13151 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1980:1015:003
PH1980:1015:003
People:
Subject:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Form:
photographs
photographs
Date:
between 1923 and 1929
between 1923 and 1929
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:1015:004
PH1980:1015:004
People:
Subject:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Form:
photographs
photographs
Date:
between 1923 and 1929
between 1923 and 1929
People:
Subject:
architecture
architecture
Form:
photographs
photographs
Actions:
Reference number:
PH1980:1015:005
PH1980:1015:005
People:
Subject:
architecture
architecture
Date:
between 1923 and 1929
between 1923 and 1929
Form:
photographs
photographs
Date:
between 1923 and 1929
between 1923 and 1929
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Reference number:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
People:
Date:
1988-1995
1988-1995
Title:
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain, 1988-1993
Actions:
AP178.S1.1988.PR03
Description:
This project series documents the Centro Galego de Arte Contemporânea in Santiago de Compostela, Spain. While the records were held in the office’s archives this project was assigned the number 54/80. The office assigned the date 1988 for this project. This project was commissioned by the Xunta de Galicia for the autonomous community of Galicia in Spain. The building was located near the Galego Pobo Museum and the Convento de Santo Domingo de Bonaval. The museum was approximately 75,000 square feet and divided into two L-shaped structures. The building had four floors and included exhibition halls, a terrace, a cafeteria, administrative spaces, an auditorium, and a library. The exterior was principally made of granite panels. The exhibition spaces were very bright, principally due to the natural light that came from multiple openings in the building as well as the white walls. The floors of the public spaces and exhibition rooms were made of Greek marble. Siza also transformed the Convento de Santo Domingo de Bonaval garden into a public park. The park was understood as an extension of the museum. Documenting this project are sketches, studies, preliminary drawings, plans and working drawings. Textual materials include project documentation and correspondence. Photographic materials document the models, project site and built project.
Level of archival description:
Project
Project
Date:
1988-1995
1988-1995
People:
Form:
articles
articles
Actions:
Text by Isaac Harrisson, Grace Mortlock, Lindsay Mulligan, and David Neustein, Other Architects. Illustrations by Isaac Harrisson.
Issue:
A Social Reset
A Social Reset
Published:
31 May 2021
31 May 2021
Title:
Life in the Phygital Precariat: Some newly invented terms provide an introduction to contemporary realities.
Text by Isaac Harrisson, Grace Mortlock, Lindsay Mulligan, and David Neustein, Other Architects. Illustrations by Isaac Harrisson.
Actions:
Life in the Phygital Precariat: Some newly invented terms provide an introduction to contemporary realities.
Text by Isaac Harrisson, Grace Mortlock, Lindsay Mulligan, and David Neustein, Other Architects. Illustrations by Isaac Harrisson.
Actions:
Form:
articles
articles
Published:
31 May 2021
31 May 2021
Issue:
A Social Reset
A Social Reset
Form:
events
events
Actions:
Description:
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun Adjei, co-founder and creative director of Studio Contra.
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun Adjei, co-founder and creative director of Studio Contra.
Date:
11 June 2026, 6pm to 7:30pm
11 June 2026, 6pm to 7:30pm
Title:
Reworking Material, Craft, and Form in Contemporary West Africa with Olayinka Dosekun Adjei
Actions:
Description:
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun Adjei, co-founder and creative director of Studio Contra.
Reworking Material, Craft, and Form in Contemporary West Africa with Olayinka Dosekun Adjei
Actions:
Description:
How can architecture meaningfully bridge inherited traditions and contemporary realities? Join us for a talk with architect Olayinka Dosekun Adjei, co-founder and creative director of Studio Contra.
Form:
events
events
Date:
11 June 2026
6pm to 7:30pm
11 June 2026
6pm to 7:30pm
Form:
drawings
drawings
![Sketch and details for Centro Galego de Arte Contemporânea [Galician Centre of Contemporary Art], Santiago de Compostela, Spain](/img-collection/K7PiSpfnjFm6slh85Yv63XR2HUI=/500x368/503582.jpg)
Actions:
Reference number:
ARCH281992
ARCH281992
People:
Date:
1990
1990
Form:
drawings
drawings
Date:
1990
1990
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1974:0002:028:019
DR1974:0002:028:019
People:
Subject:
architecture
architecture
Date:
published 1866
published 1866
Title:
Plate 19: Elevation of the façade of the Baptistery, Pisa, showing both restored and contemporary states, with two window elevations
Actions:
DR1974:0002:028:019
Plate 19: Elevation of the façade of the Baptistery, Pisa, showing both restored and contemporary states, with two window elevations
Actions:
DR1974:0002:028:019
Form:
drawings
drawings
Date:
published 1866
published 1866
People:
Subject:
architecture
architecture
Form:
drawings, textual records
drawings, textual records
Actions:
Reference number:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
People:
Date:
2003-2004
2003-2004
Title:
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Correspondence regarding the exhibition "Contemporary techniques = new landscape", held at the Illinois Institute of Technology, Chicago, Illinois, United States
Actions:
ARCH278397
Description:
File's title: Chicago. It includes the following projects: - Barcelona Forum 2004 (AP164.S1.2000.D9); - Parque Cristina Enea (AP164.S1.2002.D3); - New Museum de Arte Contemporáneo, New York (AP164.S1.2003.D1); - Sagüés (AP164.S1.2003.D5). Documents are in English and Spanish. Contains a few plans of the exhibition space.
Form:
drawings, textual records
drawings, textual records
Date:
2003-2004
2003-2004
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
People:
Date:
2003-2006
2003-2006
Title:
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Recupero del Palazzo Donnaregina, Museu de Arte Contem. [Restoration of the Palazzo Donnaregina, Museum of contemporary Art], Naples, Italy (2003)
Actions:
AP178.S1.2003.PR02
Description:
This project series documents the Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo in Napoli, Italy. While the records were held in the office’s archives this project was assigned the number 55/00. The office assigned the date 2003 for this project. The Palazzo Donnaregina was built during the 19th century and served multiple functions during his history, including a bank and a school of administration. In 2001, the building was abandoned after a flood. In 2005, the Campania Regional Government bought the building and leased it to the Fondazione Donnaregina per le arti contemporane. Àlvaro Siza and the Studio DAZ-Dumontet Antonini Zaske were selected to renovate and repurpose the builsing into a contemporary art museum. The museum included exhibition halls, a library, a bookshop, and a mediatheque. The project was realized. Documenting this project are sketches, studies, design development drawings, plans, and details. Textual material includes project documentation, catalogs from suppliers, and correspondence. Photographic material documents Siza's visits, project site, and construction work.
Level of archival description:
Project
Project
Date:
2003-2006
2003-2006
People:
