641 Results
Form:
photographs
photographs
Reference number:
PH1982:0432:074
Description:
- Album PH1982:0432:001-072 comprises 72 albumen silver prints by Samuel Bourne, John Edward Saché, Charles Shepherd, and others dated to the 1870s. The photographs include studies of the Calcutta Exhibition showing displays from Australia, Madras, Punjab, Jeypore, and architectural studies of buildings in Calcutta, Delhi, Agra, Benares and Lucknow (Sotheby's Belgravia, p. 18).
PH1982:0432:074
Description:
- Album PH1982:0432:001-072 comprises 72 albumen silver prints by Samuel Bourne, John Edward Saché, Charles Shepherd, and others dated to the 1870s. The photographs include studies of the Calcutta Exhibition showing displays from Australia, Madras, Punjab, Jeypore, and architectural studies of buildings in Calcutta, Delhi, Agra, Benares and Lucknow (Sotheby's Belgravia, p. 18).
Title:
View of the ruins of the Residency Complex, Lucknow, India
Actions:
PH1982:0432:074
Description:
- Album PH1982:0432:001-072 comprises 72 albumen silver prints by Samuel Bourne, John Edward Saché, Charles Shepherd, and others dated to the 1870s. The photographs include studies of the Calcutta Exhibition showing displays from Australia, Madras, Punjab, Jeypore, and architectural studies of buildings in Calcutta, Delhi, Agra, Benares and Lucknow (Sotheby's Belgravia, p. 18).
View of the ruins of the Residency Complex, Lucknow, India
Actions:
PH1982:0432:074
Description:
- Album PH1982:0432:001-072 comprises 72 albumen silver prints by Samuel Bourne, John Edward Saché, Charles Shepherd, and others dated to the 1870s. The photographs include studies of the Calcutta Exhibition showing displays from Australia, Madras, Punjab, Jeypore, and architectural studies of buildings in Calcutta, Delhi, Agra, Benares and Lucknow (Sotheby's Belgravia, p. 18).
Form:
photographs
photographs
Date:
between 1863 and 1874
between 1863 and 1874
Subject:
architecture
architecture
Level of archival description:
Series
Series
Reference number:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Title:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Level of archival description:
Series
Series
Date:
1994 - 2004
1994 - 2004
Form:
exhibitions
exhibitions
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Location:
Main galleries
Main galleries
Date:
14 May 2008 to 26 October 2008
14 May 2008 to 26 October 2008
Title:
Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Form:
exhibitions
exhibitions
Date:
14 May 2008 to
26 October 2008
14 May 2008 to
26 October 2008
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
video
video
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 14 min., 6 sec.) : sound, colour
Description:
1 streaming video file (1 hr., 14 min., 6 sec.) : sound, colour
Author:
Subject:
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Title:
Displaying architecture : First Office.
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 14 min., 6 sec.) : sound, colour
Displaying architecture : First Office.
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 14 min., 6 sec.) : sound, colour
Form:
video
video
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Form:
video
video
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 18 min., 28 sec.) : sound, colour
Description:
1 streaming video file (1 hr., 18 min., 28 sec.) : sound, colour
Author:
Subject:
- Kühn Malvezzi (Firm),
- Insectarium de Montréal (Montréal, Québec),
- Architecture.,
- Installations (Art),
- Museum techniques.,
- Insect zoos Québec (Province) Montréal.,
- Architecture Québec (Province) Montréal.,
- Muséologie.,
- Insectariums Québec (Province) Montréal.,
- architecture (discipline),
- installations (visual works),
- museology.,
- Buildings,
- Insect zoos,
- Montréal (Québec) Buildings, structures, etc.,
- Québec Montréal,
- Lectures.,
- Video recordings (physical artifacts),
- Streaming video.
(See more)
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Title:
Displaying architecture : Kuehn Malvezzi.
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 18 min., 28 sec.) : sound, colour
Displaying architecture : Kuehn Malvezzi.
Actions:
Holdings:
Description:
1 streaming video file (1 hr., 18 min., 28 sec.) : sound, colour
Form:
video
video
Publication:
[Montréal] : CCA, [2016]
[Montréal] : CCA, [2016]
Subject:
- Kühn Malvezzi (Firm),
- Insectarium de Montréal (Montréal, Québec),
- Architecture.,
- Installations (Art),
- Museum techniques.,
- Insect zoos Québec (Province) Montréal.,
- Architecture Québec (Province) Montréal.,
- Muséologie.,
- Insectariums Québec (Province) Montréal.,
- architecture (discipline),
- installations (visual works),
- museology.,
- Buildings,
- Insect zoos,
- Montréal (Québec) Buildings, structures, etc.,
- Québec Montréal,
- Lectures.,
- Video recordings (physical artifacts),
- Streaming video.
