8785 Results
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books
books
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$35.95
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"Worldmaking as Techné: Participatory Art, Music, and Architecture" outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of(...)
$35.95
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Summary:
"Worldmaking as Techné: Participatory Art, Music, and Architecture" outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
June 2018
June 2018
Title:
Worldmaking as techné: participatory art, music and architecture
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"Worldmaking as Techné: Participatory Art, Music, and Architecture" outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of making. In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why. By positioning worldmaking as a kind of techné, we seek to create a discourse of art making as an enframing of the world that results in the expression of ontological propositions through the creation of art-worlds.
Worldmaking as techné: participatory art, music and architecture
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$35.95
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Summary:
"Worldmaking as Techné: Participatory Art, Music, and Architecture" outlines a practice that challenges the World and how it could be through a kind of future-making, and/or other world making, by creating alternate realties as artworks that are simultaneously ontological propositions. In simplified terms the concept of techné is concerned with the art and craft of making. In particular a kind of practice that embodies the enactment of theoretical approach that helps determine the significance of the work, how it was made, and why. By positioning worldmaking as a kind of techné, we seek to create a discourse of art making as an enframing of the world that results in the expression of ontological propositions through the creation of art-worlds.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$100.00
(available in store)
Summary:
In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the(...)
$100.00
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Summary:
In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the(...)
Title:
Manual : the architecture and office of Allford Hall Monaghan Morris
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$100.00
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In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the work of Allford Hall Monaghan Morris, the architectural practice formed in London ten years ago, looks at projects ranging from medical practices, offices and social housing to transport interchanges, pool-houses and lofts. All of these projects are explored in detail, and in 224 fully-illustrated pages "Manual" describes a framework of pathways, tendencies and ideas derived from inspiration, testing and experiments.
Manual : the architecture and office of Allford Hall Monaghan Morris
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Summary:
In this book, British architectural historian Iain Borden achieves the impossible – a ‘user manual’ for architecture. But the book’s title, "Manual", deriving from the handbooks for car mechanics, is not simply an ironic gesture: it indicates that this is a guide to architecture as a hands-on discipline; a guide to architecture through practice. Borden’s analysis of the work of Allford Hall Monaghan Morris, the architectural practice formed in London ten years ago, looks at projects ranging from medical practices, offices and social housing to transport interchanges, pool-houses and lofts. All of these projects are explored in detail, and in 224 fully-illustrated pages "Manual" describes a framework of pathways, tendencies and ideas derived from inspiration, testing and experiments.
Form:
books
books
Publication:
January 2003, Basel
January 2003, Basel
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online(...)
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Summary:
Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online(...)
Publication:
March 2022
March 2022
Title:
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online research festival.” Divided into two parts, this compendium chronicles the studio’s politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?
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$35.00
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Summary:
Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online research festival.” Divided into two parts, this compendium chronicles the studio’s politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.
Form:
books
books
Publication:
March 2022
March 2022
Form:
books
books
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$32.00
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Summary:
With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of "post-studio practice." But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in(...)
$32.00
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Summary:
With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of "post-studio practice." But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in(...)
Title:
Documents of contemporary art : the studio
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$32.00
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With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of "post-studio practice." But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio - and "post-studio" - practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer - mobile, flexible, and ready to follow the next commission.
Documents of contemporary art : the studio
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$32.00
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Summary:
With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of "post-studio practice." But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio - and "post-studio" - practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer - mobile, flexible, and ready to follow the next commission.
Form:
books
books
Publication:
March 2012
March 2012
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Ewa Lajer-Burcharth
Ewa Lajer-Burcharth
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$27.95
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Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
$27.95
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Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly(...)
