Distributed by H.N. Abrams, ©2000.
Subject:
- Museum of Modern Art (New York, N.Y.) Catalogs.,
- Museum of Modern Art (New York, N.Y.).,
- Museum of Modern Art (New York, N.Y.) Expositions.,
- The Museum of Modern Art New York, NY,
- Museum of Modern Art (New York, N.Y.). Exhibitions.,
- Arts, Modern 20th century Catalogs.,
- Arts New York (State) New York Catalogs.,
- Art 20e siècle Expositions.,
- Arts 20e siècle Catalogues.,
- Arts New York (État) New York Catalogues.,
- Arts,
- Arts, Modern,
- Kunst,
- Ausstellung,
- Beeldende kunsten.,
- Filmkunst.,
- Museum of Modern Art (N.Y.),
- Art, European 20th century Exhibitions.,
- New York (State) New York,
- Ausstellung New York (NY) 2000.,
- Exhibition catalogs.,
- catalogs (documents),
- Catalogs,
- Ausstellungskatalog The Museum of Modern Art 28.09.2000-30.01.2001 New York, NY.,
- Catalogues.,
- New York (NY, 2000)
(See more)
Form:
books
books
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Description:
14 volumes in 20 : illustrations, maps (some color), plans ; 24 cm.
- Library study room 181485 | D57 .C3 1970 | v. 1, pt. 1 | Available
- Library study room 181481 | D57 .C3 1970 | v. 1, pt. 2 | Available
- Library study room 181463 | D57 .C3 1970 | v. 1/2 Plates | Available
- Library study room 181480 | D57 .C3 1970 | v. 2, pt. 1 | Available
- Library study room 181479 | D57 .C3 1970 | v. 2, pt. 2 | Available
- Library study room 181484 | D57 .C3 1970 | v. 3 Plates | Available
- Library study room 181478 | D57 .C3 1970 | v. 3, pt. 1 | Available
- Library study room 181477 | D57 .C3 1970 | v. 3, pt. 2 | Available
- Library study room 181476 | D57 .C3 1970 | v. 3, pt. 3 | Available
- Library study room 181475 | D57 .C3 1970 | v. 4 | Available
- Library study room 181483 | D57 .C3 1970 | v. 4 Plates | Available
- Library study room 181474 | D57 .C3 1970 | v. 5 | Available
- Library study room 181466 | D57 .C3 1970 | v. 5 2nd ed. | Available
- Library study room 181462 | D57 .C3 1970 | v. 5/6 Plates | Available
- Library study room 181473 | D57 .C3 1970 | v. 6 | Available
- Library study room 181465 | D57 .C3 1970 | v. 6 2nd ed. | Available
- Library study room 181472 | D57 .C3 1970 | v. 7, pt. 1 | Available
- Library study room 181482 | D57 .C3 1970 | v. 7, pt. 1 Plates | Available
- Library study room 181471 | D57 .C3 1970 | v. 7, pt. 2 | Available
- Library study room 181464 | D57 .C3 1970 | v. 8 2nd ed. | Available
- Library study room 181470 | D57 .C3 1970 | v. 9 | Available
- Library study room 181469 | D57 .C3 1970 | v. 10 | Available
- Library study room 181468 | D57 .C3 1970 | v. 11 | Available
- Library study room 181467 | D57 .C3 1970 | v. 12 | Available
- Library main 181494 | D57 .C3 1970 | v. 1, pt. 1 | Available
- Library main 181493 | D57 .C3 1970 | v. 1, pt. 2A | Available
- Library main 181492 | D57 .C3 1970 | v. 1, pt. 2B | Available
- Library main 181491 | D57 .C3 1970 | v. 2, pt. 1 | Available
- Library main 181490 | D57 .C3 1970 | v. 2, pt. 2A | Available
- Library main 181489 | D57 .C3 1970 | v. 2, pt. 2B | Available
- Library main 181488 | D57 .C3 1970 | v. 4 | Available
- Library main 181486 | D57 .C3 1970 | v. 8 | Available
- Library main 181487 | D57 .C3 1970 | v. 9 | Available
(See more)
Description:
14 volumes in 20 : illustrations, maps (some color), plans ; 24 cm.
