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Collins provides a thorough history of the new 19th century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975,(...)
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Collins provides a thorough history of the new 19th century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975,(...)
Subject:
Materials and Lighting
Materials and Lighting
Publication:
April 2003, Montréal / Kingston
April 2003, Montréal / Kingston
Title:
Concrete : the vision of a new architecture, second edition
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Collins provides a thorough history of the new 19th century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of "Concrete" includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins.
Concrete : the vision of a new architecture, second edition
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Collins provides a thorough history of the new 19th century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of "Concrete" includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins.
Subject:
Materials and Lighting
Materials and Lighting
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$93.99
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished(...)
Title:
Designing the V: the museum as a work of art (1857-1909)
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The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Designing the V: the museum as a work of art (1857-1909)
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Summary:
The building of the Victoria and Albert Museum, begun in 1857, is the most elaborately designed and decorated museum in Britain. This book is the first to consider the V as a work of art in itself, presenting drawings, watercolours and historic photographs relating to the museum’s 19th-century exteriors and interiors. Much of this visual material is previously unpublished and is outside the canon of Victorian art and design. The V’s first Director, Henry Cole, conceived the museum’s building as a showcase for leading Victorian artists to design and decorate. This book reveals for the first time the ways in which Cole’s expressed policy to ‘assemble a splendid collection of objects representing the application of Fine Arts to manufacture’ was applied to the fabric of the building, as he engaged leading painters such as Frederic Leighton, G.F. Watts and Edward Burne-Jones, as well as specialists in decoration such as Owen Jones and Morris and Company, to decorate and design for a building raised by engineers using innovatory materials and techniques. This book represents a fascinating, untold chapter in the history of British 19th-century art, design, architecture and museums, and provides an essential key to understanding the evolution of the museum’s early collections and identity.
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Title:
Montage and the metropolis: architecture, modernity, and the representation of space
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Montage and the metropolis: architecture, modernity, and the representation of space
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Subject:
Architectural Theory
Architectural Theory
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which(...)
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which(...)
Title:
Histories of ecological design: an unfinished encyclopedia
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which visual artist and theorist György Kepes has described as one of the fundamental reorientations of the 20th century. To survey the formation of this field, the history of ecological design will not be exclusively examined chronologically, but also in connected worldviews, each rendering evolving perceptions of nature, its relation to culture, and the occupation of the natural world by human and non-human subjects.
Histories of ecological design: an unfinished encyclopedia
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This book presents conflicting definitions and concepts of architects and designers and the parallel histories of their intellectual positions toward environmental thought from the 19th century to today. It showcases that ecological design starts with the reconceptualization of the world as a complex system of flows rather than a discrete compilation of objects, which visual artist and theorist György Kepes has described as one of the fundamental reorientations of the 20th century. To survey the formation of this field, the history of ecological design will not be exclusively examined chronologically, but also in connected worldviews, each rendering evolving perceptions of nature, its relation to culture, and the occupation of the natural world by human and non-human subjects.
Subject:
Architecture ecologies
Architecture ecologies
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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
$54.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Title:
Montage and the metropolis: architecture, modernity, and the representation of space
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$54.95
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Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Montage and the metropolis: architecture, modernity, and the representation of space
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Price:
$54.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Subject:
Architectural Theory
Architectural Theory
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$95.00
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The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in(...)
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The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in(...)
Publication:
September 2021
September 2021
Title:
Korean modern: the matter of identity. Modern architecture in an east Asian country
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The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in the construction of the nation’s identity. The architectural analyses, ranging from Hwaseong Fortress to 21st-century constructions like Paju Book City, Ssamziegil Shopping Center, the Boutique Monaco skyscraper, and the Bauzium Sculpture Museum, focus on buildings in which the formation of a specifically Korean modernism is particularly observable. The appendix includes biographical descriptions of major architectural figures.
