Orri Jonsson: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of(...)
Orri Jonsson: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of deserted houses throughout Iceland for the next 12 years, and ''Interiors'' contains the best of these images from 1999 to 2010. Painterly in color, rigorous in composition and lacking people, Orri's photos evoke the personal histories of the inhabitants who long ago abandoned their homes. ''Interiors'' is shaped by an uncanny silence and sense of loss, most poignant in the images of objects people left behind--old buttons, newspapers and even a hot water bottle--tokens of vanished lives.
Photography monographs
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed(...)
Heiner Thofern: A Beautiful Game. Roman Entrances
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This book explores a uniquely Roman type of building, the palazzina—a four- or five-story residential structure of the most meticulous design, built during the Italian economic miracle between the 1950s and ’70s. ''A Beautiful Game'' focuses on the extraordinarily imaginative entrances of these buildings. Over many years, Heiner Thofern (born 1959) photographed palazzine during his evening wanderings throughout the north and west districts of Rome. It was the intricately conceived and constructed entrances, realized mostly through collaborations between architects and artists, that particularly caught his eye. ''A Beautiful Game'' reveals the varied treasures of Thofern’s photographic archive, a rich collection that allows us to examine the particular sense of play and passion for beauty that shapes this era of Italian creativity, a delight in la bella figura, and a desire to constantly reinvent the possibilities of design and architecture.
Photography monographs
LB 17 SO-IL Amant
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SO–IL is an architecture firm born in New York in 2008. Diverse in origin, their team of collaborators speaks a dozen languages and is informed by global narratives and perspectives. Both locally-rooted and nationless, they explore how the creation of environments and objects inspires lasting positive intellectual and societal engagement. Amant is an arts campus spread(...)
Architecture Monographs
December 2023
LB 17 SO-IL Amant
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SO–IL is an architecture firm born in New York in 2008. Diverse in origin, their team of collaborators speaks a dozen languages and is informed by global narratives and perspectives. Both locally-rooted and nationless, they explore how the creation of environments and objects inspires lasting positive intellectual and societal engagement. Amant is an arts campus spread across three blocks in rapidly changing, industrial North Brooklyn. This cultural incubator functions both privately, and publicly, with artist studios, galleries, offices, storage, and a cafe. Rather than an inward-looking space isolated from its urban context, the collection of distributed volumes weaves itself into the fabric of the city. The mini-campus is a part of, benefits from, and contributes to the local community. Pockets of outdoor spaces, multiple entries, and openings cohabit the ground with other members of the neighbourhood.
Architecture Monographs
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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two(...)
Contemporary Art Monographs
December 2025
Liam Gillick: A variable quantifier. Fogo Island Arts
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"A variability quantifier" is an artwork intended to function as an operational weather station. Located on Fogo Island to the north of Newfoundland, it gathers local weather data and is a place for education, reflection, and discussion. A year after the installation of the work Liam Gillick returned to Fogo to make a documentary film about his work. This resulted in two separate films that make use of the same footage. In "Variability quantified" we hear Nobel Prize winning climatologist Syukuro Manabe explaining the science of global heating and his pioneering work modeling earth’s climate in the 1960s. In "Quantified variability" the artist dramatically altered the natural colors in the footage and set it to a layered soundtrack of automated industrial production. This book is a record of the two films alongside a discussion with art historian Tom McDonough.
Contemporary Art Monographs
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A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is(...)
Big mall
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A phenomenology of the mall: If the mall makes us feel bad, why do we keep going back? In a world poisoned by capitalism, is shopping what makes life worth living? Kate Black grew up in West Edmonton Mall – a mall on steroids, notorious for its indoor waterpark, deadly roller coaster, and controversial dolphin shows. But everyone has a favourite mall, or a mall that is their own personal memory palace. It's a place people love to hate and hate to love – a site of pleasure and pain, of death and violence, of (sub)urban legend. Blending a history of shopping with a story of coming of age in North America's largest and strangest mall, "Big mall" investigates how these structures have become the ultimate symbol of late-capitalist dread – and, surprisingly, a subversive site of hope.
Commercial interiors, Building types
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past(...)
