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books
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Title:
Reality modeled after images
Reality modeled after images
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$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
$63.50
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Summary:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and(...)
Title:
Reality modeled after images
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$63.50
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This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Reality modeled after images
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$63.50
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Summary:
This publication explores architecture’s entanglement with contemporary image culture. It looks closely at how changes produced through technologies of mediation alter disciplinary concepts and produce political effects. Through both historical and contemporary examples, it focuses on how conventions of representation are established, maintained, challenged, and transformed. Critical investigations are conjoined with inquiries into aesthetics and technology in the hope that the tensions between them can aid an exploration into how architectural images are produced, disseminated, and valued; how images alter assumptions regarding the appearances of architecture and the environment. For students and academics in architecture, design and media studies, architectural and art history, and related fields, this book shows how design is impacted and changed by shifts in image culture, representational conventions and technologies.
Form:
books
books
Publication:
August 2021
August 2021
Subject:
Architectural Theory
Architectural Theory
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books
books
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$74.00
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is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of(...)
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Summary:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of(...)
Subject:
Engineering Structures
Engineering Structures
Publication:
October 2021
October 2021
Title:
Building the Brooklyn Bridge, 1869-1883: an illustrated history, with images in 3D
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is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph. Author Jeffrey I. Richman describes in engaging detail how the Brooklyn Bridge was built and explains the function of each of its complex parts, from the anchorages and elegant towers to the massive cables, and the challenges each presented. Richman reminds us how profoundly modern and groundbreaking the bridge was.
Building the Brooklyn Bridge, 1869-1883: an illustrated history, with images in 3D
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$74.00
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Summary:
is the story of how a structure of unprecedented size and technology was built over the East River, connecting, for the first time, the then independent cities of Brooklyn and New York, two of the most populous cities in America. This awe-inspiring bridge-built between 1869 and 1883 during an age of technological innovation-was not only a modern engineering feat of extraordinary imagination, fortitude, and skill, it also was a towering beacon of human triumph. Author Jeffrey I. Richman describes in engaging detail how the Brooklyn Bridge was built and explains the function of each of its complex parts, from the anchorages and elegant towers to the massive cables, and the challenges each presented. Richman reminds us how profoundly modern and groundbreaking the bridge was.
Form:
books
books
Publication:
October 2021
October 2021
Subject:
Engineering Structures
Engineering Structures
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books
books
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$27.50
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Summary:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
$27.50
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Summary:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology(...)
Title:
Learning to look: dispatches from the art world
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This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
Learning to look: dispatches from the art world
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$27.50
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Summary:
This book presents a collection of short essays that explore how we experience art and what it means to be an “observer.” Ranging far and wide, from Pina Bausch to RoboCop, from Bob Dylan to Vermeer, it uses encounters with specific artworks to gain entry into a world of fascinating issues—like how philosophy and science are represented in film; what evolutionary biology says about art; or the role of ethics, fakes, and copies in our experience of a work. Each essay arises out of an art encounter—in a museum, listening to records, or going to a concert. Carefully articulating the experience of each of these encounters, the book proposes that, like philosophy, art is a sort of technology for understanding ourselves.
Form:
books
books
Publication:
January 2022
January 2022
Subject:
Art Theory
Art Theory
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books
books
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Description:
x, 446 pages : illustrations (some color) ; 25 cm.
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Publication:
Leiden ; Boston : Brill, 2006.
Leiden ; Boston : Brill, 2006.
Title:
Islamic art in the 19th century : tradition, innovation, and eclecticism / edited by Doris Behrens-Abouseif and Stephen Vernoit.
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Islamic art in the 19th century : tradition, innovation, and eclecticism / edited by Doris Behrens-Abouseif and Stephen Vernoit.
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Description:
x, 446 pages : illustrations (some color) ; 25 cm.
Form:
books
books
Publication:
Leiden ; Boston : Brill, 2006.
Leiden ; Boston : Brill, 2006.
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books
books
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Description:
355 pages : color illustrations ; 24 cm.
Description:
355 pages : color illustrations ; 24 cm.
Subject:
Publication:
Dijon : Les presses du réel, [2025]
Dijon : Les presses du réel, [2025]
Title:
L'animal captif et la nature sauvage : une ethnographie du Parc zoologique de Paris / Mélanie Roustan.
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Description:
355 pages : color illustrations ; 24 cm.
L'animal captif et la nature sauvage : une ethnographie du Parc zoologique de Paris / Mélanie Roustan.
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Description:
355 pages : color illustrations ; 24 cm.