Korean modern: the matter of identity. Modern architecture in an east Asian country
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$95.00
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Summary:
The development of modern architecture in Korea and, more recently, South Korea, is closely tied to the country’s dramatic transformations since the late 19th century. The authors interrogate major periods from the Late Joseon Dynasty to the vibrant democratic present, showing how architecture, by making technological and stylistic leaps, has played a important role in the construction of the nation’s identity. The architectural analyses, ranging from Hwaseong Fortress to 21st-century constructions like Paju Book City, Ssamziegil Shopping Center, the Boutique Monaco skyscraper, and the Bauzium Sculpture Museum, focus on buildings in which the formation of a specifically Korean modernism is particularly observable. The appendix includes biographical descriptions of major architectural figures.
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books
books
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Description:
3 volumes : illustrations, maps
- Library main 181960 | ID PO14423 DS44.5 C28; ID:85-B16974 | v.1 | Available
- Library main 181959 | ID PO14423 DS44.5 C28; ID:85-B16974 | v.2 | Available
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Description:
3 volumes : illustrations, maps
Author:
- Carne, John, 1789-1844.,
- Bartlett, W. H. (William Henry), 1809-1854,,
- Purser, William,,
- Adlard, Henry,,
- Capone, W. H.,,
- Jorden, H. (Henry), active 1829-1853,,
- Benjamin, E., active 1834-1846,,
- Sands, Robert, 1782-1855,,
- Presbury, George,,
- Carter, James, 1798-1855,,
- Finden, W. (William), 1787-1852,,
- Jeavons, Thomas, -1867,,
- Higham, Thomas, 1796-1844,,
- Varrall, John Charles, active 1818-1848,,
- Redaway, James C., active 1818-1857,,
- Floyd, William, active 1832-1859,,
- Barber, Thomas, active 1818-1846,,
- Sands, James (Engraver),
- Bradshaw, Samuel (Engraver),
- Lowry, Joseph Wilson, 1803-1879,,
- Starling, M. J. (Matthew James), 1805 or 1806-,
- Cooke, William John, 1797-1865,,
- Kelsall, W. H., active 1830-1838,,
- Wallis, William, 1796-,
- Tingle, James, active 1824-1850,,
- Prior, Thomas Abiel, 1809-1886,,
- Lacey, Samuel, 1786-1859,,
- Smith, Samuel S., 1809-1879,,
- Taylor, William, active 1830-1858,,
- Payne, A. H. (Albert Henry), 1812-1902,,
- Kernot, J. H. (James Harfield), active 1828-1858,,
- Allen, James Baylis, 1803-1876,,
- Cousen, John, 1804-1880,,
- Stephenson, James, 1808-1886,,
- Turnbull, Thomas, steel engraver.,
- Smith, Edward, active 1823-1851,,
- Le Keux, John Henry, 1812-1896,,
- Fisher, Samuel, active 1830-1855,,
- Appleton, J. W., active 1834-43,,
- Heath, J. P.,,
- Hill, W., active 1833-1850,,
- Topham, Francis William, 1808-1877,,
- Bentley, Joseph Clayton, 1809-1851,,
- Havell, Frederick James, 1801-1840,,
- Murdock, J. S.,,
- Challis, Ebenezer, active 1831-1863,,
- Treacher, E. G.,,
- Starling, W. F. (William Francis), active 19th century,,
- Thompson, D., steel engraver.,
- Saddler, John, 1813-1892,,
- Radclyffe, Edward, 1810-1863,,
- Radclyffe, William, 1783-1855,,
- Allom, Thomas, 1804-1872,,
- Davies, Benjamin Rees.
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Publication:
London ; Paris ; America : Fisher, Son, & Co., 1836-1838.
London ; Paris ; America : Fisher, Son, & Co., 1836-1838.
Title:
Syria, the Holy Land, Asia minor &c. illustrated : in a series of views drawn from nature / by W.H. Bartlett, William Purser, &c. ; with descriptions of the plates by John Carne ...
