Grid-Portraits
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In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists,(...)
Photography monographs
October 2010
Grid-Portraits
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In the mid-1980s, Stu Levy began making “grid-portraits” in order to overcome his his frustration with traditional portraiture’s limited point of view. These constructs of photographs, consisting of twelve to twenty-five individual images, scan the architecture and flow of time in a subject’s living or working environment. The resulting portraits, usually of artists, craftspeople and musicians, are made in the subjects’ studios or living spaces and serve as a backstage tour of the artist’s mind and creative process. Levy is fascinated by the artifacts that fill these spaces – the possessions by which the subjects are themselves possessed. Rather than confining himself to a single “decisive” moment, Levy explore its antithesis, a maze of scrambled time. These are made with a view camera using 4 x 5-inch negatives to allow for precision of detail. The sections are printed together to form the illusion of glancing through a window at a “snapshot” of an event, which in reality might consist of fragmentary views made months apart and in totally separate rooms or environments.
Photography monographs
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In 2001 the Rosalind and Arthur Gilbert Collection was donated to Somerset House where it was displayed until its transfer to the V in 2008. The collection focuses on antique decorative items including clocks, vases, boxes, tapestries and figurines. During the first PICK ME UP graphic art fair at Somerset House artists contributed images of imagined objects based(...)
A new collection no. 1: for Somerset house
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In 2001 the Rosalind and Arthur Gilbert Collection was donated to Somerset House where it was displayed until its transfer to the V in 2008. The collection focuses on antique decorative items including clocks, vases, boxes, tapestries and figurines. During the first PICK ME UP graphic art fair at Somerset House artists contributed images of imagined objects based loosely on the themes and forms of the existing collection. The result is this surreal catalogue for a proposed replacement collection - A New Collection For Somerset House. Edition of 175.
small format
This too shall pass
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A zinescape narrative interpreted from a myriad of recorded dreams. Edition of 100
This too shall pass
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A zinescape narrative interpreted from a myriad of recorded dreams. Edition of 100
small format
Feeding the Murray
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The Murray is a beast that lives in the back of the shop. He is not hidden away, but he isn't for sale either. He just sort of lives there. He needs feeding very regularly, but the kid who has to feed him feels like the The Murray hates him because of the quality of the food he gets to give to The Murray. So the kid goes on a journey to find some better food for(...)
Feeding the Murray
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The Murray is a beast that lives in the back of the shop. He is not hidden away, but he isn't for sale either. He just sort of lives there. He needs feeding very regularly, but the kid who has to feed him feels like the The Murray hates him because of the quality of the food he gets to give to The Murray. So the kid goes on a journey to find some better food for him. Edition of 125.
small format
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Puddle is a pessimistic story about boredom, escapism and cat vomit.
October 2010
Yule bringer
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This book contains 70+ drawings made over the course of a year and which formed part of Adam Higton'a first solo show at Analogue Books In Edinburgh.
Yule bringer
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This book contains 70+ drawings made over the course of a year and which formed part of Adam Higton'a first solo show at Analogue Books In Edinburgh.
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The first of a narrative book series about Nature, Philosophy and Science; the origin of plants, growth, cultivation, discovery, sumo babies and time travel. Edition of 175.
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Mobile Architecture présente de manière chronologique plus de 60 projets et réalisations sous toutes les latitudes.
Architecture mobile: Habitat nomade
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Mobile Architecture présente de manière chronologique plus de 60 projets et réalisations sous toutes les latitudes.
Mobile Houses
books
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en(...)
Paris, musée du XXIe siècle : le dixième arrondissement
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Le 10e arrondissement compte 155 rues, places, quais, squares, cités, avenues, jardins, boulevards, impasses et passages que j'ai décidé d'arpenter méthodiquement. Comme le titre l'indique, j'offrirai à terme, en commençant par l'arrondissement où je vis, une description générale de la ville. La muséification de Paris n'est pas étrangère à mon propos, mais l'œil en marche découvre tant de pièces insoupçonnées que la ville, par le jeu d'une exposition, rescintille. Les perles ne sont pas le tout du collier, c'est aussi le fil qui les tient. Un système de positionnement global étant nécessaire à la documentation des rues, j'ai adopté, après celle où j'habite, l'ordre alphabétique, et j'ai placé quelques bornes pour que le lecteur puisse, à son tour, entrer dehors. -T.C.
books
August 2007
Museums and Universal Exhibitions
This is not a book
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In this uniquely skewed look at the purpose and function of “a book,” Keri Smith offers an illustrated guide that asks readers to creatively examine all the different ways "This Is Not a Book" can be used. Readers will discover that the book can be: A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place. A recording(...)
This is not a book
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In this uniquely skewed look at the purpose and function of “a book,” Keri Smith offers an illustrated guide that asks readers to creatively examine all the different ways "This Is Not a Book" can be used. Readers will discover that the book can be: A secret message—tear out a page, write a note on it for a stranger, and leave it in a public place. A recording device—have everyone you contact today write their name in the book. An instrument—create as many sounds as you can using the book, like flipping the pages fast or slapping the cover. This Is Not a Book will engage readers by having them define everything a book can be by asking, “If it’s not a book, what is it then?”—with a kaleidoscope of possible answers.
Contemporary Art Monographs