Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
Photography monographs
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social(...)
Photography monographs
October 2012
Heartland: the photographs of Terry Evans
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The landscape and people of the American Midwest have captivated photographer Terry Evans (b. 1944) throughout her forty-year photographic career. Evans has a deep connection to her native region, which she has explored from a variety of visual and thematic perspectives. Heartland traces the evolution of Evans’s vision, beginning in the early 1970s with her social documentary images of people in Kansas. She became a landscape photographer in 1978, focusing on the grasses, land, and skies of the prairie; this was followed by an aerial survey of the entire Great Plains, from Texas to Canada. She has also photographed Chicago from the air, an abandoned military site, small-town life in Kansas, and historical samples of prairie flora and fauna from Chicago’s Field Museum. More recently, she has documented the steel industry in the Midwest and oil and gas drilling in North Dakota. This illustrated book examines all of these works, which together reveal the enduring beauty of the prairie landscape.
Photography monographs
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the(...)
Simon Johnston: Meridian
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The Meridian project is a series of large-format black-and-white photographs taken in England on the line of zero degrees longitude. Using GPS technology to establish accurate locations, Simon Johnston took photographs on this line from coast to coast, with the camera facing either due north or due south. A vertical fluorescent orange line was then superimposed in the center of the photographs to represent the line of zero degrees longitude. The addition of the line transgresses the conventional purity of the photographic picture plane and makes visible that which is invisible/theoretical/conceptual, this graphic intervention mirroring the way we superimpose a rational grid over the globe, mapping and regulating space and time to better coordinate and facilitate international trade and navigation. In this way, Simon Johnston: Meridian offers both a beautiful cross-section portrait of a country and a reminder of the arbitrary nature of time, of human-constructed temporality.
Photography monographs
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City(...)
Partners in design: Alfred H. Barr Jr. and Philip Johnson
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Partners in Design, which accompanies an exhibition opening at the Montreal Museum of Fine Arts in April 2016, chronicles their collaboration, placing it in the larger context of the avant-garde in New York—1930s salons where they mingled with Julien Levy, the gallerist who brought Surrealism to the United States, and Lincoln Kirstein, co-founder of the New York City Ballet; their work to help Bauhaus artists like Josef and Anni Albers escape Nazi Germany—and the dissemination of their ideas across the United States through MoMA’s traveling exhibition program. Illustrated with icons of modernist design, MoMA installation views, and previously unpublished images of the Barr and Johnson apartments—domestic laboratories for modernism, and in Johnson’s case, designed and furnished by Ludwig Mies van der Rohe—this fascinating study sheds new light on the introduction and success in North America of a new kind of modernism, thanks to the combined efforts of two uniquely discerning and influential individuals.
Architecture Monographs
books
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238 pages ; 22 cm
Cambridge, MA : MIT Press, [2009]
books
Cambridge, MA : MIT Press, [2009]
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around(...)
The phoenix complex: A philosophy of nature
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Global crises, from melting Arctic ice to ecosystem collapse and the sixth mass extinction, challenge our age-old belief in nature as a phoenix with an infinite ability to regenerate itself from the ashes of destruction. Moving from antiquity to the present and back, Michael Marder provides an integrated examination of philosophies of nature drawn from traditions around the world to illuminate the theological, mythical, and philosophical origins of the contemporary environmental emergency. From there, he probes the contradictions and deadlocks of our current predicament to propose a philosophy of nature for the twenty-first century. As Marder analyzes our reliance on the image and idea of the phoenix to organize our thoughts about the natural world, he outlines the obstacles in the path of formulating a revitalized philosophy of nature. His critical exposition of the phoenix complex draws on Chinese, Indian, Russian, European, and North African traditions. Throughout, Marder lets the figure of the phoenix guide readers through theories of immortality, intergenerational and interspecies relations, infinity compatible with finitude, resurrection, reincarnation, and a possibility of liberation from cycles of rebirth.
Environment and environmental theory
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now(...)
Architecture in Canada
April 2005, Vancouver
Dream city : Vancouver and the global imagination
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The story behind Vancouver’s emerging urban form: the buildings, public spaces, extraordinary landscapes and cultural values that have turned the city into the poster-child of North American urbanism. Located at the edge of a continent and at the corresponding edge of national public consciousness, Vancouver has developed in unique and unanticipated ways. It is now emerging as an experiment in contemporary city-making, with international interest in Vancouver as a model of post-industrial urbanism increasing exponentially. Lance Berelowitz explores the links between the city’s seductive natural setting, its turbulent political history and changing civic values, and its planning and design culture. He also makes the startling case that Vancouver is to Canada’s imagination what Los Angeles is to the American — a mythologized place of endless possibilities, while being grounded in an altogether more limited set of socio-economic and environmental limitations. Dream City is richly illustrated with both historical and contemporary photographs of many significant buildings and public spaces, as well as specially commissioned maps that reveal the underlying patterns of growth and change of Canada’s youngest metropolis.
Architecture in Canada
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and(...)
Groundswell : constructing the contemporary landscape
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"Groundswell : constructing the contemporary landscape" presents 23 projects that reveal the surge of creativity and discussion surrounding the designed landscape in a broad, principally urban, international context. In the last 20 years, many significant new public spaces have been created for sites that have been reclaimed from conflict, environmental degradation, and abandonment. The projects, found throughout North America, Europe, Asia, and the Middle East, were selected for their design, and for their variety of contexts, materials, scale, and types of spaces. This fully illustrated volume includes an essay by Peter Reed, Curator in the Department of Architecture and Design at The Museum of Modern Art, that demonstrates how these innovative projects expand the definition of the modernist landscape while responding to a variety of conditions such as program, social function, and the transformation and reclamation previously industrial areas. The essay is followed by a full-color plate section featuring the selected projects. Catalogue entries for each project provide a succinct description of the site, its transformation, and design concepts illustrated by photographs, drawings, and models.
Urban Landscapes
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Since Hamas’s attack on Israel last October 7, the term "settler colonialism" has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political(...)
On settler colonialism: Ideology, violence, and justice
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Since Hamas’s attack on Israel last October 7, the term "settler colonialism" has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political issues. This short book is the first to examine settler colonialism critically for a general readership. By critiquing the most important writers, texts, and ideas in the field, Adam Kirsch shows how the concept emerged in the context of North American and Australian history and how it is being applied to Israel. He examines the sources of its appeal, which, he argues, are spiritual as much as political; how it works to delegitimize nations; and why it has the potential to turn indignation at past injustices into a source of new injustices today. A compact and accessible introduction, rich with historical detail, the book will speak to readers interested in the Middle East, American history, and today’s most urgent cultural-political debates
Critical Theory
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of(...)
Dizionario Vol.1
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Italian artist Luca Massaro has been building a solid body of work on ‘the invisible space that separates an image from its caption, photographs from words, in their different forms of production, translation and transmission’. Through an eclectic array of photographs, words, sculptures, installations and artists books, concocted with advertising techniques of manipulation, borrowed from the urban and online accelerated mediascape, such as the proliferation of backlit devices, the repetition of graphic logos and leitmotifs, his work plays with the conflicting hybridization of iconotexts today. Dizionario is a long-term project: every ten years the artist will publish a volume that assembles around 1000 new images accumulated in the previous decade from his personal archive. This verbo-visual archive, a collision of signs, layers and transparencies, which creates abstract images out of language, is used as a matrix for the fabrication of new works with various materials. For Volume 1, these images-words have been shot in the public space and mostly, yet not exclusively, in the urban landscape, since 2012 in Europe, Japan, Mexico and North America.
Contemporary Art Monographs