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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of(...)
Space forces: a critical history of life in outer space
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Many societies have imagined going to live in space. What they want to do once they get up there—whether conquering the unknown, establishing space ''colonies,'' privatising the moon’s resources—reveals more than expected. In this fascinating radical history of space exploration, Fred Scharmen shows that often science and fiction have combined in the imagined dreams of life in outer space, but these visions have real implications for life back on earth. For the Russian Cosmists of the 1890s space was a place to pursue human perfection away from the Earth. For others, such as Wernher Von Braun, it was an engineering task that combined, in the Space Race, the Cold War, and during World War II, with destructive geopolitics. Arthur C. Clarke, in his speculative books, offered an alternative vision of wonder that is indifferent to human interaction. Meanwhile NASA planned and managed the space station like an earthbound corporation. Today, the market has arrived into outer space and exploration is the plaything of superrich technology billionaires, who plan to privatise the mineral wealth for themselves. Are other worlds really possible? Bringing these figures and ideas together reveals a completely different story of our relationship with outer space, as well as the dangers of our current direction of extractive capitalism and colonisation.
Architectural Theory
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But(...)
Moonwalk one, the director's cut
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DVD Release Date: June 21, 2009. Kamecke's film could be placed in a time capsule and removed some time in the distant future as an exact record of our feelings at the time." So said Kathleen Carroll of the New York Daily News in 1972. NASA commissioned director Theo Kamecke to make the documentary only six weeks before Apollo 11 s flight to the Moon in July 1969. But instead of a simple documentary film, what transpired was a philosophical and poetic record of Man s first attempt to walk on another world. Opening dramatically with another of mankind s great achievements Stonehenge the film puts the triumph of the Moon shot into its proper historical context. Filmed across the World as the mission unfolded, Moonwalk One uniquely captured the essence of Apollo 11 in a way that subsequent documentaries could only mimic. Combined with Charles Morrow s breathtaking, avant-garde score and Laurence Luckinbill s inspiring narration this is a classic film for all time and makes for fascinating viewing today from the perspective of the early 21st Century. As Joseph Gelmis of the New York daily Newsday declared in 1969; Moonwalk One deserves to be a companion piece to Stanley Kubrik s masterwork 2001: A Space Odyssey .
DVDs
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"Maps of the imagination" takes us on a magic carpet ride over terrain both familiar and exotic. Using the map as metaphor, Peter Turchi considers writing as a combination of exploration and presentation. He compares the way a writer leads a reader through the imaginary world of a story, novel, or poem to the way a mapmaker charts the physical world. "To ask for a map,"(...)
Maps of the imagination : the writer as cartographer
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"Maps of the imagination" takes us on a magic carpet ride over terrain both familiar and exotic. Using the map as metaphor, Peter Turchi considers writing as a combination of exploration and presentation. He compares the way a writer leads a reader through the imaginary world of a story, novel, or poem to the way a mapmaker charts the physical world. "To ask for a map," says Turchi, "is to say, 'Tell me a story.' " The author looks at how mapmakers and writers deal with blank space and the blank page; the conventions they use (both the ones readers recognize and those that often go unnoticed) or consciously disregard; the role of geometry in maps and the parallel role of form in writing; how both maps and writing serve to re-create an individual's view of the world; and the artist's delicate balance of intuition with intention. The ancient Greeks, German globe makers, and British cartographers join forces with the Marx Brothers, NASA, and Roadrunner cartoons to shed light on the strategies of writers as diverse as Sappho, Ernest Hemingway, Virginia Woolf, Vladimir Nabokov, Italo Calvino, Don DeLillo, and Heather McHugh. A combination of history, critical cartography, personal essay, and practical guide to writing, "Maps of the imagination" is a book for writers, for readers, and for anyone interested in creativity.
Architecture and the imaginary
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Les données témoignant de la taille géante de Wal-Mart ne manquent pas : Wal-Mart est la plus grande entreprise mondiale, le plus grand employeur privé du monde, le huitième acheteur de produits chinois (devant la Russie et le Royaume-Uni) ; son chiffre d'affaires est supérieur au PIB de la Suisse ; son budget informatique supérieur à celui de la NASA ; le patrimoine(...)
