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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the(...)
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Summary:
Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the(...)
Title:
Heidegger's topology: being, place, world
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Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the widely repeated arguments that link Heidegger's notions of place and belonging to his entanglement with Nazism.) The significance of Heidegger as a thinker of place, Malpas claims, lies not only in Heidegger's own investigations but also in the way that spatial and topographic thinking has flowed from Heidegger's work into that of other key thinkers of the past 60 years.
Heidegger's topology: being, place, world
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Summary:
Malpas follows the development of Heidegger's topology through three stages: the early period of the 1910s and 1920s, through Being and Time, centered on the "meaning of being"; the middle period of the 1930s into the 1940s, centered on the "truth of being"; and the late period from the mid-1940s on, when the "place of being" comes to the fore. (Malpas also challenges the widely repeated arguments that link Heidegger's notions of place and belonging to his entanglement with Nazism.) The significance of Heidegger as a thinker of place, Malpas claims, lies not only in Heidegger's own investigations but also in the way that spatial and topographic thinking has flowed from Heidegger's work into that of other key thinkers of the past 60 years.
Subject:
Critical Theory
Critical Theory
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$60.00
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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges(...)
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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges(...)
Title:
A topology of everyday constellations
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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life. Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two: the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters. If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house — or does the house, evolving into a series of microdevices, inhabit the body?
A topology of everyday constellations
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Today, spaces no longer represent a bourgeois haven; nor are they the sites of a classical harmony between work and leisure, private and public, the local and the global. The house is not merely a home but a position for negotiations with multiple spheres — the technological as well as the physical and the psychological. In A Topology of Everyday Constellations, Georges Teyssot considers the intrusion of the public sphere into private space, and the blurring of notions of interior, privacy, and intimacy in our societies. He proposes that we rethink design in terms of a new definition of the practices of everyday life. Teyssot considers the door, the window, the mirror, and the screen as thresholds or interstitial spaces that divide the world in two: the outside and the inside. Thresholds, he suggests, work both as markers of boundaries and as bridges to the exterior. The stark choice between boundary and bridge creates a middle space, an in-between that holds the possibility of exchanges and encounters. If the threshold no longer separates public from private, and if we can no longer think of the house as a bastion of privacy, Teyssot asks, does the body still inhabit the house — or does the house, evolving into a series of microdevices, inhabit the body?
Subject:
Architectural Theory
Architectural Theory
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books
books
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Description:
370 pages : il., byn. ; 21 cm.
Description:
370 pages : il., byn. ; 21 cm.
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Publication:
Torino, Italia : Skira, 2000.
Torino, Italia : Skira, 2000.
Title:
Architecture : presence, language and place / Christian Norberg-Schulz ; traducción de Antony Shugaar.
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370 pages : il., byn. ; 21 cm.
Architecture : presence, language and place / Christian Norberg-Schulz ; traducción de Antony Shugaar.
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370 pages : il., byn. ; 21 cm.
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books
books
Publication:
Torino, Italia : Skira, 2000.
Torino, Italia : Skira, 2000.
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books
books
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Description:
xxxi, 211 pages : illustrations ; 25 cm
Author:
Subject:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
, - Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
(See more)
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Title:
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
The meaning of photography / edited by Robin Kelsey and Blake Stimson.
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Description:
xxxi, 211 pages : illustrations ; 25 cm
Form:
books
books
Publication:
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Williamstown, Mass. : Sterling and Francine Clark Art Institute ; New Haven : Distributed by Yale University Press, ©2008.
Subject:
- Photography Congresses.,
- Photography History Congresses.,
- Photographie Congrès.,
- Photographie Histoire Congrès.,
- 21.42 history of photographic art.,
- Photography Historiography.,
- Photography Study and teaching.,
- Photography,
- Kongress,
- Fotografie,
- Art review.,
- Photography History.,
- Fotokonst teori, filosofi historia.,
- Fotografi teori, filosofi.,
- Fotografi konferenser.,
- Fotografi historia konferenser.,
- Williamstown
, - Congress,
- Williamstown (Mass., 2005),
- Conference publications.,
- proceedings (reports),
- Conference papers and proceedings,
- History,
- Congresses (form),
- Actes de congrès.
