Living with ghosts: A reader. Writings on Coloniality, Decoloniality, Hauntology and contemporary ar
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This book explores the ways the unresolved traumas of Africa’s colonial past, and its unfulfilled project of decolonisation, continue to haunt the present global order. The reader further expands on these complex ideas through philosophical, historical, and literary approaches. Reprinted texts by thinkers such as Achille Mbembe, C.L.R. James, and Sabelo J. Ndlovu-Gatsheni(...)
Living with ghosts: A reader. Writings on Coloniality, Decoloniality, Hauntology and contemporary ar
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$56.00
(available in store)
Summary:
This book explores the ways the unresolved traumas of Africa’s colonial past, and its unfulfilled project of decolonisation, continue to haunt the present global order. The reader further expands on these complex ideas through philosophical, historical, and literary approaches. Reprinted texts by thinkers such as Achille Mbembe, C.L.R. James, and Sabelo J. Ndlovu-Gatsheni explore the historical experiences of the African postcolony and the problematics of decolonisation. Meditations on artists including John Akomfrah and Abraham Oghobase provide engaging entry points to their multi-layered artistic practices. Also featured are images of artworks in the exhibition and an in-depth conversation between Bouchra Khalili and KJ Abudu.
Art Theory
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Le présent ouvrage documente deux réalités urbaines complémentaires qui ont joué un rôle fondamental dans l’imaginaire de la ville moderne du vingtième siècle, ainsi que dans sa définition et ses multiples redéfinitions. Se démarquant de l’idée que l’architecture qui fait l’Histoire est celle des chefs-d’œuvre monumentaux, les textes recueillis ici s’attachent plutôt à(...)
Casablanca Chandigarh : bilans d’une modernisation
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Le présent ouvrage documente deux réalités urbaines complémentaires qui ont joué un rôle fondamental dans l’imaginaire de la ville moderne du vingtième siècle, ainsi que dans sa définition et ses multiples redéfinitions. Se démarquant de l’idée que l’architecture qui fait l’Histoire est celle des chefs-d’œuvre monumentaux, les textes recueillis ici s’attachent plutôt à l’histoire des espaces publics, des structures d’habitation et des installations communautaires de ces deux villes, dont les plans modernes se sont révélés étonnamment adaptables sur la durée. Cette perspective est illustrée par les photographies de Yto Barrada et de Takashi Homma, deux artistes qui se sont efforcés d’y capturer l’essence de la vie urbaine au quotidien. Dans un monde marqué par la décolonisation et les complexités politiques de la guerre froide, Casablanca et Chandigarh figurent à la fois comme une illustration et un contre-exemple des processus de modernisation et de développement. Les trois chapitres de cet ouvrage établissent le contexte qui permet d’interpréter la réalité urbaine de Casablanca et de Chandigarh comme le résultat de processus dynamiques et nuancés d’échanges internationaux stimulés par l’engagement et l’expertise d’une nouvelle classe de professionnels de l’urbanisme. Grâce à son étude des acteurs, des idéologies et des objectifs qui sous-tendent ces deux réalisations urbanistiques, le présent ouvrage vise à contribuer à une historiographie divergente de l’urbanisme d’après-guerre et aux réflexions actuelles sur l’effet des pratiques transnationales en matière d’urbanisme.
CCA Publications
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the(...)
Architecture in Islamic Countries: Selections from the catalogue for the second International Exhibition of Architecture Venice 1982/83
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the original exhibition catalogue, accompanied by additional commentary. Furthermore, Esra Akcan reflects on the historical and socio-political contexts of the exhibition, while Asli Çiçek and Véronique Patteeuw consider the catalogue itself from the perspective of architectural history.
Contemporary Architecture
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and(...)
Decentring the museum: Contemporary art institutions and colonial legacies
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Nina Mö ntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that museums and galleries of contemporary art have a responsibility to "decenter" their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Humboldt Forum in Berlin and the British Museum), which are engaged in debates about the colonial histories of their collections, and of small-scale art spaces (such as La Colonie in Paris or Savvy Contemporary in Berlin), which have the flexibility to initiate different kinds of conversation – for example, by programming exhibitions and events in collaboration with local diasporic communities from the global south.
Museology
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of(...)
Modernism
August 2010
Colonial Modern: Aesthetics of the past, rebellions for the future
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Colonial Modern: Aesthetics of the Past, Rebellions for the Future is a reader on the relationship between modernism and the project of modernisation in architecture, as well as the intertwining of both in the context of colonialism and decolonisation. It focuses on the dual topics of the relationship between the post-war aesthetic regime of modernism and the project of modernization in architecture and urban planning, as well as on the highly charged intertwining of both in the context of colonialism and decolonization. It is based on the exhibition In the Desert of Modernity: Colonial Planning and After , which traced these connected histories of modern architecture and urban planning in colonial northern Africa and Europe, and was first exhibited in 2008 at the Haus der Kulturen der Welt in Berlin, Germany. The book reflects contemporary research into architectural modernism and colonialism, and utilizes the thesis of “negotiated modernism” to initiate new debates on conceptions of modernism and, inevitably, postmodernism in an interdisciplinary context.
Modernism