Merleau-Ponty for architects
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The philosophy of Maurice Merleau-Ponty (1908–1961) has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as informing renowned schools of architectural theory, notably those around Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto Pérez-Gómez in North America and Juhani Pallasmaa in Finland.(...)
Merleau-Ponty for architects
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The philosophy of Maurice Merleau-Ponty (1908–1961) has influenced the design work of architects as diverse as Steven Holl and Peter Zumthor, as well as informing renowned schools of architectural theory, notably those around Dalibor Vesely at Cambridge, Kenneth Frampton, David Leatherbarrow and Alberto Pérez-Gómez in North America and Juhani Pallasmaa in Finland. Merleau-Ponty suggested that the value of people’s experience of the world gained through their immediate bodily engagement with it remains greater than the value of understanding gleaned through abstract mathematical, scientific or technological systems. This book summarizes what Merleau-Ponty’s philosophy has to offer specifically for architects. It locates architectural thinking in the context of his work, placing it in relation to themes such as space, movement, materiality and creativity, introduces key texts, helps decode difficult terms and provides quick reference for further reading.
Architectural Theory
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
Magazines
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most(...)
Accidental wilderness: The origins and ecology of Toronto's Tommy Thompson Park
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most densely populated areas of North America’s fourth-largest city. ''Accidental wilderness'' is a collection of essays curated by internationally recognized landscape architect and original designer of Tommy Thompson Park, Walter H. Kehm, complemented by a collection of photographs by renowned landscape photographer Robert Burley. The book explores the city’s port origins; the park’s master plan principles and design; the native-plant succession process; the park’s unique flora and fauna; public advocacy; and public recreation in the park and its effect on mental, physical, and spiritual health.
Gardens
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates(...)
Cataloguing culture: legacies of colonialism in museum documentation
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How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong. 'Cataloguing Culture' examines how colonialism operates in museum bureaucracies. Using the Smithsonian’s National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database. She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this publication shines a light on access to and return of cultural heritage.
Museology
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an(...)
A little history of Canada: second edition
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Beginning with the earliest human occupation of North America, nearly 14,000 years ago, Nelles takes us on a whirlwind tour of the land and its inhabitants to the present day. Canada's enduring theme, he argues, is transformation. The country has undergone several fundamental changes-from Aboriginal occupation, to French and British colonization, to the rise of an independent nation and distinct society-and it is doing so yet again. Fully revised throughout, this updated edition incorporates the latest research that helps us understand the course of history. A new concluding chapter unpacks the challenges that the country has faced in the twenty-first century: Canada-US relations post 9/11, the country's place within the global economy, a continuous influx of immigration, and the geographical consequences of global warming. Lively and opinionated, this is the ever-evolving story of a nation.
Architecture in Canada
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Theory of Photography
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
Critical Theory
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An intense work developed from their studios in Madrid and Berlin, six large built works and another six currently nearing completion, testify to the importance of these last twelve years in the professional career of Fuensanta Nieto and Enrique Sobejano. A trip from the north to the south of Spain allows Richard Ingersoll to introduce the issue with a critical analysis(...)
AV 146: Nieto and Sobejano 1999-2011
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An intense work developed from their studios in Madrid and Berlin, six large built works and another six currently nearing completion, testify to the importance of these last twelve years in the professional career of Fuensanta Nieto and Enrique Sobejano. A trip from the north to the south of Spain allows Richard Ingersoll to introduce the issue with a critical analysis of the complete oeuvre of the architects. Projects include the La Luz Castle in Las Palmas, the Madinat al-Zahra Museum near Córdoba, the San Gregorio Museum in Valladolid, the Moritzburg Museum in Halle, the new folding roof of the Kastner & Öhler department store in Graz, the San Telmo Museum in San Sebastiàn, the Congress Center in Zaragoza, the Contemporary Art Center in Córdoba, the Joanneum Museum in Graz, an intervention in the old Barceló Market area in Madrid.
Magazines
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the(...)
Critical spatial practice 6 : Eyal Weizman, the roundabout revolutions
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One common feature of the wave of recent revolutions and revolts around the world is not political but rather architectural: many erupted on inner-city roundabouts. In thinking about the relation between protest and urban form, Eyal Weizman starts with the May 1980 uprising in Gwangju, South Korea, the first of the “roundabout revolutions,” and traces its lineage to the Arab Spring and its hellish aftermath. Rereading the history of the roundabout through the vortices of history that traverse it, the book follows the development of the roundabout in Europe and North America in the early twentieth century, to its subsequent export to the colonial world in the context of attempts to discipline and police the “chaotic” non-Western city. How did an urban apparatus put in the service of authoritarian power became the locus of its undoing?
Critical Theory
Young Architects 20
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The Architectural League Prize for Young Architects + Designers is an annual competition, series of lectures, exhibition, and publication organized by The Architectural League of New York. For more than thirty years, the League Prize has recognized outstanding and provocative work by up-and-coming North American architects and designers. The 2018 competition theme,(...)
Magazines
December 2021
Young Architects 20
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The Architectural League Prize for Young Architects + Designers is an annual competition, series of lectures, exhibition, and publication organized by The Architectural League of New York. For more than thirty years, the League Prize has recognized outstanding and provocative work by up-and-coming North American architects and designers. The 2018 competition theme, Objective, suggested that the topic "implies an action" and that "how we act, what our actions achieve, and how we argue for a design speak to our values as a discipline and as a society." The winners'' work exemplifies the diverse ways young architects and designers are pursuing multiple "objectives," from projects that insightfully address social, economic, and political agendas to material and structural experimentation that inspires innovative design at every scale. Young Architects 20: Objective presents the work of the six winners of the 2018 Architectural League Prize for Young Architects + Designers competition.
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