(See more)
Form:
books
books
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Description:
154 pages : illustrations (some colors) ; 23 cm
Description:
154 pages : illustrations (some colors) ; 23 cm
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Publication:
Aarhus : Arkitektskolen Forlag, 2014., ©2014
Aarhus : Arkitektskolen Forlag, 2014., ©2014
Title:
Computed morphologies / Per Dombernowsky, Asbjørn Søndergaard.
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Description:
154 pages : illustrations (some colors) ; 23 cm
Computed morphologies / Per Dombernowsky, Asbjørn Søndergaard.
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Description:
154 pages : illustrations (some colors) ; 23 cm
Form:
books
books
Publication:
Aarhus : Arkitektskolen Forlag, 2014., ©2014
Aarhus : Arkitektskolen Forlag, 2014., ©2014
Form:
video
video
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Description:
1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
Description:
1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
Author:
Subject:
- Windows History.,
- Screens History.,
- Doors History.,
- Space (Architecture),
- Spatial behavior.,
- Fenêtres Histoire.,
- Écrans (Mobilier) Histoire.,
- Portes Histoire.,
- Espace (Architecture),
- Doors.,
- Screens.,
- Windows.,
- Lectures.,
- Video recordings (physical artifacts),
- Streaming video.,
- History.
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Publication:
[Montréal] : CCA, [2015]
[Montréal] : CCA, [2015]
Title:
Windows and screens : Georges Teyssot = Fenêtres et écrans : Georges Teyssot.
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Description:
1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
Windows and screens : Georges Teyssot = Fenêtres et écrans : Georges Teyssot.
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Description:
1 streaming video file (1 hr., 6 min., 34 sec.) : sound, colour
Form:
video
video
Publication:
[Montréal] : CCA, [2015]
[Montréal] : CCA, [2015]
Subject:
- Windows History.,
- Screens History.,
- Doors History.,
- Space (Architecture),
- Spatial behavior.,
- Fenêtres Histoire.,
- Écrans (Mobilier) Histoire.,
- Portes Histoire.,
- Espace (Architecture),
- Doors.,
- Screens.,
- Windows.,
- Lectures.,
- Video recordings (physical artifacts),
- Streaming video.,
- History.
(See more)
Form:
books
books
Title:
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
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Description:
G174, M174 pages : illustrations ; 23 cm
Description:
G174, M174 pages : illustrations ; 23 cm
Author:
Subject:
- Nature Effect of human beings on.,
- Human ecology.,
- Global environmental change.,
- Social ecology.,
- Êtres humains Influence sur la nature.,
- Écologie humaine.,
- Changement global (Environnement),
- Écologie sociale.,
- human ecology.,
- Anthropogener Einfluss,
- Artensterben,
- Humanökologie,
- Ökologisches Gleichgewicht,
- Umweltschaden,
- Umweltveränderung,
- Upside-down books.
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Publication:
Minneapolis : University of Minnesota Press, [2017], ©2017
Minneapolis : University of Minnesota Press, [2017], ©2017
Title:
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
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Description:
G174, M174 pages : illustrations ; 23 cm
Arts of living on a damaged planet / Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt, editors.
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Description:
G174, M174 pages : illustrations ; 23 cm
Form:
books
books
Publication:
Minneapolis : University of Minnesota Press, [2017], ©2017
Minneapolis : University of Minnesota Press, [2017], ©2017
Subject:
- Nature Effect of human beings on.,
- Human ecology.,
- Global environmental change.,
- Social ecology.,
- Êtres humains Influence sur la nature.,
- Écologie humaine.,
- Changement global (Environnement),
- Écologie sociale.,
- human ecology.,
- Anthropogener Einfluss,
- Artensterben,
- Humanökologie,
- Ökologisches Gleichgewicht,
- Umweltschaden,
- Umweltveränderung,
- Upside-down books.
