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xv, 108 pages : illustrations, map ; 21 cm
Winnipeg, Manitoba, Canada : University of Manitoba Press, [2016], ©2016
Fault lines : life and landscape in Saskatchewan's oil economy / photographs by Valerie Zink ; text by Emily Eaton.
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xv, 108 pages : illustrations, map ; 21 cm
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Winnipeg, Manitoba, Canada : University of Manitoba Press, [2016], ©2016
books
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xi, 169 pages : illustrations (some color), portraits ; 27 cm.
Bronx, NY : The Bronx Museum of the Arts ; New Haven : In association with Yale University Press, [2017], ©2017.
Gordon Matta-Clark : anarchitect / Antonio Sergio Bessa, Jessamyn Fiore.
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xi, 169 pages : illustrations (some color), portraits ; 27 cm.
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Bronx, NY : The Bronx Museum of the Arts ; New Haven : In association with Yale University Press, [2017], ©2017.
books
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284 pages : illustrations (chiefly color), facsimiles, portraits ; 28 cm
[Bonn, Germany] : Bundeskunsthalle ; [Munich, Germany] : Hirmer, [2023], ©2023
Everything at once : postmodernity 1967-1992 / editor, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH ; translations from German, Gérard Goodrow, Jane Michaels.
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284 pages : illustrations (chiefly color), facsimiles, portraits ; 28 cm
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[Bonn, Germany] : Bundeskunsthalle ; [Munich, Germany] : Hirmer, [2023], ©2023
Beyond environment
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Beyond Environment presents the potent interchange between architecture, Land Art, and Performance Art that emerged through Italian architect Gianni Pettena’s idealized collaboration with American artists Allan Kaprow and Robert Smithson in the 1970s. Earlier in Minneapolis, Minnesota, Pettena’s experiments in material transformations helped create some of the(...)
March 2014
Beyond environment
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Beyond Environment presents the potent interchange between architecture, Land Art, and Performance Art that emerged through Italian architect Gianni Pettena’s idealized collaboration with American artists Allan Kaprow and Robert Smithson in the 1970s. Earlier in Minneapolis, Minnesota, Pettena’s experiments in material transformations helped create some of the architect’s most iconic works. Staged in an abandoned school and in a nondescriptive suburban house, and titled Ice House I and II, Pettena would pour water into the mold works he created around the buildings’ perimeter walls.
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Five houses, ten details
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Five Houses, Ten Details presents five designs—all by Ford, all for himself, all for the same site—only one of which was built. Each unbuilt design evolved or was abandoned for a variety of reasons. Many simply cost too much; others were based on presumptions that proved inaccurate or unproductive. All, to some degree, are present in the final design. Each of the five(...)
Five houses, ten details
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$52.00
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Five Houses, Ten Details presents five designs—all by Ford, all for himself, all for the same site—only one of which was built. Each unbuilt design evolved or was abandoned for a variety of reasons. Many simply cost too much; others were based on presumptions that proved inaccurate or unproductive. All, to some degree, are present in the final design. Each of the five designs explores a different aspect of architectural detail: how it acts to connect to or disconnect from a site; how it is expressive of material; how it acts to reveal structure; how it articulates the act of construction; and how it can be inconsistent, in a beneficial way, with the remainder of the building. Detail for Ford is not an accessory to architecture but its essence.
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January 2009
Architecture Monographs
After the flood
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In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city’s broken levees. He began to photograph, house by house. Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found(...)
After the flood
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$108.00
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In late September 2005, Robert Polidori traveled to New Orleans to record the destruction caused by Hurricane Katrina and by the city’s broken levees. He began to photograph, house by house. Polidori has found something worth saving, has created mementos for those who could not return, documenting the paradoxically beautiful wreckage. In classical terms, he has found ruins. The abandoned houses he recorded were still waterlogged as he entered and as he learned (by trial and error, a process that including finding a dead body) the language of signs and codes in which rescue workers had spray-painted each house’s siding. He sees the resulting photographs as the work of a psychological witness, mapping the lives of the absent and deceased through what remains of their belongings and their homes.
Photography monographs
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet(...)