Author:
- edited by I.E.S. Edwards, C.J. Gadd, N.G.L. Hammond -- edited by I.E.S. Edwards, C.J. Gadd, N.G.L. Hammond -- edited by I.E.S. Edwards [and others] -- edited by I.E.S. Edwards [and others] -- edited by John Boardman [and others] -- edited by John Boardman [and others] -- edited by John Boardman, N.G.L. Hammond -- edited by John Boardman [and others] -- edited by D.M. Lewis [and others].,
- edited by D.M. Lewis [and others] -- edited by F.W. Walbank [and others] -- edited by F.W. Walbank [and others] -- edited by A.E. Astin [and others] -- edited by J.A. Crook, Andrew Lintott, Elizabeth Rawson -- edited by Alan K. Bowman, Edward Champlin, Andrew Lintott -- edited by Alan K. Bowman, Peter Garnsey, Dominic Rathbone -- edited by Alan K. Bowman, Averil Cameron, Peter Garnsey -- edited by Averil Cameron, Peter Garnsey -- edited by Averil Cameron, Bryan Ward-Perkins, Michael Whitby --,
- Edwards, I. E. S. (Iorwerth Eiddon Stephen), 1909-1996,,
- Gadd, C. J. (Cyril John), 1893-1969,,
- Hammond, N. G. L. (Nicholas Geoffrey Lemprière), 1907-2001,,
- Boardman, John, 1927-,
- Lewis, David M. (David Malcolm),,
- Walbank, F. W. (Frank William), 1909-2008,,
- Astin, A. E.,,
- Crook, J. A. (John Anthony),,
- Lintott, A. W. (Andrew William),,
- Rawson, Elizabeth,,
- Bowman, Alan K.,,
- Champlin, Edward, 1948-,
- Garnsey, Peter,,
- Rathbone, Dominic,,
- Cameron, Averil,,
- Ward-Perkins, Bryan,,
- Whitby, Michael,,
- Sollberger, Edmond,,
- Cambridge University Press.
(See more)
Subject:
- Collection U. Histoire ancienne.,
- Regards sur l'histoire. Histoire ancienne.,
- History, Ancient.,
- Histoire ancienne.,
- Antiquities,
- Ancient history.,
- Iran Antiquities.,
- Greece Antiquities.,
- Western Mediterranean Antiquities.,
- Middle East Antiquities.,
- Balkan Peninsula Antiquities.,
- Iran Antiquités.,
- Grèce Antiquités.,
- Moyen-Orient Antiquités.,
- Balkans Antiquités.,
- Balkan Peninsula,
- Greece,
- Iran,
- Mediterranean Region Western Mediterranean,
- Middle East,
- Mesopotamia.,
- Ancient world,
- Maps.,
- Reference works,
- Superhero comic books, strips, etc.,
- Ouvrages de référence.
(See more)
Publication:
Cambridge [England] ; New York : Cambridge University Press, 1970-<2005>
Cambridge [England] ; New York : Cambridge University Press, 1970-<2005>
Title:
The Cambridge ancient history.
Actions:
Holdings:
Description:
14 volumes in 20 : illustrations, maps (some color), plans ; 24 cm.
The Cambridge ancient history.
Actions:
Holdings:
- Library study room 181485 | D57 .C3 1970 | v. 1, pt. 1 | Available
- Library study room 181481 | D57 .C3 1970 | v. 1, pt. 2 | Available
- Library study room 181463 | D57 .C3 1970 | v. 1/2 Plates | Available
- Library study room 181480 | D57 .C3 1970 | v. 2, pt. 1 | Available
- Library study room 181479 | D57 .C3 1970 | v. 2, pt. 2 | Available
- Library study room 181484 | D57 .C3 1970 | v. 3 Plates | Available
- Library study room 181478 | D57 .C3 1970 | v. 3, pt. 1 | Available
- Library study room 181477 | D57 .C3 1970 | v. 3, pt. 2 | Available
- Library study room 181476 | D57 .C3 1970 | v. 3, pt. 3 | Available
- Library study room 181475 | D57 .C3 1970 | v. 4 | Available
- Library study room 181483 | D57 .C3 1970 | v. 4 Plates | Available
- Library study room 181474 | D57 .C3 1970 | v. 5 | Available
- Library study room 181466 | D57 .C3 1970 | v. 5 2nd ed. | Available
- Library study room 181462 | D57 .C3 1970 | v. 5/6 Plates | Available
- Library study room 181473 | D57 .C3 1970 | v. 6 | Available
- Library study room 181465 | D57 .C3 1970 | v. 6 2nd ed. | Available
- Library study room 181472 | D57 .C3 1970 | v. 7, pt. 1 | Available
- Library study room 181482 | D57 .C3 1970 | v. 7, pt. 1 Plates | Available
- Library study room 181471 | D57 .C3 1970 | v. 7, pt. 2 | Available
- Library study room 181464 | D57 .C3 1970 | v. 8 2nd ed. | Available
- Library study room 181470 | D57 .C3 1970 | v. 9 | Available
- Library study room 181469 | D57 .C3 1970 | v. 10 | Available
- Library study room 181468 | D57 .C3 1970 | v. 11 | Available
- Library study room 181467 | D57 .C3 1970 | v. 12 | Available
- Library main 181494 | D57 .C3 1970 | v. 1, pt. 1 | Available
- Library main 181493 | D57 .C3 1970 | v. 1, pt. 2A | Available
- Library main 181492 | D57 .C3 1970 | v. 1, pt. 2B | Available
- Library main 181491 | D57 .C3 1970 | v. 2, pt. 1 | Available
- Library main 181490 | D57 .C3 1970 | v. 2, pt. 2A | Available
- Library main 181489 | D57 .C3 1970 | v. 2, pt. 2B | Available
- Library main 181488 | D57 .C3 1970 | v. 4 | Available
- Library main 181486 | D57 .C3 1970 | v. 8 | Available
- Library main 181487 | D57 .C3 1970 | v. 9 | Available
(See more)
Description:
14 volumes in 20 : illustrations, maps (some color), plans ; 24 cm.