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3 volumes : illustrations, maps
Syria, the Holy Land, Asia minor &c. illustrated : in a series of views drawn from nature / by W.H. Bartlett, William Purser, &c. ; with descriptions of the plates by John Carne ...
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Holdings:
- Library main 181960 | ID PO14423 DS44.5 C28; ID:85-B16974 | v.1 | Available
- Library main 181959 | ID PO14423 DS44.5 C28; ID:85-B16974 | v.2 | Available
(See more)
Description:
3 volumes : illustrations, maps
Form:
books
books
Publication:
London ; Paris ; America : Fisher, Son, & Co., 1836-1838.
London ; Paris ; America : Fisher, Son, & Co., 1836-1838.
Author:
- Carne, John, 1789-1844.,
- Bartlett, W. H. (William Henry), 1809-1854,,
- Purser, William,,
- Adlard, Henry,,
- Capone, W. H.,,
- Jorden, H. (Henry), active 1829-1853,,
- Benjamin, E., active 1834-1846,,
- Sands, Robert, 1782-1855,,
- Presbury, George,,
- Carter, James, 1798-1855,,
- Finden, W. (William), 1787-1852,,
- Jeavons, Thomas, -1867,,
- Higham, Thomas, 1796-1844,,
- Varrall, John Charles, active 1818-1848,,
- Redaway, James C., active 1818-1857,,
- Floyd, William, active 1832-1859,,
- Barber, Thomas, active 1818-1846,,
- Sands, James (Engraver),
- Bradshaw, Samuel (Engraver),
- Lowry, Joseph Wilson, 1803-1879,,
- Starling, M. J. (Matthew James), 1805 or 1806-,
- Cooke, William John, 1797-1865,,
- Kelsall, W. H., active 1830-1838,,
- Wallis, William, 1796-,
- Tingle, James, active 1824-1850,,
- Prior, Thomas Abiel, 1809-1886,,
- Lacey, Samuel, 1786-1859,,
- Smith, Samuel S., 1809-1879,,
- Taylor, William, active 1830-1858,,
- Payne, A. H. (Albert Henry), 1812-1902,,
- Kernot, J. H. (James Harfield), active 1828-1858,,
- Allen, James Baylis, 1803-1876,,
- Cousen, John, 1804-1880,,
- Stephenson, James, 1808-1886,,
- Turnbull, Thomas, steel engraver.,
- Smith, Edward, active 1823-1851,,
- Le Keux, John Henry, 1812-1896,,
- Fisher, Samuel, active 1830-1855,,
- Appleton, J. W., active 1834-43,,
- Heath, J. P.,,
- Hill, W., active 1833-1850,,
- Topham, Francis William, 1808-1877,,
- Bentley, Joseph Clayton, 1809-1851,,
- Havell, Frederick James, 1801-1840,,
- Murdock, J. S.,,
- Challis, Ebenezer, active 1831-1863,,
- Treacher, E. G.,,
- Starling, W. F. (William Francis), active 19th century,,
- Thompson, D., steel engraver.,
- Saddler, John, 1813-1892,,
- Radclyffe, Edward, 1810-1863,,
- Radclyffe, William, 1783-1855,,
- Allom, Thomas, 1804-1872,,
- Davies, Benjamin Rees.
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Summary:
''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry(...)
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''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry(...)
Subject:
Photography monographs
Photography monographs
Publication:
January 2019
January 2019
Title:
Silver and glass: Cornelia Parker and photography
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''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry Fox Talbot, Parker combined two of his early techniques- solar prints and the photogravure- to create a new hybrid form of print by exposing translucent three-dimensional objects to ultraviolet light.
Silver and glass: Cornelia Parker and photography
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''Silver and Glass'' is the first publication to explore the application and influence of photography in the art of the popular British artist Cornelia Parker (born 1956). The book is illustrated by works from across Parker's career, including those which arose from her investigations into the photogravure. Inspired by the 19th-century photographic pioneer William Henry Fox Talbot, Parker combined two of his early techniques- solar prints and the photogravure- to create a new hybrid form of print by exposing translucent three-dimensional objects to ultraviolet light.