Fendi: Palazzo della Civiltà Italiana in Rome
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In 2015, the storied fashion house Fendi moved its headquarters into the Palazzo della Civiltà Italiana in Rome, a stark white cube perforated by symmetrical arches. Originally commissioned as part of an exhibition on Roman civilization for the 1942 world’s fair, the architects took their cues from ancient history to create a building that was quintessentially Roman yet decidedly modern, earning its nickname “the Square Colosseum.” Because of its striking appearance and iconic status, the palazzo subsequently made appearances in a number of films by directors such as Roberto Rossellini, Federico Fellini, and Peter Greenaway. The building remained relatively abandoned throughout much of its existence, until its recent inhabitance by the always forward-thinking house of Fendi, an experience which Karl Lagerfeld has likened to being “on a spaceship transported into the future.” Featuring photographs by famous artists such as Gabriele Basilico, Franco Fontana, and Lagerfeld, this gorgeously illustrated volume takes the reader on a fascinating tour through art, architecture, culture, and history.
Architecture since 1900, Europe
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive,(...)
Lost dimension
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To read these five essays of 1983 is to begin to come to terms with the theoretical cataclysm of the present. In Lost Dimension, Paul Virilio considers the displacement of the concept of dimensional space by Einsteinian space/time as it is related to the transparent boundaries of the postmodern city and contemporary economy. Virilio imagines a coming world of interactive, informational networks offering a prison-house of illusionary transcendence. He pictures global terrorism (perpetrated by and against technological states) filling up the surreal void of an abandoned real. In a multidisciplinary excavation of contemporary physics, architecture, esthetic theory, and sociology, Virilio traces the dystopic unity of the contemporary Western predicament with lightning prescience and clarity.
Critical Theory
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This updated third edition revisits each of Wright’s existent structures, tracing the architect’s development from his Prairie works, such as the Frederick Robie house in Chicago, to the last building constructed to his specifications, the magnificent Aime and Norman Lykes residence in California. Renowned expert William Storrer deftly incorporates a series of key(...)
Architecture Monographs
October 2007, Chicago London
The architecture of Frank Lloyd Wright : A complete catalog -3rd edition updated
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This updated third edition revisits each of Wright’s existent structures, tracing the architect’s development from his Prairie works, such as the Frederick Robie house in Chicago, to the last building constructed to his specifications, the magnificent Aime and Norman Lykes residence in California. Renowned expert William Storrer deftly incorporates a series of key revisions and brings each structure’s history up to the present day, as some buildings have been refurbished, some moved, and others sadly abandoned or destroyed by natural disasters like Hurricane Katrina—including the James Charnley bungalow in Ocean Springs, Mississippi. Organized chronologically, this updated third edition features full-color photographs of all extant work along with a description of each building and its history. Storrer also provides full addresses, GPS coordinates, and maps of locations throughout the United States, England, and Japan, indicating the shortest route to each building—perfect for Wright aficionados on the go.
Architecture Monographs
Strange details
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Confronted with the intricate construction details of Italian architect Carlo Scarpa's Querini Stampalia Gallery--steel joined at odd intervals, concrete spilled out of concatenated forms, stone cut in labyrinthine patterns--Michael Cadwell abandoned his attempts to categorize them theoretically and resolved instead to appreciate their idiosyncrasies and evoke their(...)
Strange details
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$41.95
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Confronted with the intricate construction details of Italian architect Carlo Scarpa's Querini Stampalia Gallery--steel joined at odd intervals, concrete spilled out of concatenated forms, stone cut in labyrinthine patterns--Michael Cadwell abandoned his attempts to categorize them theoretically and resolved instead to appreciate their idiosyncrasies and evoke their all-embracing affects. What he had dismissed as a collection of fetishes he came to understand as a coherently constructed world that was nonetheless persistently strange. In Strange Details, Cadwell looks at the work of four canonical architects who "made strange" with the most resistant aspect of architecture--construction. In buildings that were pivotal in their careers, Scarpa, Frank Lloyd Wright, Mies van der Rohe, and Louis Kahn all created details that undercut our critical and analytical terra firma. Cadwell explores the strangeness in the material menagerie of Scarpa's Querini Stampalia, the wood light frame construction of Wright's Jacobs House, the welded steel frame of Mies's Farnsworth House, and the reinforced concrete of Kahn's Yale Center for British Art. Each of these architects, he finds, reconfigures the rudimentary facts of construction, creating a subtle but undeniable shift in a building’s physicality. And for each of them, nature is strange, and its strangeness infects; nature unmoors exhausted cultural ideas, constricted analytical procedures, and outmoded production techniques. An awakening to nature's strangeness forces a new sense of the world, one that we can detect in these architects' configurations of the world's materials--their strange details.
Architectural Theory