Form:
books
books
Publication:
Cambridge [England] ; New York : Cambridge University Press, 1970-<2005>
Cambridge [England] ; New York : Cambridge University Press, 1970-<2005>
Author:
- edited by I.E.S. Edwards, C.J. Gadd, N.G.L. Hammond -- edited by I.E.S. Edwards, C.J. Gadd, N.G.L. Hammond -- edited by I.E.S. Edwards [and others] -- edited by I.E.S. Edwards [and others] -- edited by John Boardman [and others] -- edited by John Boardman [and others] -- edited by John Boardman, N.G.L. Hammond -- edited by John Boardman [and others] -- edited by D.M. Lewis [and others].,
- edited by D.M. Lewis [and others] -- edited by F.W. Walbank [and others] -- edited by F.W. Walbank [and others] -- edited by A.E. Astin [and others] -- edited by J.A. Crook, Andrew Lintott, Elizabeth Rawson -- edited by Alan K. Bowman, Edward Champlin, Andrew Lintott -- edited by Alan K. Bowman, Peter Garnsey, Dominic Rathbone -- edited by Alan K. Bowman, Averil Cameron, Peter Garnsey -- edited by Averil Cameron, Peter Garnsey -- edited by Averil Cameron, Bryan Ward-Perkins, Michael Whitby --,
- Edwards, I. E. S. (Iorwerth Eiddon Stephen), 1909-1996,,
- Gadd, C. J. (Cyril John), 1893-1969,,
- Hammond, N. G. L. (Nicholas Geoffrey Lemprière), 1907-2001,,
- Boardman, John, 1927-,
- Lewis, David M. (David Malcolm),,
- Walbank, F. W. (Frank William), 1909-2008,,
- Astin, A. E.,,
- Crook, J. A. (John Anthony),,
- Lintott, A. W. (Andrew William),,
- Rawson, Elizabeth,,
- Bowman, Alan K.,,
- Champlin, Edward, 1948-,
- Garnsey, Peter,,
- Rathbone, Dominic,,
- Cameron, Averil,,
- Ward-Perkins, Bryan,,
- Whitby, Michael,,
- Sollberger, Edmond,,
- Cambridge University Press.
(See more)
Subject:
- Collection U. Histoire ancienne.,
- Regards sur l'histoire. Histoire ancienne.,
- History, Ancient.,
- Histoire ancienne.,
- Antiquities,
- Ancient history.,
- Iran Antiquities.,
- Greece Antiquities.,
- Western Mediterranean Antiquities.,
- Middle East Antiquities.,
- Balkan Peninsula Antiquities.,
- Iran Antiquités.,
- Grèce Antiquités.,
- Moyen-Orient Antiquités.,
- Balkans Antiquités.,
- Balkan Peninsula,
- Greece,
- Iran,
- Mediterranean Region Western Mediterranean,
- Middle East,
- Mesopotamia.,
- Ancient world,
- Maps.,
- Reference works,
- Superhero comic books, strips, etc.,
- Ouvrages de référence.
(See more)
Form:
journals and magazines
journals and magazines
Subject:
- Music Latin America Periodicals.,
- Indigenous peoples Music Periodicals.,
- Musique Amérique latine Histoire et critique Périodiques.,
- Peuples autochtones Musique Histoire et critique Périodiques.,
- 24.40 musicology: general.,
- Indians.,
- Music,
- Muziek.,
- MUSICA AMERICA LATINA HISTORIA Y CRITICA PUBLICACIONES PERIODICAS.,
- ETNOMUSICOLOGIA AMERICA LATINA PUBLICACIONES PERIODICAS.,
- Latin America.,
- Electronic journals.,
- Periodicals.
(See more)
Publication:
Austin, TX : University of Texas Press, 1980-
Austin, TX : University of Texas Press, 1980-
Form:
journals and magazines
journals and magazines
Publication:
Austin, TX : University of Texas Press, 1980-
Austin, TX : University of Texas Press, 1980-
Subject:
- Music Latin America Periodicals.,
- Indigenous peoples Music Periodicals.,
- Musique Amérique latine Histoire et critique Périodiques.,
- Peuples autochtones Musique Histoire et critique Périodiques.,
- 24.40 musicology: general.,
- Indians.,
- Music,
- Muziek.,
- MUSICA AMERICA LATINA HISTORIA Y CRITICA PUBLICACIONES PERIODICAS.,
- ETNOMUSICOLOGIA AMERICA LATINA PUBLICACIONES PERIODICAS.,
- Latin America.,
- Electronic journals.,
- Periodicals.
(See more)
