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To open its Frontiers of Architecture series, Denmark's Louisiana Museum of Modern Art chose the engineer, innovative thinker and writer, Cecil Balmond, honoring him with an exhibition of projects past, present and future. This exhibition catalogue, covered in a clear vinyl slipcase, includes loose, abstract sketches, installation photographs and digital renderings of(...)
Cecil Balmond: frontiers of architecture 1
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To open its Frontiers of Architecture series, Denmark's Louisiana Museum of Modern Art chose the engineer, innovative thinker and writer, Cecil Balmond, honoring him with an exhibition of projects past, present and future. This exhibition catalogue, covered in a clear vinyl slipcase, includes loose, abstract sketches, installation photographs and digital renderings of Balmond's various projects--exposing Balmond's varied sources of inspiration, thoughts, working methods and processes. For example, there is a section on his collaboration with the artist Anish Kapoor which documents the 2002 installation of a giant red gramophone-shaped fabric tube at Tate Modern in London. With his unconventional approach to structural engineering, Balmond is an indispensable sparring partner for some of the most challenging and innovative architects of our day, including Toyo Ito, Rem Koolhaas, Alvaro Siza and Daniel Libeskind.
Architecture Monographs
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
Code and clay, data and dirt: five thousand years of urban media
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Urban Theory
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Art Theory
Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the(...)
Photography monographs
June 2008, Basel
Andreas Gursky
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Famed worldwide for his epically-proportioned photographs, Andreas Gursky is one of very few contemporary artists able to represent cultures of excessive information--which he does through images of supermarket wares, crowds, trash, architecture and nature. The extreme detail of Gursky's final image--achieved by digital restructuring--produces a vertiginous effect on the viewer, as it oscillates between total representation and total abstraction. It could be said that Gursky updates the eighteenth-century sublime for our times. This publication surveys the artist's most recent creations, on display at the renowned Kunstmuseum Basel throughout the winter of 2007/2008. Two new groups of works in particular, one on Formula One races and the other on the famous Arirang Festival (a closely-choreographed mass spectacle in North Korea's capital of Pyongyang), are gathered here.
Photography monographs
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production(...)
Graphic Through Facility : A+D series
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production methods. This catalogue includes photographs and essays that highlight GTF’s most notable projects and commissions, which range from graphic identity to marketing materials to exhibition and catalogue design. Whether providing innovative design materials for the Institute of Contemporary Arts, London,Shakespeare’s Globe Theatre, the Tate Museum, the furniture and interior design store Habitat, or designers such as Ron Arad and Tord Boontje, GTF encourages us to appreciate the visual richness of the world around us.
Graphic Designers, Monographs
Type & typography
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This book provides an essential grounding in type and typography for readers of all levels, from students to professionals. It begins with the authors’ definition of typography as "the mechanical notation and arrangement of language used to make multiple copies, whether by printed or electronic means" and goes on to introduce many other definitions and views of(...)
Graphic Design and Typography
July 2002, London/New York
Type & typography
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This book provides an essential grounding in type and typography for readers of all levels, from students to professionals. It begins with the authors’ definition of typography as "the mechanical notation and arrangement of language used to make multiple copies, whether by printed or electronic means" and goes on to introduce many other definitions and views of typography. The carefully structured text, illustrated with examples throughout, takes the reader through every aspect of the subject, from the history of language and writing systems to the invention of movable type and the evolution of the digital systems of today. The book provides an overview of the bewildering variety of typefaces available and serves as a practical guide to using type as a meaningful element of design in all media.
Graphic Design and Typography
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Tokyo Papers’ comprises a collection of 41 monoprints created by Dutch graphic designer and typographer Karel Martens between 2019 and 2020. In 2018, Martens received a package from artist-curator Pierre Leguillon that contained filled-in Japanese forms which he had found at a street market in Tokyo. Martens was intrigued by the collection of thin paper with a rectangular(...)
Karel Martens: Seoul portraits + Tokyo papers, special edition
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Tokyo Papers’ comprises a collection of 41 monoprints created by Dutch graphic designer and typographer Karel Martens between 2019 and 2020. In 2018, Martens received a package from artist-curator Pierre Leguillon that contained filled-in Japanese forms which he had found at a street market in Tokyo. Martens was intrigued by the collection of thin paper with a rectangular black-blue layer of carbon on the back. In 2019 he started to print on these back sides, but because the overprinting on the carbon layer caused unwanted damage, he switched to printing them on the front sides as well. “The closing image is related to Tokyo in a different way,” he explains. + A selction of portraits from the digital guest book, collected during the exhibition 'Karel Martens : Still Moving', at Platform-L in Seoul.
Graphic Designers, Monographs
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L’hyperville n’est pas la très grande ville, la cité tentaculaire noire et repoussante des XIXe et XXe?siècles. L’hyperville est plutôt un territoire encastré dans une échelle territoriale multiscalaire qui, du local au global, possède des variations rendues possibles par les réseaux, où le digital joue un rôle important de coalescence des initiatives. L’hyperville va(...)
Hyperville(s) : Construire des territoitres solidaires
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L’hyperville n’est pas la très grande ville, la cité tentaculaire noire et repoussante des XIXe et XXe?siècles. L’hyperville est plutôt un territoire encastré dans une échelle territoriale multiscalaire qui, du local au global, possède des variations rendues possibles par les réseaux, où le digital joue un rôle important de coalescence des initiatives. L’hyperville va donc du village à la métropole, formant ainsi autant de configurations différentes. Entendue également comme un régime d’engagement urbain, l’hyperville sera, dans cet ouvrage, approchée par la mise en œuvre concrète d’une contribution de tous ses acteurs. L’hyperville présuppose un sens renouvelé de la coopération et de l’association humaine en lien avec une dynamique de l’innovation sur des territoires qui apparaissent dans les sphères du travail, du loisir, de l’habitat, des transports, de la connaissance.
Urban Theory
Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it,(...)
Objects of fascination
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During the pandemic, 45 people were invited to take part in a "serious game": each participant selected the image of a personal object of fascination, out of which a shape was extracted, redrawn, scaled and sent to a CNC machine to be cut out of a 5 mm thick aluminium sheet and become a low table. Each table is here presented through the original image that generated it, the selected contour, a text by its author and photographs of the prototype taken by Maxime Delvaux and printed in silver. 'Objects of Fascination' explores digital technology and craftsmanship through found forms. It can be seen as a collection of personal worldviews by an emerging generation of architects, as much as an attempt to give a physical form to the multiplicity of our collective cultural background.
Industrial Design
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism(...)
On the duty and power of architectural criticism: Proceeds of the international conference
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Should architectural criticism be enlightening? What should be the ethical basis of it, and can it still be objective in the context of paid content? Should it outline ideal practices and help in the creation of a better built environment? Architectural criticism is at a crucial juncture today. Incisive architectural criticism is rare, while the definition of criticism itself has become more and more opaque in the digital world. The 2021 International Conference on Architecture Criticism has gathered exceptional papers that define the purposes and methods of architectural criticism of today. The resulting book is a collection of essays that offer essential independent voices on architecture criticism in a highly challenging media environment. Incisive and thought-provoking, ‘On duty and power on architectural criticism’ provides concrete case studies for future generations of architectural critics.
Architectural Theory