Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Photography and death
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Theory of Photography
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as(...)
Semblance and event : activist philosophy and the occurrent arts
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Events are always passing; to experience an event is to experience the passing. But how do we perceive an experience that encompasses the just-was and the is-about-to-be as much as what is actually present? In Semblance and Event, Brian Massumi, drawing on the work of William James, Alfred North Whitehead, Gilles Deleuze, and others, develops the concept of "semblance" as a way to approach this question. It is, he argues, a question of abstraction, not as the opposite of the concrete but as a dimension of it: "lived abstraction." A semblance is a lived abstraction. Massumi uses the category of the semblance to investigate practices of art that are relational and event-oriented - variously known as interactive art, ephemeral art, performance art, art intervention - which he refers to collectively as the "occurrent arts."
Critical Theory
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An intense work developed from their studios in Madrid and Berlin, six large built works and another six currently nearing completion, testify to the importance of these last twelve years in the professional career of Fuensanta Nieto and Enrique Sobejano. A trip from the north to the south of Spain allows Richard Ingersoll to introduce the issue with a critical analysis(...)
AV 146: Nieto and Sobejano 1999-2011
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An intense work developed from their studios in Madrid and Berlin, six large built works and another six currently nearing completion, testify to the importance of these last twelve years in the professional career of Fuensanta Nieto and Enrique Sobejano. A trip from the north to the south of Spain allows Richard Ingersoll to introduce the issue with a critical analysis of the complete oeuvre of the architects. Projects include the La Luz Castle in Las Palmas, the Madinat al-Zahra Museum near Córdoba, the San Gregorio Museum in Valladolid, the Moritzburg Museum in Halle, the new folding roof of the Kastner & Öhler department store in Graz, the San Telmo Museum in San Sebastiàn, the Congress Center in Zaragoza, the Contemporary Art Center in Córdoba, the Joanneum Museum in Graz, an intervention in the old Barceló Market area in Madrid.
Magazines
Urban design lab handbook: dialogue oriented urban transformation processes and practical approaches
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After North America, the second-most urbanized region in the world is Latin America and the Caribbean, 78% of whose population lives in cities. The result of five years of recent research by Vienna’s Urban Design Lab, this handbook contextualizes emergent planning issues at hand in the region, where cities are continuing to grow at considerably high rates. Case studies(...)
Urban design lab handbook: dialogue oriented urban transformation processes and practical approaches
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After North America, the second-most urbanized region in the world is Latin America and the Caribbean, 78% of whose population lives in cities. The result of five years of recent research by Vienna’s Urban Design Lab, this handbook contextualizes emergent planning issues at hand in the region, where cities are continuing to grow at considerably high rates. Case studies conducted between 2013 and 2018 in over 20 cities, accompanied by 250 color illustrations, offer a detailed survey of the issues facing Latin American and Caribbean urban planning in the 2010s. Topics covered include social participation in the planning process, the role of culture in urban transformation, “human-scale” city development, and creative reinterpretation of existing municipal structures. Several detailed examinations of specific buildings- including Panamanian and Argentinian railway stations, airports and gardens- present focused and practical accounts of these new urban strategies.
Urban Theory
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In the late 18th century, surveyors divided the Midwestern United States into the Jefferson Grid: a system of neat, one-by-one-mile squares. But because the earth is round, the lines tapered to the north. Therefore the grid had to be corrected: every 20 miles, grid corrections brought theory and practice back together. Pilot and aerial photographer Gerco de Ruijter (born(...)
Gerco de Ruijter: Grid Corrections
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In the late 18th century, surveyors divided the Midwestern United States into the Jefferson Grid: a system of neat, one-by-one-mile squares. But because the earth is round, the lines tapered to the north. Therefore the grid had to be corrected: every 20 miles, grid corrections brought theory and practice back together. Pilot and aerial photographer Gerco de Ruijter (born 1961) first spotted these small bends and T-junctions while completing a residency in Wichita; then, with the help of Google Earth, De Ruijter found thousands of these corrections. Presenting De Ruijter’s selection of over 250 photocollage grid corrections—snowed under or dried up, in cities and in deserts—and featuring an exceptional design by Irma Boom, this publication is a testimony to the human urge to design the landscape and the ways in which nature responds to that urge.