Ian Bates : Lost Dog
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"Lost Dog" opens with a cat inquisitively turning towards us - a character inviting us to a vast land. And we can indeed speak of character, so much does "Lost Dog" resemble a fable. Throughout the pages, Bates is the solitary traveler on an odyssey, coming across with elusive figures, crossing depopulated places that, always, retain the mysterious traces of a past presence - wreckage landed on the branches of a dead tree, details of a forgotten domestic life, blood stains on immaculate snow... And sometimes, among the crystal-clear images, a tenderness emerges here and there, rays of warmth found in a woman's gaze or in a benevolent flame. Through valleys and mountains, Ian Bates offers with "Lost Dog" a portrait of a mysterious American North West, whose strangeness and magnificent solitude he captures like no other.
Photography monographs
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea(...)
Early warning systems: Art, the DEW line, and an arctic on the front lines
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The Distant Early Warning Line, also known as the DEW Line, was a system of radar stations in the northern Arctic region of Canada, with additional stations along the north coast and Aleutian Islands of Alaska and the Faroe Islands, Greenland, and Iceland. It intended to detect incoming bombers of the Soviet Union during the Cold War and provide early warning of any sea and land invasion. Today, the Arctic is seen as a place primed for data storage and vaults––doomsday structures with a utilitarian vernacular of architecture, protecting the "knowledge" of places further south rather than recognizing the local presence and expertise of place and Indigenous lifeways and Indigenous science. This book looks at the role of artists as early warning systems and explores the ways we connect and disconnect place and people through technology and the ideas of boundaries.
Art Theory
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A lexicon of selected architectural terms, supplemented by examples drawn from the author’s memories, this compendious compendium offers new and exciting ways to engage with architecture, enriching the reader’s experience of the built environment. Entries include traditional and modern architectural terminology, rendered with an intriguing, rhythmic play of alliteration(...)
An Alliterative lexicon of architectural memories: Volume 2
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A lexicon of selected architectural terms, supplemented by examples drawn from the author’s memories, this compendious compendium offers new and exciting ways to engage with architecture, enriching the reader’s experience of the built environment. Entries include traditional and modern architectural terminology, rendered with an intriguing, rhythmic play of alliteration and a display of philological origins, often enriched with sub-entries of first-person narratives, based on an auto-ethnographic practice with a post-secular framework. While organized in a standard alphabetical order, the contents reflect the author’s life experience, his early years in Mexico, his travels and sojourns in Europe, Asia, North Africa, and Australia, and his life in Canada as an academic teaching the history of Western architectural theory and philosophy: a life with its inherent limitations and subjectivities, yielding definitions that are both particular and universal.
Architectural Theory
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A lexicon of selected architectural terms, supplemented by examples drawn from the author’s memories, this compendious compendium offers new and exciting ways to engage with architecture, enriching the reader’s experience of the built environment. Entries include traditional and modern architectural terminology, rendered with an intriguing, rhythmic play of alliteration(...)
An Alliterative lexicon of architectural memories: Volume 1
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A lexicon of selected architectural terms, supplemented by examples drawn from the author’s memories, this compendious compendium offers new and exciting ways to engage with architecture, enriching the reader’s experience of the built environment. Entries include traditional and modern architectural terminology, rendered with an intriguing, rhythmic play of alliteration and a display of philological origins, often enriched with sub-entries of first-person narratives, based on an auto-ethnographic practice with a post-secular framework. While organized in a standard alphabetical order, the contents reflect the author’s life experience, his early years in Mexico, his travels and sojourns in Europe, Asia, North Africa, and Australia, and his life in Canada as an academic teaching the history of Western architectural theory and philosophy: a life with its inherent limitations and subjectivities, yielding definitions that are both particular and universal.
Architectural Theory
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that(...)
September 2005, Toronto
Impulse: Archeology
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Eldon Garnet was the editor and publisher of "Impulse" from 1975 to 1990, when it ceased publication, and with "Impulse Archaeology", he brings the magazine’s spirit back to life. The book is an eclectic collection of original and groundbreaking interviews, articles, and artwork that ranges in scope from pieces on Punk rock to early discussions on postmodernism, and that includes contributions from artists, architects, writers, and philosophers. "Impulse Archaeology" honours this important period in Canadian art and cultural history, recalling the early influence of like-minded publications from New York and the import of French theorists and European artists and writers into North America. "Impulse" brought the world into Canada and Canada to the world. Eldon Garnet is an international photographic artist and novelist based in Toronto and a professor at the Ontario College of Art and Design.