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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and(...)
AA Agenda 11 : mediating architecture
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Given today's multitude of demands on the built environment, the role of the architect has extended from being a mere designer and builder to acting as a mediator within a much larger network of expertise. This mediation takes place on multiple levels – within the building industry, between public, clients and designers, and between public, clients and designers, and between the actual design and its environment. To achieve this, the field of work, the tools of design and the representation of architects needs to develop. The architect has to design the design process itself. Mediating Architecture demonstrates the extended role of the architect through the applied work of AA's Diploma Unit 14 within London's Thames Gateway over three consecutive years. A series of essays reflect this methodology from the multi-disciplinary perspectives of architecture, urban design, landscape design and philosophy.
Architectural Theory
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic(...)
Fairy tales: when architecture tells a story
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic array of forms - from stories, to poems, memoirs, and comics - these entries bring new meaning to architecture, its value, and its place in society.
Literature and poetry
$42.00
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This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the(...)
Architecture since 1900, Europe
September 2007, New Haven London
The holy place : Architecture, ideology, and history in Russia
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This book surveys two centuries of Russian history through a succession of ambitious architectural projects designed for a single construction site in central Moscow. Czars, Bolshevik rulers, and contemporary Russian leaders alike have dreamed of glorious monuments to themselves and their ideologies on this site. The history of their efforts reflects the story of the nation itself and its repeated attempts to construct or reconstruct its identity and to repudiate or resuscitate emblems of the past.
Architecture since 1900, Europe
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xi, 131 pages : color illustrations, color maps ; 25 x 29 cm
Cambridge, Mass. : MIT Press, ©2011.
Helvetica and the New York City subway system : the true (maybe) story / Paul Shaw.
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xi, 131 pages : color illustrations, color maps ; 25 x 29 cm
books
Cambridge, Mass. : MIT Press, ©2011.
$48.00
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside(...)
Drawing on architecture: the object of lives, 1970-1990
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Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes.
Architectural Drawing
books
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576 pages : illustrations ; 22 cm
[Eindhoven] : Onomatopee, 2022, ©2022
Fieldwork for future ecologies : radical practice for art and art-based research / editors: Bridget Crone, Sam Nightingale and Polly Stanton.
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576 pages : illustrations ; 22 cm
books
[Eindhoven] : Onomatopee, 2022, ©2022
Landscape architecture
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Artistic interpretation of the landscape was transformed when artists started working directly in the landscape itself. At the same time, architects explored strategies aimed at integrating humans and habitats within the environment. This book showcases the ways in which designers have created living spaces within the built and natural environments - areas of harmony(...)
Landscape architecture
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Artistic interpretation of the landscape was transformed when artists started working directly in the landscape itself. At the same time, architects explored strategies aimed at integrating humans and habitats within the environment. This book showcases the ways in which designers have created living spaces within the built and natural environments - areas of harmony between man and nature.
Gardens
books
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303 pages : illustrations ; 25 cm
New York : Free Press, ©2001.
Saving Monticello : the Levy family's epic quest to rescue the house that Jefferson built / Marc Leepson.
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303 pages : illustrations ; 25 cm
books
New York : Free Press, ©2001.
$36.00
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built(...)
We the bacteria: Notes towards biotic architecture
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The sequel to the authors’ “Are We Human?”, this provocative book is an urgent manifesto for an alternative architectural philosophy. It treats bacteria as the real architects, construction workers, maintenance crews and inhabitants of buildings. Colomina and Wigley draw on the latest research into microbes to rethink the past and possible futures of the built environment. The book explores the intimate entanglements of the microbes within bodies and buildings over the last 10,000 years, culminating in the antibiotic philosophy of contemporary architecture. The diseases of our time are diseases of the built environment. The deadly combination of rapidly declining microbial diversity and rising antibiotic-resistant bacteria is as great a threat as climate change. Hostility to bacteria has to give way to new forms of hospitality from a more symbiotic architecture that learns from bacteria, embracing them and reconnecting with soil, plants and other species. Buildings based on fear of bacteria, which is to say fear of life itself, must give way to buildings learning from models of coexistence based on bacteria themselves. The main goal of the book is to rethink the very idea of shelter in terms of forms of inclusion rather than prophylactic forms of exclusion.
Architecture ecologies
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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s(...)
Event-space: theatre architecture and the historical avant-garde
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As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. "Event-Space" radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’.
Architectural Theory