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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation(...)
Gardens
September 2007, Basel, Boston, Berlin
Syntax of landscape : the landscape architecture of Peter Latz and partners
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Peter Latz and Partners specialize in a contemporary, intelligent use of alternative technologies and the regeneration of industrial wastelands. They have worked with Norman Foster among others. The trademark of the works of the firm, which was founded in 1968, is its ability to express ecological and social concerns in a strong aesthetic language. Process orientation and the revealing of chronological layers of a site are the focus of design. The firm’s current projects include the design of large-scale street and park environments on the Plateau de Kirchberg in the European City of Luxembourg, the Parco Dora in Turin, Italy, and the conversion of a disused waste disposal site in Ayalon Park near Tel Aviv, Israel. Peter Latz teaches at the Technical University) in Munich-Weihenstephan and has held guest professorships at the University of Pennsylvania and Harvard University. Udo Weilacher is dean of the Fakultät für Architektur und Landschaft (School of Architecture and Landscape) at Hanover University.
Gardens
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Factories, farms, and ecosystems all generate mountains of unused material every day. These materials—often viewed as useless leftovers —actually have rich, untapped creative potential. The artist collective Learning Group created several art projects that explore these possibilities, and [Collecting systems] presents these projects in images and words. Members of(...)
August 2006, Chicago
[Collecting systems] : learning book #001
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Factories, farms, and ecosystems all generate mountains of unused material every day. These materials—often viewed as useless leftovers —actually have rich, untapped creative potential. The artist collective Learning Group created several art projects that explore these possibilities, and [Collecting systems] presents these projects in images and words. Members of Learning Group traveled to three different urban environments—Chicago; Monterrey, Mexico; and Mikado, Japan — and built structures that incorporated waste objects in unexpected and fascinating ways. Whether a cardboard house modeled after the structure of sea urchin shells, a wearable walking city, or two houses made of plastic bottles and other gathered materials, their projects recycle trash into treasure. The authors investigate the social issues connected to these projects, such as economics, labor, property rights, and environmental conditions, and they propose innovative courses of action on these issues. In an increasingly disposable world, [Collecting systems] is a compelling look at how we can use the materials around us to their fullest potential.
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A road map for product design professionals and students to ten “Big Ideas” in material innovation. Drawing from a worldwide community of designers who are pushing boundaries with innovative works that go beyond the notion of “sustainable design,” Radical Matter demonstrates how holistic systems of design, production, and consumption will benefit our world(...)
Radical matter: rethinking materials for a sustainable future
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A road map for product design professionals and students to ten “Big Ideas” in material innovation. Drawing from a worldwide community of designers who are pushing boundaries with innovative works that go beyond the notion of “sustainable design,” Radical Matter demonstrates how holistic systems of design, production, and consumption will benefit our world environmentally, socially, and economically. The ten “Big Ideas” unpack the themes that are impacting our material world through cutting-edge case studies and expert opinions: Repair Is Beautiful; Today’s Trash, Tomorrow’s Raw Material; Natural Assets; The Waste Revolution; Lessons from the Past; Co-Creation; Material Connections; Short Life Materials; Living Materials; and Future Mining. The book includes an invaluable directory of resources for cutting-edge materials and a definitive list of global research centers, innovation hubs, academic courses, and material libraries. Radical Matter contains a wealth of information to help design professionals and students turn revolutionary concepts into reality.
Materials and Lighting
$37.50
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal:(...)
Environment and environmental theory
May 2017
Arts of living on a damaged planet: ghosts of the Anthropocene
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Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, "Arts of living on a damaged planet" puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent "arts of living." Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication's two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste--in short, the wonders and terrors of an unintended epoch.
Environment and environmental theory
$42.95
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Renowned natural dyer, artist, and educator Sasha Duerr envisions a new age of fresh, modern color palettes, drawing from our original source of inspiration and ingredients-the natural world around us. This innovative plant-based color-guide includes twenty-five palettes with five hundred natural color swatches, providing inspiration for sustainable fashion, textiles,(...)
Natural palettes: inspiration from plant-based color
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Renowned natural dyer, artist, and educator Sasha Duerr envisions a new age of fresh, modern color palettes, drawing from our original source of inspiration and ingredients-the natural world around us. This innovative plant-based color-guide includes twenty-five palettes with five hundred natural color swatches, providing inspiration for sustainable fashion, textiles, fine art, floral design, food, medicine, gardening, interior design, and other creative disciplines. Bring the healing power of forest bathing into your home with a palette of spruce cones, pine needles, and balsam branches. Move past Pantone and embrace the natural balance of a pollinator palette with Hopi sunflower, red poppy, echinacea, and scabiosa. Duerr complements the palettes with short essays that provide useful information. She connects the colors with particular landscapes, the restorative qualities of medicinal plants, common garden flora, lifestyle experiences, food and floral waste, and the ecological benefits of using organic materials to create colors. You may never view color-or your plants-the same way again.