Title:
Ewa Lajer-Burcharth
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$27.95
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Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Ewa Lajer-Burcharth
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$27.95
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Summary:
Adapted from the lecture she delivered at the Institut für Kunstkritik, Städelschule in Frankfurt am Main, Ewa Lajer-Burcharth’s essay explores the dimension of self-reflexivity in the work of eighteenth-century French painter, Jean-Siméon Chardin. Focusing on the material aspects of Chardin’s practice, Lajer-Burcharth asks: In what ways were Chardin’s painterly procedures “his own,” and what were the implications of his possessive and personalized approach to the process of making? The author delves into these questions by examining a crucial moment in the artist’s career, when he, for reasons we can only speculate about, temporarily abandoned his still life practice and turned to painting genre scenes. The essay is joined by responses from Daniel Birnbaum and Isabelle Graw, followed by the author’s replies.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Art Theory
Art Theory
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books
books
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Description:
387 pages : illustrations ; 23 cm.
Description:
387 pages : illustrations ; 23 cm.
Author:
Subject:
Publication:
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
Title:
L'ère électrique = The electric age / dirigé par Olivier Asselin, Silvestra Mariniello, Andrea Oberhuber.
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Description:
387 pages : illustrations ; 23 cm.
L'ère électrique = The electric age / dirigé par Olivier Asselin, Silvestra Mariniello, Andrea Oberhuber.
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Description:
387 pages : illustrations ; 23 cm.
Form:
books
books
Publication:
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
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books
books
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Description:
314 pages : illustrations (some color) ; 33 cm
Description:
314 pages : illustrations (some color) ; 33 cm
Author:
Subject:
Publication:
Cambridge, Mass. : MIT Press, [1987], ©1987
Cambridge, Mass. : MIT Press, [1987], ©1987
Title:
The arts at Black Mountain College / Mary Emma Harris.
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Description:
314 pages : illustrations (some color) ; 33 cm
The arts at Black Mountain College / Mary Emma Harris.
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Description:
314 pages : illustrations (some color) ; 33 cm
Form:
books
books
Publication:
Cambridge, Mass. : MIT Press, [1987], ©1987
Cambridge, Mass. : MIT Press, [1987], ©1987
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Subject:
Form:
books
books
Price:
$69.95
(available to order)
Summary:
More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
$69.95
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Summary:
More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
March 2005, London
March 2005, London
Title:
Lifestyle
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$69.95
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Summary:
More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
Lifestyle
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$69.95
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Summary:
More manifesto than monograph, 'Life Style' is the first book to document Bruce Mau's creative process and his studio practice. This collection of Mau's essays, observations, anecdotes, and project documentation embodies his unique world view and his belief that form and content are inseparable.
Form:
books
books
Publication:
March 2005, London
March 2005, London
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$32.00
(available to order)
Summary:
Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
$32.00
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Summary:
Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
Title:
5 x 2 research and the making of architecture
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$32.00
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
5 x 2 research and the making of architecture
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$32.00
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Leading architects from two contries, Switzerland and the United States, were brought together in five interviews to discuss research and the role it plays in the building process. 5 x 2 documents their international exchange (five interviews, two contries) revealing salient issues in contemporary practice.
Form:
books
books
Publication:
February 2007, Berkeley
February 2007, Berkeley
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$60.00
(available to order)
Summary:
White arkitekter AB, is Scandinavia's leading architectural practice and among the ten largest in Europe. The projects selected for the book reflect a radical shift in architectural method - pointing out how construction is affected and altered by stringent ecological demands and the narural context.
$60.00
(available to order)
Summary:
White arkitekter AB, is Scandinavia's leading architectural practice and among the ten largest in Europe. The projects selected for the book reflect a radical shift in architectural method - pointing out how construction is affected and altered by stringent ecological demands and the narural context.
Publication:
June 2011
June 2011
Title:
White / Green : Ten projects in the great outdoors by White arkitekter
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$60.00
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White arkitekter AB, is Scandinavia's leading architectural practice and among the ten largest in Europe. The projects selected for the book reflect a radical shift in architectural method - pointing out how construction is affected and altered by stringent ecological demands and the narural context.
White / Green : Ten projects in the great outdoors by White arkitekter
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$60.00
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Summary:
White arkitekter AB, is Scandinavia's leading architectural practice and among the ten largest in Europe. The projects selected for the book reflect a radical shift in architectural method - pointing out how construction is affected and altered by stringent ecological demands and the narural context.
Form:
books
books
Publication:
June 2011
June 2011