Form:
books
books
Publication:
Dijon : Les presses du réel, [2025]
Dijon : Les presses du réel, [2025]
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books
books
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$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
$31.50
(available to order)
Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history.(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
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$31.50
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Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
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$31.50
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Summary:
In this long-awaited work, Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
October 2006, Cambridge (MA), London
October 2006, Cambridge (MA), London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's(...)
Title:
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Architecture in the age of divided representation : the question of creativity in the shadow of production
Actions:
Price:
$62.50
(available to order)
Summary:
Dalibor Vesely proposes an alternative to the narrow vision of contemporary architecture as a discipline that can be treated as an instrument or commodity. In doing so, he offers nothing less than an account of the ontological and cultural foundations of modern architecture and, consequently, of the nature and cultural role of architecture through history. Vesely's argument, structured as a critical dialogue, discovers the first plausible anticipation of modernity in the formation of Renaissance perspective. Understanding this notion of perspective against the background of the medieval philosophy of light, he argues, leads to an understanding of architectural space as formed by typical human situations and by light before it is structured geometrically. The central part of the book addresses the question of divided representation - the tension between the instrumental and the communicative roles of architecture - in the period of the baroque, when architectural thinking was seriously challenged by the emergence of modern science. Vesely argues that to resolve the dilemma of modernity - reconciling the inventions and achievements of modern technology with the human condition and the natural world - we can turn to architecture and its latent capacity to reconcile different levels of reality, its ability to relate abstract ideas and conceptual structures to the concrete situations of everyday life. Vesely sees the restoration of this communicative role of architecture as the key to the restoration of architecture as the topological and corporeal foundation of culture; what the book is to our literacy, he argues, architecture is to culture as a whole. He concludes by proposing a new poetics of architecture that will serve as a framework for the restoration of the humanistic role of architecture in the age of technology.
Form:
books
books
Publication:
June 2004, Cambridge, Mass.
June 2004, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Fumihiko Maki
Fumihiko Maki
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$134.95
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Summary:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of(...)
$134.95
(available to order)
Summary:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of(...)
Title:
Fumihiko Maki
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$134.95
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Summary:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of each project and discussion of the role it played in his architectural development Features a variety of global projects such as Tower 4 at the World Trade Center, New York (scheduled to open 2011); the Media Arts and Sciences building at the Massachusetts Institute of Technology; Novartis Campus Building WSJ-174 in Basel; the Republic Polytechnic campus in Singapore and the Center for the Arts, Yerba Buena Gardens in San Francisco.
Fumihiko Maki
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Price:
$134.95
(available to order)
Summary:
Fumihiko Maki (b.1928) is one of the most influential architects of the late 20th century, recognized internationally for his thoughtful, subtle and technologically innovative buildings Includes Maki’s own selection of over 40 of his most significant projects, including the National Museum of Art in Kyoto and the Tokyo Metropolitan Gymnasium, as well as a description of each project and discussion of the role it played in his architectural development Features a variety of global projects such as Tower 4 at the World Trade Center, New York (scheduled to open 2011); the Media Arts and Sciences building at the Massachusetts Institute of Technology; Novartis Campus Building WSJ-174 in Basel; the Republic Polytechnic campus in Singapore and the Center for the Arts, Yerba Buena Gardens in San Francisco.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Actions:
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$36.00
(available to order)
Summary:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
$36.00
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Summary:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston,(...)
Title:
AAA 034 : Caribbean modernist architecture
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$36.00
(available to order)
Summary:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
AAA 034 : Caribbean modernist architecture
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$36.00
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Summary:
In February and March 2008, the International Program and the Department of Architecture and Design at The Museum of Modern Art, New York, organized the Museum's first symposium on the modernist architecture of the Caribbean and bordering Latin American countries, in collaboration with the Caribbean School of Architecture at the University of Technology, Kingston, Jamaica. Topics included regional and international legacies, preservation, environmental sustainability and urban planning, as they relate to modernist architectural history and contemporary practice. The presenters were leading architects and local architectural historians. This illustrated volume presents papers from this symposium by Silvia Arango, Mervyn Awon, Marcus Barinas, Carlos Brillembourg, Jackson Burnside, Jean Doucet, Belmont Freeman, David Gouverneur, Ronny Lobo, Louise Noelle, Mark Raymond, Bruno Stagno and L. Mark Taylor, in both English and Spanish.