Subject:
Photography monographs
Photography monographs
Form:
journals and magazines
journals and magazines
Title:
Cabinet 60: Containers
Cabinet 60: Containers
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Summary:
Cabinet issue 60, with a special section on “Containers,” includes Simon Asad on the challenge that efficient packing poses for mathematics; Jason Hamlin on attempts to recycle glass bottles as architectural materials; Margaret Bode on specimen boxes in the history of science; and Susan Lopez on the rise of the modern cardboard box in 19th-century Brooklyn. Elsewhere in(...)
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Summary:
Cabinet issue 60, with a special section on “Containers,” includes Simon Asad on the challenge that efficient packing poses for mathematics; Jason Hamlin on attempts to recycle glass bottles as architectural materials; Margaret Bode on specimen boxes in the history of science; and Susan Lopez on the rise of the modern cardboard box in 19th-century Brooklyn. Elsewhere in(...)
Title:
Cabinet 60: Containers
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$15.00
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Cabinet issue 60, with a special section on “Containers,” includes Simon Asad on the challenge that efficient packing poses for mathematics; Jason Hamlin on attempts to recycle glass bottles as architectural materials; Margaret Bode on specimen boxes in the history of science; and Susan Lopez on the rise of the modern cardboard box in 19th-century Brooklyn. Elsewhere in the issue: Cecilia Sjöholm on the history of book burning; Avinoam Shalem on urban archaeology and “vertical knowledge”; and an artist project by Agniezka Kurant.
Cabinet 60: Containers
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Cabinet issue 60, with a special section on “Containers,” includes Simon Asad on the challenge that efficient packing poses for mathematics; Jason Hamlin on attempts to recycle glass bottles as architectural materials; Margaret Bode on specimen boxes in the history of science; and Susan Lopez on the rise of the modern cardboard box in 19th-century Brooklyn. Elsewhere in the issue: Cecilia Sjöholm on the history of book burning; Avinoam Shalem on urban archaeology and “vertical knowledge”; and an artist project by Agniezka Kurant.
Form:
journals and magazines
journals and magazines
Publication:
April 2016
April 2016
Subject:
Magazines
Magazines
Price:
$75.00
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Summary:
The typology of the townhouse originated in the late 19th century yet still represents a viable and attractive alternative to the detached single-family home. Several apartments spread across up to five floors are connected by a common staircase. In terms of urban planning, this type of structure makes it possible to reconcile dense urban settlement with open green(...)
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Summary:
The typology of the townhouse originated in the late 19th century yet still represents a viable and attractive alternative to the detached single-family home. Several apartments spread across up to five floors are connected by a common staircase. In terms of urban planning, this type of structure makes it possible to reconcile dense urban settlement with open green(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
December 2021
December 2021
Title:
Villa urbaine : L'exemple lausannois / Urban Villa: The Lausanne Example
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Summary:
The typology of the townhouse originated in the late 19th century yet still represents a viable and attractive alternative to the detached single-family home. Several apartments spread across up to five floors are connected by a common staircase. In terms of urban planning, this type of structure makes it possible to reconcile dense urban settlement with open green spaces. Specially commissioned photographs and plan drawings of eight exemplary Lausanne townhouses illustrate texts written by international authors, who unfold the theme in its worldwide relevance.
Villa urbaine : L'exemple lausannois / Urban Villa: The Lausanne Example
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$75.00
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Summary:
The typology of the townhouse originated in the late 19th century yet still represents a viable and attractive alternative to the detached single-family home. Several apartments spread across up to five floors are connected by a common staircase. In terms of urban planning, this type of structure makes it possible to reconcile dense urban settlement with open green spaces. Specially commissioned photographs and plan drawings of eight exemplary Lausanne townhouses illustrate texts written by international authors, who unfold the theme in its worldwide relevance.
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe