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In 'Dream City', urban designer Conrad Kickert examines the paradoxes of Detroit's landscape of extremes, arguing that the current reinvention of downtown is the expression of two centuries of Detroiters' conflicting hopes and dreams. Kickert demonstrates the materialization of these dreams with a series of detailed original morphological maps that trace downtown's rise,(...)
Dream city: creation, destruction, and reinvention in downtown Detroit
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In 'Dream City', urban designer Conrad Kickert examines the paradoxes of Detroit's landscape of extremes, arguing that the current reinvention of downtown is the expression of two centuries of Detroiters' conflicting hopes and dreams. Kickert demonstrates the materialization of these dreams with a series of detailed original morphological maps that trace downtown's rise, fall, and rebirth.
Urban Theory
Being and neonness
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For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. ''Being and Neonness'' is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an(...)
Being and neonness
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For most of us, the word neon conjures images of lights, colors, nightlife, and streets. It evokes the poetry of city nights. For Luis de Miranda, neon is a subject of philosophical curiosity. ''Being and Neonness'' is a cultural and philosophical history of neon, from early twentieth-century Paris to the electric, perpetually switched-on present day Manhattan. It is an inspired journey through a century of night, deciphering the halos of the past and the reflections of the present to shed light on the future.
Critical Theory
Energies in the arts
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material(...)
Energies in the arts
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This book investigates energies — in the plural, the energies embedded and embodied in everything under the sun — as they are expressed in the arts. With contributions from scholars and critics from the visual arts, art history, anthropology, music, literature, and the history of science, it offers the a multidisciplinary investigation of the concepts and material realities of energy coursing through the arts.
Art Theory
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Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations,(...)
Bill Viola: reasons for knocking at an empty house. Writings 1973-1994
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Chosen to represent the United States at the 46th Venice Biennale, Bill Viola, a New York artist living on the West Coast, is recognized internationally for his work in video and sound installations. This book brings together a selection of essays, notebook entries, drawings, and descriptions of projects that map Viola's personal course through the readings, observations, experiments, and associations that form the groundwork for his art. Each work illustrated is accompanied by a description by the artist, as well as comments on the work's origins from the artist's notebooks.
Art Theory
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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic(...)
Publishing manifestos: an international anthology from artists and writers
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Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue?or even medium?for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. "Publishing Manifestos" gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
Art Theory
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In "Economic Science Fictions", editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. Rooted in the sense that our current(...)
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley’s consumerist dystopias, economics and science fiction have often orbited each other. In "Economic Science Fictions", editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalise economic thinking. Rooted in the sense that our current economic reality is no longer credible or viable, this collection treats our economy as a series of fictions and science fiction as a means of anticipating different economic futures. It asks how science fiction can motivate new approaches to economics and provides surprising new syntheses, merging social science with fiction, design with politics, scholarship with experimental forms.
Critical Theory
Inferno: the trash project
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Why do we find ourselves so attracted to the cheap and vulgar, the discarded, the misshapen and the abject? What do we really mean when we say that something is “so bad it's good,” and what finally does it say about us? Part personal confession and part historical roadmap of tales from the underground and exploitation movie scene in America during the 1960s, ''Inferno''(...)
Inferno: the trash project
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Why do we find ourselves so attracted to the cheap and vulgar, the discarded, the misshapen and the abject? What do we really mean when we say that something is “so bad it's good,” and what finally does it say about us? Part personal confession and part historical roadmap of tales from the underground and exploitation movie scene in America during the 1960s, ''Inferno'' takes the reader on a journey deep into the heart of the trash experience. With this publication, Hollings offers a complex and intricate timeline of connections, coincidences, and resonances that have mostly gone unnoticed. He traces the transmission of “the Purple Death,” a deadly and exotic virus first depicted in an old episode of a Flash Gordon movie serial, through the films of Jack Smith, Andy Warhol, and Kenneth Anger and into the output of such exploitation pioneers as Ray Dennis Steckler, Hershel Gordon Lewis, and Russ Meyer. Hollings also turns his idiosyncratic gaze upon key aspects of teenage culture during the 1960s, including hot rods, “Rat Fink,” surfers, bikers, and beach parties, uncovering a secretive and hidden universe of masks, fake identities, and secret desires. Even Dante would think twice about taking this trip into Hell.
Critical Theory
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far(...)
Into the white: the Renaissance Arctic and the end of the image
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'Into the White' uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.
Art Theory
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video(...)
Performing image
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In "Performing Image", Isobel Harbison examines how artists have combined performance and moving image in their work since the 1960s, and how this work anticipates our changing relations to images since the advent of smart phones and the spread of online prosumerism. Over this period, artists have used a variety of DIY modes of self-imaging and circulation from home video to social media suggesting how and why Western subjects might seek alternative platforms for self-expression and self-representation. In the course of her argument, Harbison offers close analyses of works by such artists as Robert Rauschenberg, Yvonne Rainer, Mark Leckey, Wu Tsang, and Martine Syms.
Art Theory
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These essays make the case for a reignited understanding of aesthetics- one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the ''critical'' stance of(...)
Aesthetics equals politics: new discourses across art, architecture and philosophy
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These essays make the case for a reignited understanding of aesthetics- one that casts aesthetics not as illusory, subjective, or superficial, but as a more encompassing framework for human activity. Such an aesthetics, the contributors suggest, could become the primary discourse for political and social engagement. Departing from the ''critical'' stance of twentieth-century artists and theorists who embraced a counter-aesthetic framework for political engagement, this book documents how a broader understanding of aesthetics can offer insights into our relationships not only with objects, spaces, environments, and ecologies, but also with each other and the political structures in which we are all enmeshed
Architectural Theory