(See more)
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books
books
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Description:
191 pages : illustrations (some color) ; 25 cm
Description:
191 pages : illustrations (some color) ; 25 cm
Subject:
Publication:
London : Black Dog Pub., ©2007.
London : Black Dog Pub., ©2007.
Title:
Thinking practice : reflections on architectural research and building work / edited by Nicholas Temple and Soumyen Bandyopadhyay.
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Description:
191 pages : illustrations (some color) ; 25 cm
Thinking practice : reflections on architectural research and building work / edited by Nicholas Temple and Soumyen Bandyopadhyay.
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Description:
191 pages : illustrations (some color) ; 25 cm
Form:
books
books
Publication:
London : Black Dog Pub., ©2007.
London : Black Dog Pub., ©2007.
Form:
books
books
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Description:
239 pages : illustrations (chiefly color), maps ; 25 cm
Description:
239 pages : illustrations (chiefly color), maps ; 25 cm
Subject:
- Abandoned mined lands reclamation Congresses.,
- Landscape ecology Congresses.,
- Sustainable engineering Congresses.,
- Mines abandonnées Réhabilitation Congrès.,
- Écologie du paysage Congrès.,
- Ingénierie durable Congrès.,
- Abandoned mined lands reclamation,
- Landscape ecology,
- Sustainable engineering,
- Bergbaunachfolgelandschaft,
- Rekultivierung,
- Landschaftsgestaltung,
- Regionalförderung,
- Proceedings.,
- Conference papers and proceedings
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Publication:
Berlin : Jovis, 2010.
Berlin : Jovis, 2010.
Title:
Bergbau Folge Landschaft : Konferenzdokumentation = Post-mining landscape : conference documentation / Internationale Bauausstellung Fürst-Pückler-Land 2000-2010 (Hrsg.).
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239 pages : illustrations (chiefly color), maps ; 25 cm
Bergbau Folge Landschaft : Konferenzdokumentation = Post-mining landscape : conference documentation / Internationale Bauausstellung Fürst-Pückler-Land 2000-2010 (Hrsg.).
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Description:
239 pages : illustrations (chiefly color), maps ; 25 cm
Form:
books
books
Publication:
Berlin : Jovis, 2010.
Berlin : Jovis, 2010.
Subject:
- Abandoned mined lands reclamation Congresses.,
- Landscape ecology Congresses.,
- Sustainable engineering Congresses.,
- Mines abandonnées Réhabilitation Congrès.,
- Écologie du paysage Congrès.,
- Ingénierie durable Congrès.,
- Abandoned mined lands reclamation,
- Landscape ecology,
- Sustainable engineering,
- Bergbaunachfolgelandschaft,
- Rekultivierung,
- Landschaftsgestaltung,
- Regionalförderung,
- Proceedings.,
- Conference papers and proceedings
(See more)
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Price:
$56.95
(available to order)
Summary:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
$56.95
(available to order)
Summary:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s(...)
Title:
The organic line: Toward a topology of modernism
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$56.95
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Summary:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
The organic line: Toward a topology of modernism
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$56.95
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Summary:
What would it mean to treat an interval of space as a line, thus drawing an empty void into a constellation of art and meaning-laden things? In this book, Irene Small elucidates the signal discovery of the Brazilian artist Lygia Clark in 1954: a fissure of space between material elements that Clark called "the organic line." For much of the history of art, Clark’s discovery, much like the organic line, has escaped legibility. Once recognized, however, the line has seismic repercussions for rethinking foundational concepts such as mark, limit, surface, and edge. A spatial cavity that binds discrepant entities together, the organic line transforms planes into flexible topologies, borders into membranes, and interstices into points of connection. As a paradigm, the organic line has profound historiographic implications as well, inviting us to set aside traditional notions of influence and origin in favor of what Small terms weak links and plagiotropic relations.
Subject:
Art Theory
Art Theory