Contemporary Art Monographs
Petrochemical America
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Petrochemical America offers an in-depth analysis of the causes of sustained environmental abuse along the largest river system in North America. It combines Richard Misrach's haunting photographs of Louisiana's "Chemical Corridor" with landscape architect Kate Orff's "Ecological Atlas" - a series of speculative drawings developed through intensive research and mapping of(...)
Petrochemical America
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Petrochemical America offers an in-depth analysis of the causes of sustained environmental abuse along the largest river system in North America. It combines Richard Misrach's haunting photographs of Louisiana's "Chemical Corridor" with landscape architect Kate Orff's "Ecological Atlas" - a series of speculative drawings developed through intensive research and mapping of data from the region. Misrach and Orff's joint effort depicts and unpacks the complex cultural, physical and economic ecologies of a particular region along 150 miles of the Mississippi River, from Baton Rouge to New Orleans - an area of intense chemical production that became known as "Cancer Alley" when unusually high occurrences of the disease were discovered in the region. This revelatory collaboration has resulted in a complex document and an extensively researched guidebook to the ways in which the petrochemical industry has permeated every facet of contemporary life.
Photography monographs
Orri: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of(...)
Orri: Interiors
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Orri Jónsson was holidaying one summer in the north of Iceland with his family, when he stumbled upon an abandoned farmhouse and began taking photos of it. Fascinated with the results but disappointed by the restrictions of the 35mm film he had used, he returned to the motif with a large-format analogue camera. Orri thus photographed the gloriously decaying interiors of deserted houses throughout Iceland for the next 12 years, and ''Interiors'' contains the best of these images from 1999 to 2010. Painterly in color, rigorous in composition and lacking people, Orri's photos evoke the personal histories of the inhabitants who long ago abandoned their homes. Interiors is shaped by an uncanny silence and sense of loss, most poignant in the images of objects people left behind--old buttons, newspapers and even a hot water bottle--tokens of vanished lives.
Photography monographs
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island(...)
The Funambulist 20, November/December
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The Funambulist, issue 20. ''Settler Colonialism in Turtle Island'' is a first ever issue of The Funambulist that was guest-edited. This issue was edited by Turtle Island Indigenous scholars and activists Melanie K. Yazzie and Nick Estes (who had contributed twice to the magazine in the past). The issue proposes several facets of Indigenous struggles in Turtle Island (what many people call ''North America''.) Most of them depict Native lives in spaces that are not the reservations where the colonial narrative usually situates them. Whether in large cities such as Los Angeles or Saskatoon, or settler border towns in the periphery of reservations, the urban dimension of the first half of the dossier is omnipresent. The second half is dedicated to various forms of Indigenous resistance through space-making, anti-colonial solidarities, representative transgression, or architecture researches/projects.
Magazines
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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track(...)
Gay architects: Silent biographies from 18th to 20th century
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Homosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track down these outsiders of the past, historical sources must be read queerly. This volume brings together 35 portraits of gay architects from the Baroque era to the modern age in North America, Europe and Palestine, presenting surprising biographies, admirable houses and, not infrequently, intelligently designed refuges with which the protagonists protected their private lives. Featured architects include: Stanford White, Ralph Adams Cram, Bertram Grosvenor Goodhue, Bruce Goff, Charles Moor, Lionel Pries, Barry Dierks, William Alexander Levy, Paul Rudolph, Horace Gifford, Luis Barragán, Geoffrey Bawa, Horace Walpole and more.
Architectural Theory
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most(...)
Accidental wilderness: The origins and ecology of Toronto's Tommy Thompson Park
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Once referred to as Toronto’s ''accidental wilderness,'' Tommy Thompson Park is now recognized as a fortuitous urban miracle. Initially created as a landfill site on the city’s rapidly developing waterfront, the park’s physical and ecological footprint have grown dramatically. Forests, grasslands, and wildlife now thrive – all within a stone’s throw of some of the most densely populated areas of North America’s fourth-largest city. ''Accidental wilderness'' is a collection of essays curated by internationally recognized landscape architect and original designer of Tommy Thompson Park, Walter H. Kehm, complemented by a collection of photographs by renowned landscape photographer Robert Burley. The book explores the city’s port origins; the park’s master plan principles and design; the native-plant succession process; the park’s unique flora and fauna; public advocacy; and public recreation in the park and its effect on mental, physical, and spiritual health.
Gardens