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A new edition of one of the most widely read books on modern design Nikolaus Pevsner's landmark work was first published in 1936. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers; the work of the 19th-century engineers; and Art Nouveau. All these form the essential background to the work of the early Modernists, with their(...)
Pioneers of modern design: from William Morris to Walter Gropius
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A new edition of one of the most widely read books on modern design Nikolaus Pevsner's landmark work was first published in 1936. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers; the work of the 19th-century engineers; and Art Nouveau. All these form the essential background to the work of the early Modernists, with their rejection of ornament, their use of new materials and their commitment to "utility" and the machine age. Pevsner looks at the early masters of the movement, such as Voysey and Rennie Mackintosh in Britain; Sullivan and Lloyd Wright in America; and Loos and Wagner in Vienna, ending in 1914, with Walter Gropius and the Bauhaus movement representing design's most radical break with the past.
Design Theory
books
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xii, 172 pages : illustrations ; 26 cm
Pittsburgh : University of Pittsburgh Press, ©1994.
The progressive architecture of Frederick G. Scheibler, Jr. / Martin Aurand.
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xii, 172 pages : illustrations ; 26 cm
books
Pittsburgh : University of Pittsburgh Press, ©1994.
$52.95
(available to order)
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Vitruvius' Ten Books of Architecture was the fountainhead of architectural theory in the Italian Renaissance. Offering theoretical and practical solutions to a wide variety of architectural issues, this treatise did not, however, address all of the questions that were of concern to early modern architects. This study examines the Italian Renaissance architect's efforts to(...)
The architectural treatise in the Italian Renaissance
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$52.95
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Vitruvius' Ten Books of Architecture was the fountainhead of architectural theory in the Italian Renaissance. Offering theoretical and practical solutions to a wide variety of architectural issues, this treatise did not, however, address all of the questions that were of concern to early modern architects. This study examines the Italian Renaissance architect's efforts to negotiate between imitation and reinvention of classicism. Through a close reading of Vitruvius and texts written during the period 1400-1600, Alina Payne identifies ornament as the central issue around which much of this debate focused.
Treatises