Colour Theory and Design
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Over the last years, coinciding with the growing social movement that aims for the introduction of a real environmental sensitivity in the European society, a new generation of architects has appeared in Spain. They plan and built using passive design strategies, use techniques to reduce both water consumption and waste production and even generate energy from the active(...)
New Environmental Sensitivity: 2000-2006 in Spanish Architecture
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Over the last years, coinciding with the growing social movement that aims for the introduction of a real environmental sensitivity in the European society, a new generation of architects has appeared in Spain. They plan and built using passive design strategies, use techniques to reduce both water consumption and waste production and even generate energy from the active use of renewable energies. Selected projects included: Botanical Garden of Montjuic in Barcelona and the Western Beach Promenade in Benidorm (Alicante), by Carlos Ferrater; the Spanish Pavilion at the Expo 2005 Aichi (Japan), by Farshid Moussavi and Alejandro Zaera, as well as the Spanish Pavilion at the Expo Zaragoza 2008, by Franciso J. Mangado and Florencio Manteca; the Hesperia Tower Hotel, by Alonso Balaguer Asociados and Richard Roger Partnership, and the Habitat Hotel in Barcelona, by Ruiz Geli, Vito Acconci and Ruy Ohtake; and the new head offices of Endesa and Telefónica in Madrid, both projected by Rafael de La-Hoz.
Architecture since 1900, Europe
books
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was(...)
When modern was green : life and work of landscape architect Leberecht Migge
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Gro siedlungen, of Frankfurt Main and Berlin. Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach.
books
April 2012
Architecture Monographs
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play(...)
Architectural Theory
September 2020
Through time and the city: Notes on Rome
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"Through time and the city: notes on Rome" offers a new approach to exploring cities. Using Rome as a guide, the book follows familiar sites, geographies, and characters in search of their role within a larger narrative that includes the environmental processes required to generate enough space and material for the city, the emergent ecologies to which its buildings play host, and the social patterns its various structures help to organize. "Through time and the city" argues that Rome is made and unmade by an endlessly evolving chorus that has, for better or worse, gained geological legitimacy; that the city absorbs and emits countless artifacts in its search for collective identity; that the city is a platform for the constant staging of negotiations between agents (humans, buildings, plants, animals, pathogens, goods, waste, water) that drive and are driven by the entanglements of climate and culture. This book provides textual and visual frameworks for identifying the material traces, emergent patterns, or speculated futures that expose a city as inseparable from its capacity to change.
Architectural Theory
Hall of best knowledge
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Ray Fenwick has pioneered his own medium of storytelling, one best described as "typographical comics." Hall of Best Knowledge is presented as a handsome, personal journal written by an unnamed voice, referred to only as "The Author." Little is known about him; he makes occasional, derogatory references to a twin brother and younger sibling, but reveals little else. He(...)
Hall of best knowledge
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Ray Fenwick has pioneered his own medium of storytelling, one best described as "typographical comics." Hall of Best Knowledge is presented as a handsome, personal journal written by an unnamed voice, referred to only as "The Author." Little is known about him; he makes occasional, derogatory references to a twin brother and younger sibling, but reveals little else. He clearly fashions himself a genius, writing with a faux-aristocratic air, and it is presumably his belief in his own genius that leads him to want to share his knowledge with the world. Each page features information such as "It hardly needs mentioning that riding a pony is no intellectual triumph.... If riding a pony is so fantastic, why have I never read of any renowned pony-riding genius? It is because such a person does not exist, making it a foolish waste of time unworthy of attention." These pearls of wisdom are lettered in an elegant, almost obsessive fashion, entirely hand-crafted and bedecked with Ionic columns and fleurs-de-lis.
Illustration
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found(...)
Junk : art and the politics of trash
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Trash, garbage, rubbish, dross, detritus - in this enjoyably radical exploration of junk, Gillian Whiteley re-thinks art's historical and present appropriation of junk within our eco-conscious and globalized culture. She does this through an illustrated exploration of particular materials, key moments and locations and the telling of a panoply of trash narratives. Found and ephemeral materials are primarily associated with assemblage - object-based practices which emerged in the mid-1950s and culminated in the seminal exhibition "The Art of Assemblage" in New York in 1961. With its deployment of the discarded and the filthy, Whiteley argues, assemblage has been viewed as a disruptive, transgressive artform that engaged with narratives of social and political dissent, often in the face of modernist condemnation as worthless kitsch. In the Sixties, parallel techniques flourished in Western Europe, the US and Australia but the idiom of assemblage and the re-use of found materials and objects - with artist as bricoleur - is just as prevalent now. This is a timely book that uncovers the etymology of waste and the cultures of disposability within these economies of wealth.