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The Planning Game: Lessons from Great Cities provides a focused and thorough overview of how planning works, illustrated with 200 colorful photographs, diagrams, and maps created expressly for the book. It presents the public realm approach to planning—an approach that emphasizes the importance of public investments in what we own: streets, squares, parks, infrastructure,(...)
The planning game: lessons from great cities
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The Planning Game: Lessons from Great Cities provides a focused and thorough overview of how planning works, illustrated with 200 colorful photographs, diagrams, and maps created expressly for the book. It presents the public realm approach to planning—an approach that emphasizes the importance of public investments in what we own: streets, squares, parks, infrastructure, and public buildings. They are the fundamental elements in any community and are the way to determine our future. The book covers planning at every level, explaining the activities that go into successfully transforming a community as exemplified by four cities and their colorful motive forces: Paris (Baron Georges-Eugène Haussmann), New York (Robert Moses), Chicago (Daniel Burnham), and Philadelphia (Edmund Bacon).
Urban Theory
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own(...)
A history of future cities
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On May 27, 1703, Tsar Peter the Great founded a new capital on a barren Baltic marsh. Modeled on Amsterdam, he believed it would erase Russian backwardness and usher in a modernized, Westernized future. In the nineteenth-century Age of Imperialism, the British rebuilt Bombay as a tropical London, while three Western powers made Shanghai look just like home. And in our own time, the sheikh of Dubai has endeavored to transform his desert city into a Vegas-esque skyscraper-studded global hub. The cultural and historical threads that connect these cities and their conflicted embrace of modernity are brought into relief in Daniel Brook’s captivating mix of history and reportage—a story of architects and authoritarians, artists and revolutionaries who take these facsimiles of the West and turn them into crucibles of non-Western modernity.
Urban Theory
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual(...)
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss
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This volume is a study of the discipline of Art History. It provides a roadmap of the field by reassessing the impact of several of the most important works of art history. Each chapter – with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi – analyses a single major book, setting out its premises and argument and mapping the intellectual development of its author, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy.
Art Theory
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This collection of essays is the product of ten years’ research and writing, constituting an important contribution to globalization studies. Appadurai takes a broad analytical look at the genealogies of the present era of globalization through essays on violence, commodification, nationalism, terror and materiality.
The future as cultural fact : essays on the global condition
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This collection of essays is the product of ten years’ research and writing, constituting an important contribution to globalization studies. Appadurai takes a broad analytical look at the genealogies of the present era of globalization through essays on violence, commodification, nationalism, terror and materiality.
Critical Theory
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This publication is an urgent response to the radical changes in contemporary architecture and the built environment witnessed in the twenty-first century. Characteristically polemic, incisive and energetic, these essays explore pressing questions of architectural and urban design, and critical issues of public space and participation. From New York to New Orleans, the(...)
All over the map: writing on buildings and cities
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This publication is an urgent response to the radical changes in contemporary architecture and the built environment witnessed in the twenty-first century. Characteristically polemic, incisive and energetic, these essays explore pressing questions of architectural and urban design, and critical issues of public space and participation. From New York to New Orleans, the Amazon to Jerusalem, Sorkin brings a critical eye to bear on a sweeping range of subjects. Whether castigating the sorry performance of the architectural avant-garde, considering the nature of place in globalized culture, or providing mock instructions for entering a high-security environment, these writings make a powerful and provocative case for architecture and urban design to re-engage with the lives and societies from which they have become increasingly detached.
Urban Theory
From cliché to archetype
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work.(...)
From cliché to archetype
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In this publication, readers learn how to look at stale clichés with fresh eyes, as artists do, and discover that clichés provide the key to understanding Modernism, from the puns of James Joyce to Ionesco’s Theater of the Absurd. McLuhan mines the greats of modern literature, such as Yeats, Eliot, and Pound, and points the way to richer understanding of their work. Discussion ranges over conventional topics of literary analysis such as genres, esthetics, rhetoric, paradox, mimesis, and parody, though never in conventional fashion, because McLuhan deliberately stakes his turf in a manner that draws technology and culture together. As a result, the key terms cliché and archetype are not confined to language but are shown to have counterparts in the non-linguistic world.
Critical Theory
Counterblast, 1954 edition
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive(...)
Counterblast, 1954 edition
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In the same year that Wyndham Lewis published Self Condemned, Marshall McLuhan took inspiration from Lewis’s journal Blast and produced Counterblast, intended, like Self Condemned, to shake the city of Toronto out of its smugness, complacency, and spiritual torpor. This publication spirals beyond its inspiration, pinpointing the paradox of creative and destructive changes issuing from the same social forces, as Lewis had noted, but at the same time revealing the origins of McLuhan’s cultural probes, the basis of the model for media analysis that would find full expression in his writings through more than thirty years following the appearance of Counterblast.
Critical Theory
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Avec L'Origine de la perspective, Hubert Damisch n'a pas pour projet d'écrire une histoire de la perspective, mais plutôt, pour reprendre le titre de Machiavel, une suite d' " histoires perspectives ". Des histoires, dans leur variété, leur multiplicité, leur différence, qui auront trait précisément à la prétention qui fut alors celle de la peinture, à une manière(...)
Hubert Damisch : L'origine de la perspective
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Avec L'Origine de la perspective, Hubert Damisch n'a pas pour projet d'écrire une histoire de la perspective, mais plutôt, pour reprendre le titre de Machiavel, une suite d' " histoires perspectives ". Des histoires, dans leur variété, leur multiplicité, leur différence, qui auront trait précisément à la prétention qui fut alors celle de la peinture, à une manière nouvelle de vérité. Du dispositif de Brunelleschi aux Ménines de Velázquez, l'histoire de la perspective, constituée au Quattrocento, se révèle plurielle, à l'opposé d'un récit linéaire et évolutionniste. Hubert Damish livre un essai passionnant, dans lequel la géométrie rencontre le théâtre et où la psychanalyse en appelle à la peinture, pour définir cette essentielle ligne d'horizon.
Art Theory
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Ces 10 clefs abordent l'architecture non par une approche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle(...)
Dix clefs pour s'ouvrir à l'architecture
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Ces 10 clefs abordent l'architecture non par une approche spectaculaire, mais par une voie plus subjective. Elles tentent d'éviter l'écueil consistant à présenter ce domaine aux yeux du grand public comme une valeur culturelle fondée soit sur la dimension patrimoniale, soit sur les prouesses techniques des grands ouvrages d'art, ou encore sur la dimension événementielle de certaines réalisations qui se prêtent aux jeux des caméra et deviennent de parfaits décors pour le fond d'écran des journaux télévisés.
Architectural Theory
Forgetting the art world
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Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond(...)
Forgetting the art world
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Today, the art world spins on its axis so quickly that its maps can no longer be read; its borders blur. In Forgetting the Art World, Pamela Lee connects the current state of this world to globalization and its attendant controversies. Contemporary art has responded to globalization with images of movement and migration, borders and multitudes, but Lee looks beyond iconography to view globalization as a world process. Rather than think about the "global art world" as a socioeconomic phenomenon, or in terms of the imagery it stages and sponsors, Lee considers "the work of art's world" as a medium through which globalization takes place. She argues that the work of art is itself both object and agent of globalization. Lee explores the ways that art actualizes, iterates, or enables the processes of globalization, offering close readings of works by artists who have come to prominence in the last two decades.
Art Theory