Dafi Kühne: true print
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Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in(...)
Dafi Kühne: true print
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$49.00
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Dafi Ku¨hne is a Swiss designer who works with analogue and digital techniques to produce fresh and unique letterpress-printed posters. Using very different kinds of tools — from a computer to a pantograph — for his compositions, he pushes the boundaries of design. Never afraid of getting his hands dirty in his creative workshop, Dafi Kühne embraces the labor involved in the entire process of creating a poster, from initial idea to finished product. Fusing modern means with the century-old tradition of letterpress, he forms a new vocabulary for how to communicate through type and form in a truly contemporary way. Never retro, his work is a clever response to the search for new possibilities of graphic expression: true print.
Graphic Designers, Monographs
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
March 2017
The present is the form of all life: the time capsules of Ant Farm and LST
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual(...)
Landscape and the science fiction imaginary
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There has been plenty of scholarship on science fiction over the decades, but it has left one crucial aspect of the genre all but unanalysed: the visual. Ambitious and original, "Landscape and the Science Fiction Imaginary" corrects that oversight, making a powerful argument for science fiction as a visual cultural discourse. Taking influential historical works of visual art as starting points, along with illustrations, movie matte paintings, documentaries, artist’s impressions and digital environments, John Timberlake focuses on the notion of science fiction as an 'imaginary topos', one that draws principally on the intersection between landscape and historical/prehistorical time. Richly illustrated, this book will appeal to scholars, students, and fans of science fiction and the remarkable visual culture that surrounds it.
Architecture and Film, Set Design
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video(...)
Legible-visible: between the film frame and the page
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''Legible-Visible'' explores the relationship between print publications and audio-visual documents, two of the most important media in the social and cultural landscape of our time—and two forms that also define the evolution of contemporary art in the twentieth and twenty-first centuries. Mela Dávila and Maite Muñoz here show how the arrival of inexpensive home video technologies in the 1970s and then of digital media at the turn of the millennium sparked revolutions in the creation and diffusion of both video artworks and artists' publications. Dávila proposes a theoretical and historical framework for works long dismissed by the market because of their serial nature, while Muñoz shows how artists have taken advantage of the permeability between publications and audovisual elements.
Art Theory
57 pavilions
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"57 Pavilions" is a 21st century manual documenting architectural design research at PennDesign examining new potentials for part to whole assemblies where experiments in material expression, morphology, performance and culture fuse with advanced digital design processes and fabrication to produce full-scale architectural consequences. Through the presentation of 54(...)
57 pavilions
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"57 Pavilions" is a 21st century manual documenting architectural design research at PennDesign examining new potentials for part to whole assemblies where experiments in material expression, morphology, performance and culture fuse with advanced digital design processes and fabrication to produce full-scale architectural consequences. Through the presentation of 54 half-scale pavilion projects and three full-scale pavilions a novel approach is laid out for generating higher ordered physical assemblies. The formations produce a new role of parts, material processes, and aggregations yielding a more autonomous character as discrete objects in a larger assembly. As the pavilion research moves into the world in full-scale installations, these new part to whole relationships provoke unexpected engagement with occupants, the environment, and the larger cultural context.
Experimentale architecture
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Though reaching ever further toward the skies, today's cities are overshadowed by multiple threats: climate change, overpopulation, social division, and urban warfare all endanger our metropolitan way of life. The fundamental tool we use to make sense of these uncertain city futures is the imagination. Architects, artists, filmmakers, and fiction writers have long been(...)
Future cities: architecture and the imagination
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Though reaching ever further toward the skies, today's cities are overshadowed by multiple threats: climate change, overpopulation, social division, and urban warfare all endanger our metropolitan way of life. The fundamental tool we use to make sense of these uncertain city futures is the imagination. Architects, artists, filmmakers, and fiction writers have long been inspired to imagine cities of the future, but their speculative visions tend to be seen very differently from scientific predictions: flights of fancy on the one hand versus practical reasoning on the other. In a digital age when the real and the fantastic coexist as near equals, it is especially important to know how these two forces are entangled, and how together they may help us best conceive of cities yet to come.
Architectural Theory
Re-naturalisation
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As Aaron Betsky notes in his introductory essay, that while Guallart is an active member of what has been called emergent architecture, his practice goes further, generating a body of work that emerges from both physical and social – both real and digital – structures. While the architect himself suggests that the end purpose of architecture is not (solely) to build, but(...)
Architecture Monographs
January 2009, Beijing
Re-naturalisation
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As Aaron Betsky notes in his introductory essay, that while Guallart is an active member of what has been called emergent architecture, his practice goes further, generating a body of work that emerges from both physical and social – both real and digital – structures. While the architect himself suggests that the end purpose of architecture is not (solely) to build, but also to define environments where human life can be organised. To support these observations, such projects as Denia Mountain, the Spanish Pavilion for Shanghai Expo 2010, the Keelung Maritime Plaza and Fugee Port in Taiwan, the Cambrils Sea Apartments and the Sociopolis Masterplan, Valencia are examined. Seventeen works and projects are presented in total, accompanied by essays, texts, photographs and elaborate technical drawings. Texts in English/Chinese
Architecture Monographs
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his(...)
Takashi Homma: Thirty-Six views of Mount Fuji
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This collection of new work by celebrated photographer Takashi Homma approaches one of the most iconic and widely represented images in Japan and the world: Mount Fuji. With its title referencing Hokusai’s famous series of ukiyo-e woodblock prints, Homma evokes his country’s traditions of representation and depiction while offering a haunting new encounter with his subject. Using pinhole cameras as well as digital technology, Homma forms ghostly images of the mountain as it resides to the southwest of Tokyo in collaged views that place it ambiguously in the wider landscape – both invoking and subverting the spectacle it has come to be associated with. With this new book, Homma writes a subtle and essential new chapter in the history of Japanese visual culture.
Current Exhibitions
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''The Japanese House Since 1945'' is a cohesive chronology of iconic Japanese houses, presenting the most compelling architect-designed homes to show developments in form, material, architectural expression, and family living over almost eight decades. Unparalleled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with(...)
The Japanese house since 1945
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''The Japanese House Since 1945'' is a cohesive chronology of iconic Japanese houses, presenting the most compelling architect-designed homes to show developments in form, material, architectural expression, and family living over almost eight decades. Unparalleled in their conceptual purity, many Japanese houses have become icons at home as well as abroad. Presented with clear prose and accompanied by photographs and drawings, the book features ninety-seven houses, divided among nine chapters and organized by decade. In addition to acquainting the reader with individual homes, the book illuminates the social, technological, geographic, and historical factors behind these epoch-making houses. Developments over the period are underscored by the visual presentation, as it evolves from monochrome to color and from hand-drawn to digital.
Residential Architecture
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples(...)
AD 01:95 Staged: Architecture for performance, exhibition, and fiction
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This issue focuses on how architectural skills are deployed in entertainment to communicate design and form the backdrops for stories to play out. It includes articles on installations, exhibition designs, entertainment architecture, narrative projects, speculations on future human identities, video gaming, and memorial tombs – an international plethora of staged examples of how architectural thinking can bring vitality to situations not usually perceived to be within the realms of traditional practice. The issue engages with popular culture, fictions, art, performance, technology, and architectural history and theory. Exploring the full spectrum of spatial propositions that architects can bring to staging events, the work featured is theatrical and exuberant, and the product of many collaborative architectural voices including curators, artists, performers, digital intelligences, fabricators, and writers.
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