Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it,(...)
Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it, the selected contour, a text by its author and photographs of the prototype taken by Maxime Delvaux and printed in silver. 'Objects of Fascination' explores digital technology and craftsmanship through found forms. It can be seen as a collection of personal worldviews by an emerging generation of architects, as much as an attempt to give a physical form to the multiplicity of our collective cultural background.
Industrial Design
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
Architectural Theory
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Today the human impact on our planet can hardly be underestimated. Climate change, population explosion, genetic manipulation, digital networks, plastic islands floating in the oceans. This book explores our changing notion of nature. How nature has become one of the most successful products of our time, much of what we perceive as nature is merely a simulation(...)
Next nature: nature changes along with us
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Today the human impact on our planet can hardly be underestimated. Climate change, population explosion, genetic manipulation, digital networks, plastic islands floating in the oceans. This book explores our changing notion of nature. How nature has become one of the most successful products of our time, much of what we perceive as nature is merely a simulation although a romanticized idea of a balanced, harmonic, inherently good and threatened entity. How evolution continues nonetheless. How technology - traditionally created to protect us from the forces of nature - gives rise to a next nature, that is just as wild, cruel, unpredictable and threatening as ever. How we are playing with fire again and again. How we should be careful in doing so, yet how this is also what makes us human.
Landscape Theory
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In this book, Amsterdam-based essayist and media theorist Arjen Mulder retells the past 500 years of visual arts to construe their culmination in the interactive art of today. Mulder investigates the origins of modern art from Leonardo da Vinci and Michelangelo through Wassily Kandinsky, Piet Mondrian and Paul Klee, reframing art history throughout as media history, and(...)
From image to interaction : meaning and agency in the arts
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In this book, Amsterdam-based essayist and media theorist Arjen Mulder retells the past 500 years of visual arts to construe their culmination in the interactive art of today. Mulder investigates the origins of modern art from Leonardo da Vinci and Michelangelo through Wassily Kandinsky, Piet Mondrian and Paul Klee, reframing art history throughout as media history, and accurately positioning these figures not only as great artists but also as great media theorists. This account of all art as a kind of “media art” underlines the experimental component of artistic endeavor: you test an idea (or a medium) which may stand or fall. Mulder's unreverent approach to art history includes in-depth analysis of the sensations and experiences that are aroused by painting and photography, establishing corollaries in digital media and the interactive arts.
Art Theory
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Julien Valée explore the relative roles of the computer and handmade processes in design. Vallée works in a wide range of fields, including art direction, motion graphics, print design, and art installation as well as video and design for the television industry. With his expert use of manual processes strongly supported by the technological tools of today-mainly in(...)
Julien Vallée: rock, paper, scissors
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Julien Valée explore the relative roles of the computer and handmade processes in design. Vallée works in a wide range of fields, including art direction, motion graphics, print design, and art installation as well as video and design for the television industry. With his expert use of manual processes strongly supported by the technological tools of today-mainly in mixing a digital conception phase with different implementation materials, such as paper, wood, and plastic-he creates outstanding art and design that seamlessly bridges the gaps between these disciplines. This first monograph not only presents Julien Vallée's commissioned work for clients such as the New York Times, MTV, AOL, and Computer Arts, but also includes a selection of personal projects. Each book includes a unique log-in code for accessing his video work online.
Design Monographs
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily(...)
Uchronia: designing time
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This book critically investigates our contemporary time crisis. The transformation of society from an agrarian to an industrial, and finally an urbanized way of living and working has created a fundamental change in our understanding of time: a 24/7 mentality. The move from natural time to the digital age leads to a fragmentation of time that deeply affects our daily biological and social rhythm. We need a new approach to time to overcome our temporal system of clocks and calendars. This book investigates a new perception of time by exploring the concept of uchronia, a term derived from the Greek u-topos and meaning 'no time' or 'non-time'. Uchronia is a way of questioning, speculating on and designing new kinds of temporal systems that are more about being in tune than on time.
Design Theory
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of(...)
New York city transit authority: objects
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"New York City Transit Authority: objects" originated as a photography experiment. In 2011, New York photographer Brian Kelley began documenting collections of used MetroCards in his Brooklyn studio, arranging them in various grids with the goal of perfecting the lighting of an image. His brother suggested he make the grids more interesting by finding other types of cards. Having exhausted his search for discarded MetroCards in many of the city’s 472 subway stations, Kelley turned to eBay for new finds. The online rabbit-hole gave him a crash course in the history of NYC transportation. Six years on, many MTA employees follow and advocate his project, sometimes contacting him with information and tips on rare items. As the collection grew, Kelley recognized that there were no comparable digital archives documenting the city’s transportation evolution.
Industrial Design
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback(...)
Massive, expressive, sculptural: Brutalism now and then
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Buildings designated brutalist in style were largely built in the 1960s and 1970s, exuding an aura of daring, uncompromising design today. It is the French term "brut,“ meaning raw or unrefined, that lent its name to this particular architectural phenomenon. Vilified for decades as the step-child of modernism, brutalist architecture is now enjoying an astonishing comeback as the latest discovery among digital trendsetters. As well as fascinating users across social networks, brutalism is also inspiring contemporary architecture. Large-scale sculptural forms, coarsely finished materials and floor plans that defy convention merge with contemporary design to generate enthralling new creations. This book offers a sophisticated overview of post-war and contemporary brutalist buildings and of the relationship – in appearance and design, in the grand concepts and the smallest details – between brutalism today and its ancestors.
Contemporary Architecture
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? "Slow Art" models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Art Theory
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Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to(...)
Lucid knowledge: the currency of the photographic image
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Using the theme of Currency to invite reflection on the contemporary power of the photograph to relay and relate meaning across distance, the Triennial of Photography Hamburg explores the value of photography in the 21st century. The extension of this economic term to art and visual culture allows for a sustained engagement with photography and its relationship to value-making, canon-making, access, circulation, and knowledge production. At a time when the production, distribution, and consumption of photographic images has become ubiquitous and we have learned to structure our contemporary world through a lens, the digital image has become the currency of exchange on social platforms. Fostering interdisciplinary dialogue, this book gathers international perspectives that reflect on how photography shapes today’s narratives, as well as our perception and experience of the world.
Theory of Photography