Wal mart : l'entreprise-monde
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Les données témoignant de la taille géante de Wal-Mart ne manquent pas : Wal-Mart est la plus grande entreprise mondiale, le plus grand employeur privé du monde, le huitième acheteur de produits chinois (devant la Russie et le Royaume-Uni) ; son chiffre d'affaires est supérieur au PIB de la Suisse ; son budget informatique supérieur à celui de la NASA ; le patrimoine financier des héritiers de Sam ' Walton (son fondateur) est deux fois plus élevé que celui de Bill Rates... Mais derrière ces superlatifs se cache l'histoire très singulière d'une société de l'Arkansas qui, en l'espace de 40 ans, a révolutionné les vieux modèles fordistes d'organisation du travail et largement ami reconfiguré les rapports producteurs /détaillants et toute l'économie américaine. Le succès et l'influence politique de cette entreprise géante lui permettent de redessiner les plans des villes, de déterminer le salaire minimum réel, de casser les syndicats, de définir les contours de la culture populaire, de peser sur les flux de capitaux dans le monde entier, et d'entretenir ce qui s'apparente à des relations diplomatiques avec des dizaines de pays. Alors que la marge de manœuvre des gouvernements demeure restreinte, Wal-Mart semble avoir aujourd'hui plus d'influence que n'importe quelle institution, non seulement sur des pans entiers de la politique sociale et industrielle américaine, mais aussi sur le modèle de vie et de consommation mondialisé, bigot et entièrement familialiste.
Urban Theory
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AD Space architecture
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This Architectural Design title poses a unique challenge to architects. It incites designers to respond to the limitless potential that outer space presents at the beginning of the third millennium. No longer man's final frontier restricted to the activities of government space agencies, the extraterrestial environment is soon to be opened up by private enterprises and(...)
AD Space architecture
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This Architectural Design title poses a unique challenge to architects. It incites designers to respond to the limitless potential that outer space presents at the beginning of the third millennium. No longer man's final frontier restricted to the activities of government space agencies, the extraterrestial environment is soon to be opened up by private enterprises and individuals. Featured work, by those such as WAT, Shimizu Systems and the X-Prize contenders, prove that entrepreneurial companies are already producing independent pioneering designs for the first tourists. Contributing specialists from a wide range of disciplines endorse these developments: the engineer David Ashford describes the viability of developing commercial passenger planes for space tourism within decades and the economist Patrick Collins analyses the commercial rewards to be reaped from outer space. The social, legal and scientific effects of creating what could ultimately be an unlimited ecological zone beyond Earth are explored further. Just how far reaching the effects will be for the practice of architecture is suggested both by John Zukowsky's comprehensive overview of space architecture and Ted Krueger, who organised an architectural workshop with NASA. This is not, however, to overlook space's artistic impact on architectural design in the latter 20th century. Space Architecture also recognises the seductive power that high-technology space imagery has had for contemporary architects and their debt to film and TV, as well as cult figures such as David Bowie.
books
March 2000
Architecture since 1900, Europe
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What meanings do buildings and places convey to the people who use and visit them? Too often, design competitions and signature architecture result in costly eyesores that do not work. These studies, from those specific to the Wexner Center to those of historical significance, point towards a new method for shaping the visual form of buildings, places, and cities.
Design by competition : making design competition work
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What meanings do buildings and places convey to the people who use and visit them? Too often, design competitions and signature architecture result in costly eyesores that do not work. These studies, from those specific to the Wexner Center to those of historical significance, point towards a new method for shaping the visual form of buildings, places, and cities.
books
April 1999, Cambridge
Museums and Universal Exhibitions
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Architectural Drawing
October 1999, New York
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
books
October 1999, New York
Architectural Drawing
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An exploration of how animals build their homes and the fascinating structures they create. From gladiator frogs to chimpanzees, learn about how animals all over the world build their homes. Each spread contains a colorful illustration of each animal and its home, plus a unique fold-out information panel, with stats and a simple architectural diagram showcasing the(...)
Animal architects: amazing animals who build their homes
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An exploration of how animals build their homes and the fascinating structures they create. From gladiator frogs to chimpanzees, learn about how animals all over the world build their homes. Each spread contains a colorful illustration of each animal and its home, plus a unique fold-out information panel, with stats and a simple architectural diagram showcasing the creation of the 'architect'. Look inside chimpanzee nests, beaver dams, termite mounds, stork nests and many more - and get to know the clever animals who build them!
Children's Books
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Gardens of Sand is an editorial project compiling 100 original photographs, mostly unpublished, taken between 1859 and 1905. The archive illustrates the themes and specialities of the expatriate photographers of the second half of the Nineteenth Century: study portraits, Royal commission s, landscapes, inventories of significant monuments and buildings, orientalist(...)
Photography by Region
October 2010
Gardens of sand: Commercial photography in the Middle East 1859-1905
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Gardens of Sand is an editorial project compiling 100 original photographs, mostly unpublished, taken between 1859 and 1905. The archive illustrates the themes and specialities of the expatriate photographers of the second half of the Nineteenth Century: study portraits, Royal commission s, landscapes, inventories of significant monuments and buildings, orientalist scenes, steeped in classical European imagination. Nevertheless, the project also explores the confrontation between these pioneers and what was foreign to the West, between Western imagination and the visual reality of the Middle East, a meeting which ended up giving rise to a local photography, gradually moving further away from Western stereotypes.
Photography by Region