(See more)
Form:
books
books
Title:
Displaying the Orient : architecture of Islam at nineteenth-century world's fairs / Zeynep Çelik.
Displaying the Orient : architecture of Islam at nineteenth-century world's fairs / Zeynep Çelik.
Actions:
Holdings:
Description:
xv, 245 pages : illustrations ; 25 cm.
Description:
xv, 245 pages : illustrations ; 25 cm.
Subject:
- Weltausstellung,
- Islamic architecture Europe.,
- Architecture Europe.,
- Exhibition buildings Europe History 19th century.,
- Islamic architecture United States.,
- Architecture United States.,
- Exhibition buildings United States History 19th century.,
- Exoticism in architecture Europe.,
- Exoticism in architecture United States.,
- Architecture islamique Europe.,
- Expositions Constructions Europe Histoire 19e siècle.,
- Architecture islamique États-Unis.,
- Architecture États-Unis.,
- Expositions Constructions États-Unis Histoire 19e siècle.,
- Exotisme en architecture Europe.,
- Exotisme en architecture États-Unis.,
- 20.50 Islamic art.,
- Architecture,
- Exhibition buildings,
- Exoticism in architecture,
- Islamic architecture,
- Islamische Architektur,
- Islamitische bouwkunst.,
- Wereldtentoonstellingen.,
- Architecture ottomane 19e siècle Catalogues d'exposition.,
- Expositions internationales 19e siècle.,
- Exotisme Dans l'art.,
- Architecture islamique Europe 1789-1900 Catalogues d'exposition.,
- Architecture islamique États-Unis 19e siècle Catalogues d'exposition.,
- Expositions Constructions Europe 1789-1900.,
- Expositions Constructions États-Unis 19e siècle.,
- Europe,
- United States,
- Exhibitions Buildings,
- History,
- Books.
(See more)
Publication:
Berkeley : University of California Press, ©1992.
Berkeley : University of California Press, ©1992.
Title:
Displaying the Orient : architecture of Islam at nineteenth-century world's fairs / Zeynep Çelik.
Actions:
Holdings:
Description:
xv, 245 pages : illustrations ; 25 cm.
Displaying the Orient : architecture of Islam at nineteenth-century world's fairs / Zeynep Çelik.
Actions:
Holdings:
Description:
xv, 245 pages : illustrations ; 25 cm.
Form:
books
books
Publication:
Berkeley : University of California Press, ©1992.
Berkeley : University of California Press, ©1992.
Subject:
- Weltausstellung,
- Islamic architecture Europe.,
- Architecture Europe.,
- Exhibition buildings Europe History 19th century.,
- Islamic architecture United States.,
- Architecture United States.,
- Exhibition buildings United States History 19th century.,
- Exoticism in architecture Europe.,
- Exoticism in architecture United States.,
- Architecture islamique Europe.,
- Expositions Constructions Europe Histoire 19e siècle.,
- Architecture islamique États-Unis.,
- Architecture États-Unis.,
- Expositions Constructions États-Unis Histoire 19e siècle.,
- Exotisme en architecture Europe.,
- Exotisme en architecture États-Unis.,
- 20.50 Islamic art.,
- Architecture,
- Exhibition buildings,
- Exoticism in architecture,
- Islamic architecture,
- Islamische Architektur,
- Islamitische bouwkunst.,
- Wereldtentoonstellingen.,
- Architecture ottomane 19e siècle Catalogues d'exposition.,
- Expositions internationales 19e siècle.,
- Exotisme Dans l'art.,
- Architecture islamique Europe 1789-1900 Catalogues d'exposition.,
- Architecture islamique États-Unis 19e siècle Catalogues d'exposition.,
- Expositions Constructions Europe 1789-1900.,
- Expositions Constructions États-Unis 19e siècle.,
- Europe,
- United States,
- Exhibitions Buildings,
- History,
- Books.