Form:
books
books
Publication:
February 2010
February 2010
Subject:
Modernism
Modernism
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books
books
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Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Author:
Subject:
- Burtynsky, Edward, 1955- Exhibitions.,
- Burtynsky, Edward, 1955-,
- New topographics (Photography) Exhibitions.,
- Landscape photography Exhibitions.,
- Aerial photography Exhibitions.,
- Outdoor photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Environmental degradation Exhibitions.,
- Industries Environmental aspects Exhibitions.,
- Corporations Environmental aspects Exhibitions.,
- Landscape changes Exhibitions.,
- Ecocide Exhibitions.,
- Fragmented landscapes Exhibitions.,
- Cultural landscapes Exhibitions.,
- Refuse and refuse disposal Exhibitions.,
- Land cover Effect of human beings on Pictorial works.,
- Human ecology Pictorial works.,
- Photographers Canada Exhibitions.,
- Photographers.,
- Photographes.,
- New topographics (Photographie) Expositions.,
- Photographie de paysages Expositions.,
- Photographie aérienne Expositions.,
- Photographie à l'extérieur Expositions.,
- Environnement Dégradation Expositions.,
- Sociétés Aspect de l'environnement Expositions.,
- Paysages Modifications Expositions.,
- Habitat (Écologie) Fragmentation Expositions.,
- Paysages culturels Expositions.,
- Déchets Élimination Expositions.,
- Occupation du sol Effets des êtres humains sur Ouvrages illustrés.,
- Photographie artistique Expositions.,
- photographers.,
- Aerial photography,
- Corporations Environmental aspects,
- Cultural landscapes,
- Ecocide,
- Environmental degradation,
- Fragmented landscapes,
- Human ecology,
- Industries Environmental aspects,
- Landscape changes,
- Landscape photography,
- New topographics (Photography),
- Outdoor photography,
- Photography, Artistic,
- Refuse and refuse disposal,
- Canada,
- exhibition catalogs.,
- photobooks.,
- Exhibition catalogs,
- Illustrated works,
- Informational works,
- Photobooks,
- Pictures,
- Ouvrages illustrés.,
- Documents d'information.,
- Catalogues d'exposition.,
- Livres de photographies.
(See more)
Publication:
Göttingen : Steidl, 2024., ©2024
Göttingen : Steidl, 2024., ©2024
Title:
Burtynsky : extraction/abstraction / [Edward Burtynsky]
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Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Burtynsky : extraction/abstraction / [Edward Burtynsky]
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Description:
240 pages : illustrations (chiefly colour), facsimile, portraits (chiefly colour), photographs ; 24 x 31 cm
Form:
books
books
Publication:
Göttingen : Steidl, 2024., ©2024
Göttingen : Steidl, 2024., ©2024
Subject:
- Burtynsky, Edward, 1955- Exhibitions.,
- Burtynsky, Edward, 1955-,
- New topographics (Photography) Exhibitions.,
- Landscape photography Exhibitions.,
- Aerial photography Exhibitions.,
- Outdoor photography Exhibitions.,
- Photography, Artistic Exhibitions.,
- Environmental degradation Exhibitions.,
- Industries Environmental aspects Exhibitions.,
- Corporations Environmental aspects Exhibitions.,
- Landscape changes Exhibitions.,
- Ecocide Exhibitions.,
- Fragmented landscapes Exhibitions.,
- Cultural landscapes Exhibitions.,
- Refuse and refuse disposal Exhibitions.,
- Land cover Effect of human beings on Pictorial works.,
- Human ecology Pictorial works.,
- Photographers Canada Exhibitions.,
- Photographers.,
- Photographes.,
- New topographics (Photographie) Expositions.,
- Photographie de paysages Expositions.,
- Photographie aérienne Expositions.,
- Photographie à l'extérieur Expositions.,
- Environnement Dégradation Expositions.,
- Sociétés Aspect de l'environnement Expositions.,
- Paysages Modifications Expositions.,
- Habitat (Écologie) Fragmentation Expositions.,
- Paysages culturels Expositions.,
- Déchets Élimination Expositions.,
- Occupation du sol Effets des êtres humains sur Ouvrages illustrés.,
- Photographie artistique Expositions.,
- photographers.,
- Aerial photography,
- Corporations Environmental aspects,
- Cultural landscapes,
- Ecocide,
- Environmental degradation,
- Fragmented landscapes,
- Human ecology,
- Industries Environmental aspects,
- Landscape changes,
- Landscape photography,
- New topographics (Photography),
- Outdoor photography,
- Photography, Artistic,
- Refuse and refuse disposal,
- Canada,
- exhibition catalogs.,
- photobooks.,
- Exhibition catalogs,
- Illustrated works,
- Informational works,
- Photobooks,
- Pictures,
- Ouvrages illustrés.,
- Documents d'information.,
- Catalogues d'exposition.,
- Livres de photographies.
(See more)
