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The Scottish urbanist and biologist Patrick Geddes (1854-1932) is perhaps best known for introducing the concept of "region" to architecture and planning. At the turn of the twentieth century, he was one of the strongest advocates of town planning and an active participant in debates about the future of the city. He was arguably the first planner to recognize the(...)
Biopolis : Patrick Geddes and the city of life
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The Scottish urbanist and biologist Patrick Geddes (1854-1932) is perhaps best known for introducing the concept of "region" to architecture and planning. At the turn of the twentieth century, he was one of the strongest advocates of town planning and an active participant in debates about the future of the city. He was arguably the first planner to recognize the importance of historic city centers, and his renewal work in Edinburgh’s Old Town is visible and impressive to this day. Geddes’s famous analytical triad--place, work, and folk, corresponding to the geographical, historical, and spiritual aspects of the city--provides the basic structure of this examination of his urban theory. Volker Welter examines Geddes’s ideas in the light of nineteenth-century biology--in which Geddes received his academic training--showing Geddes’s use of biological concepts to be far more sophisticated than popular images of the city as an organic entity. His urbanism was informed by his lifelong interest in the theory of evolution and in ecology, cutting-edge areas in the late nineteenth century. Balancing Geddes’s biological thought is his interest in the historical Greek concept of polis, usually translated as city-state but implying a view of the city as a cultural and spiritual phenomenon. Although Geddes’s work was far-ranging, the city provided the unifying focus of nearly all of his theoretical and practical work. Throughout the book, Welter relates Geddes’s theory of the city to contemporary European debates about architecture and urbanism. Foreword by Iain Boyd Whyte.
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November 2001, Cambridge, Mass.
Urban Theory
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The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this(...)
Architecture in the age of printing : orality, writing, typography, and printed images in the history of architectural theory
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The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
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September 2001, Cambridge, Mass.
Architectural Theory
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At a time when the fragmented ideas and styles in architecture make it seem as if "anything goes," Anything asks whether there are constraints to thought and action that change "anything" to "the thing." In thirty-two original essays, many of them illustrated, leading architects, theorists, historians and others discuss their works. The wide-ranging topics include a(...)
Anything
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At a time when the fragmented ideas and styles in architecture make it seem as if "anything goes," Anything asks whether there are constraints to thought and action that change "anything" to "the thing." In thirty-two original essays, many of them illustrated, leading architects, theorists, historians and others discuss their works. The wide-ranging topics include a "refugee republic," "blur buildings," virtual environments, shopping, and stress. Anything is the tenth and final book in the ongoing series that began in 1991. Each volume is based on a conference at which architects and leaders in other fields came together to present papers and discuss a particular idea in architecture from a cross-cultural and multidisciplinary perspective.
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September 2001
Architectural Theory
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This comprehensive introduction to the natural building field is for lay people, architects, and designers who wish to build low-cost, and environmentally-sensible structures. From straw bale and cob, to recycled concrete and salvaged materials, this anthology of articles from leaders in the field focuses on both the practical and the aesthetic concerns of ecological(...)
Green Architecture
August 2001, Gabriola Island, B.C.
The art of natural building : design, construction, resources
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This comprehensive introduction to the natural building field is for lay people, architects, and designers who wish to build low-cost, and environmentally-sensible structures. From straw bale and cob, to recycled concrete and salvaged materials, this anthology of articles from leaders in the field focuses on both the practical and the aesthetic concerns of ecological building designs and techniques.
Green Architecture
The wood book
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Culled and assembled by Romeyn Beck Hough between 1888 and 1913 in what still remains and stunning and unparalleled achievement, "The American Woods" —originally published in 14 volumes, with actual specimens mounted on card stock—is a work of breathtaking beauty that has set the standard for study of trees and wood. "The wood book" reproduces, in painstaking facsimile,(...)
Green Architecture
January 2002, Köln
The wood book
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Culled and assembled by Romeyn Beck Hough between 1888 and 1913 in what still remains and stunning and unparalleled achievement, "The American Woods" —originally published in 14 volumes, with actual specimens mounted on card stock—is a work of breathtaking beauty that has set the standard for study of trees and wood. "The wood book" reproduces, in painstaking facsimile, all of the specimen pages from the original volumes. For each tree, three different cross-section cuts of wood are represented (radial, horizontal, and vertical), demonstrating the particular characteristics of the grain and the wealth of colors and textures to be found among the many different wood types. Also included in this special edition are lithographs by Charles Sprague Sargent of the leaves and nuts of most trees, as well as texts describing the trees’ geographical origins and physical characteristics.
Green Architecture
$43.00
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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does(...)
To object
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This volume documents MVRDV`s project for the competition for the Musee des Arts et Civilisations in Paris, and includes all aspects of the design: visual as well as written. This book asks such urgent design questions as the meaning of a museum for non-Western art at a time when worldwide mobility is making the ideas of "Western" and "non-Western" meaningless. How does one represent authenticity in this context? Designed by MVRDV, this book allows the reader inside the design process to the original ideas conceived and problems faced by an architect.
Industrial Design
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
The pragmatist imagination: thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
Architecture and the imaginary
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Innovative cities
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This book presents a unique international comparison of innovation in Amsterdam, London, Milan, Paris and Stuttgart. Based on research funded by the ESRC programme on Cities: Competitiveness and Cohesion, it compares and contrasts the reasons why these cities are among the top ten innovative cities in Europe.
Innovative cities
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This book presents a unique international comparison of innovation in Amsterdam, London, Milan, Paris and Stuttgart. Based on research funded by the ESRC programme on Cities: Competitiveness and Cohesion, it compares and contrasts the reasons why these cities are among the top ten innovative cities in Europe.
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August 2001, London
Urban Theory
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Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production, and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all(...)
Architectural Theory
November 2001, London
The words between the spaces : buildings and language
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Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production, and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts. The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate, and response.
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November 2001, London
Architectural Theory
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The author concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings that address the abstract issues surrounding the main texts are(...)
Reading architectural history
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The author concentrates on fundamental texts in the study of architectural history with special reference to eighteenth and nineteenth century Britain. The texts under discussion address key themes or methods in the construction of architectural histories. Alongside this, philosophical or theoretical writings that address the abstract issues surrounding the main texts are presented as a kind of exegesis on the chosen texts. This, together with an introduction and discursive essays which preface each of the sections, present a trans-disciplinary discourse around the discipline of architectural history.
Architectural Theory