(See more)
Form:
books
books
Holdings:
Description:
80 pages : illustrations (some color) ; 25 cm
Description:
80 pages : illustrations (some color) ; 25 cm
Subject:
- Gower, Terence, 1965- Exhibitions.,
- Gower, Terence, 1965-,
- Artists Canada Exhibitions.,
- Art and architecture Exhibitions.,
- Pavilions Exhibitions.,
- Modern movement (Architecture) Mexico Exhibitions.,
- Artistes Canada Expositions.,
- Art et architecture Expositions.,
- Pavillons (Constructions légères) Expositions.,
- Mouvement moderne (Architecture) Mexique Expositions.,
- Art and architecture.,
- Artists.,
- Modern movement (Architecture),
- Pavilions.,
- Canada.,
- Mexico.,
- Exhibition catalogs.
(See more)
Publication:
[Trieste] : Navado Press ; [Amsterdam] : [Distributed by Idea Books], [©2007]
[Trieste] : Navado Press ; [Amsterdam] : [Distributed by Idea Books], [©2007]
Title:
Display architecture : Terence Gower pavilions / Terence Gower.
Actions:
Holdings:
Description:
80 pages : illustrations (some color) ; 25 cm
Display architecture : Terence Gower pavilions / Terence Gower.
Actions:
Holdings:
Description:
80 pages : illustrations (some color) ; 25 cm
Form:
books
books
Publication:
[Trieste] : Navado Press ; [Amsterdam] : [Distributed by Idea Books], [©2007]
[Trieste] : Navado Press ; [Amsterdam] : [Distributed by Idea Books], [©2007]
Subject:
- Gower, Terence, 1965- Exhibitions.,
- Gower, Terence, 1965-,
- Artists Canada Exhibitions.,
- Art and architecture Exhibitions.,
- Pavilions Exhibitions.,
- Modern movement (Architecture) Mexico Exhibitions.,
- Artistes Canada Expositions.,
- Art et architecture Expositions.,
- Pavillons (Constructions légères) Expositions.,
- Mouvement moderne (Architecture) Mexique Expositions.,
- Art and architecture.,
- Artists.,
- Modern movement (Architecture),
- Pavilions.,
- Canada.,
- Mexico.,
- Exhibition catalogs.
(See more)
Form:
books
books
Holdings:
Description:
ix, 209 pages : illustrations, maps, plans, portraits ; 26 cm
Description:
ix, 209 pages : illustrations, maps, plans, portraits ; 26 cm
Subject:
- Nationalism and art Africa.,
- Art and state Africa.,
- National characteristics in art.,
- Art, African 20th century.,
- Architecture Africa History 20th century.,
- Nationalisme et art Afrique.,
- Art Politique gouvernementale Afrique.,
- Caractéristiques nationales dans l'art.,
- Art africain 20e siècle.,
- Architecture Afrique Histoire 20e siècle.,
- Architecture,
- Art, African,
- Art and state,
- Nationalism and art,
- Architektur,
- Kunst,
- Nationalismus,
- Africa,
- Subsaharisches Afrika,
- History
(See more)
Publication:
Jefferson, North Carolina ; London : McFarland & Company, Inc., [2006]
Jefferson, North Carolina ; London : McFarland & Company, Inc., [2006]
Title:
Art and architecture in postcolonial Africa / Janet Berry Hess.
Actions:
Holdings:
Description:
ix, 209 pages : illustrations, maps, plans, portraits ; 26 cm
Art and architecture in postcolonial Africa / Janet Berry Hess.
Actions:
Holdings:
Description:
ix, 209 pages : illustrations, maps, plans, portraits ; 26 cm
Form:
books
books
Publication:
Jefferson, North Carolina ; London : McFarland & Company, Inc., [2006]
Jefferson, North Carolina ; London : McFarland & Company, Inc., [2006]
Subject:
- Nationalism and art Africa.,
- Art and state Africa.,
- National characteristics in art.,
- Art, African 20th century.,
- Architecture Africa History 20th century.,
- Nationalisme et art Afrique.,
- Art Politique gouvernementale Afrique.,
- Caractéristiques nationales dans l'art.,
- Art africain 20e siècle.,
- Architecture Afrique Histoire 20e siècle.,
- Architecture,
- Art, African,
- Art and state,
- Nationalism and art,
- Architektur,
- Kunst,
- Nationalismus,
- Africa,
- Subsaharisches Afrika,
- History
(See more)
Form:
books
books
Actions:
Holdings:
Description:
208 pages
Description:
208 pages
Subject:
Publication:
London, Architectural Pr., 1966.
London, Architectural Pr., 1966.
Form:
books
books
Publication:
London, Architectural Pr., 1966.
London, Architectural Pr., 1966.
