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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept(...)
The sympathy of things: Ruskin and the ecology of design, 2nd edition
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Lars Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Architectural Theory
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous(...)
Jürgen Mayer: Could would should
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The Mikmak Foundation invited German architect Jürgen Mayer H. for the Designers of the Future lecture, because of the particular relationship in his work between research and architectural practice, combined with a strong interest in articulating the contemporary public realm, including the use and meaning of new media. The contemporary public realm faces enormous challenges, amongst others the introduction of a parallel digital public sphere. How should we envisage the role of the architect in an augmented reality of physical and virtual worlds? In this transcript of the lecture, Mayer H. discusses his viewpoints, research and architectural practice in four parts: ‘A-Way’, ‘Built Work’, ‘A Country’, and ‘Metropol Parasol’.
Architecture Monographs
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of(...)
Armin Linke: the appearance of that which cannot be seen
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For more than twenty years, Armin Linke has been photographing the effects of globalization, the wholesale transformation of infrastructures, and the networking of the post-industrial society via digital information and communication technologies. His photographs show that the modern world is a massive profusion of data, where the material infrastructures, consisting of computer centres, data highways, and server rooms, are largely invisible. For The Appearance of That Which Cannot Be Seen, Linke invited scientists and theoreticians to examine his picture archive. Ariella Azoulay, Bruno Latour, Peter Weibel, Mark Wigley, and Jan Zalasiewicz made a selection of images and in the process opened up Linke’s photos to a variety of different readings.
Photography monographs
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially(...)
Inherent vice: bootleg histories of videotape and copyright
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In an age of digital technology and renewed anxiety about media piracy, Inherent Vice revisits the recent analog past with an eye-opening exploration of the aesthetic and legal innovations of home video. Analog videotape was introduced to consumers as a blank format, essentially as a bootleg technology, for recording television without permission. The studios initially resisted VCRs and began legal action to oppose their marketing. In turn, U.S. courts controversially reinterpreted copyright law to protect users’ right to record, while content owners eventually developed ways to exploit the video market. Lucas Hilderbrand shows how videotape and fair use offer essential lessons relevant to contemporary progressive media policy.
Acoustics
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What might the city of the future look like and how might it meet the needs of future generations while limiting damage to our planet's fragile ecosystem? This book introduces pioneering architects, designers and planners whose visions for an alternative urban future address issues such as climate change, population density, infrastructure, transportation and digital(...)
The future city: Visionary urban design and architecture
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What might the city of the future look like and how might it meet the needs of future generations while limiting damage to our planet's fragile ecosystem? This book introduces pioneering architects, designers and planners whose visions for an alternative urban future address issues such as climate change, population density, infrastructure, transportation and digital culture. It includes over 40 radical projects grouped into five key categories: master planning and megacities, transportation and infrastructure, new habitats, green cities/ urban farming, and smart cities. Each category summarises trends that will drive the development of future cities, with each project representing a unique approach to urban development in the 21st century and beyond.
Urban Theory
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on(...)
Why are they so afraid of the lotus?: A series of open questions
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Driven by the central question "What are we learning from artists today?" the second volume of ''A series of open questions'' is informed by themes found in the work of Trinh T. Minh-ha, such as cultural hybridization and fluidity of identity, digital and migratory aesthetics, memory and landscape, decentered realities, feminist approaches to storytelling, meditations on death and myth, post-coloniality and decolonization, and women's work as related to cultural politics. The contributions to ''Why are they so afraid of the lotus?'' embody Trinh's own weariness around categorization and investigate the ways production can come from and be based in positions of unknowing.
Social
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By reorganizing access to a wide spectrum of fundamental domains, such as education, housing, health care, or even political information, platforms are destined to become the most powerful players regulating the way we live in cities. Digital platforms such as Facebook, Uber, Airbnb, and Amazon are not only new types of enterprises but also a completely new culture of(...)
Platform urbanism and its discontents
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By reorganizing access to a wide spectrum of fundamental domains, such as education, housing, health care, or even political information, platforms are destined to become the most powerful players regulating the way we live in cities. Digital platforms such as Facebook, Uber, Airbnb, and Amazon are not only new types of enterprises but also a completely new culture of life – from the products we handle and the services we use every day to entire urban neighbourhoods that will be built by major platform enterprises in the next few years. These multi-scalar changes raise significant questions about the social potentials and risks of the architecture of these all-encompassing ecosystems.
Urban Theory
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of(...)
Shinichiro Shiraishi: Samsara
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Shot in Dungeness, on the coast of England, this series by Berlin-based photographer Shinichiro Shiraishi is influenced by memories of his childhood visits to his grandparents’ home in the Japanese countryside. It also reflects a realisation that emerged from his time there: that natural and human-made are both part of the landscape and a part of nature. The duality of Dungeness is replicated by the book’s design – images shimmer, black pages balance white, adder stones puncture paper. To visualise the coexistence between natural and artificial objects, 90 photos have been subjected to analogue and digital processes, bringing us closer to the emotions of this peripheral place.
Photography monographs
Conflict in my Outlook
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy,(...)
June 2022
Conflict in my Outlook
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We live in a hyper-mediated world, drowning in an ocean of images and information. ''Conflict in my outlook'' gathers contemporary artworks and new texts that shed light on human experience in an era of ubiquitous networked technologies. From digital intimacies and the weaponization of social media to invisible power structures, clickwork, and the 'gig' economy, contributors seek a better future in the context of algorithmic racism, machine learning, and the new colonial frontiers of surveillance capitalism. The anthology, which is published on the occasion of a two-part exhibition series at UQ Art Museum, focuses on art as a means to explore the techno-politics that define our age.
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features(...)
Print / Out : 20 years in print
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This catalogue, published in conjunction with an exhibition at The Museum of Modern Art, New York, examines the evolution of artistic practices related to printmaking, from the resurgence of traditional printing techniques - often used alongside digital technologies - to the worldwide proliferation of self-published artist's books and ephemera. "Print/Out" features focused sections on ten artists and publishers - Ai Weiwei, Edition Jacob Samuel, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Robert Rauschenberg, Superflex and Rirkrit Tiravanija--as well as rich illustrations of additional printed projects from the last 20 years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schutte and Kelley Walker.
Printed Matter