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"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and(...)
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"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and(...)
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Modernism
Modernism
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January 2025
January 2025
Title:
Design agendas: Modern architecture in St. Louis 1930s-1970s
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"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and architectural historian Eric P. Mumford situates the work of these architects and others within the context of St. Louis urban development against the midcentury backdrop of New Deal planning, the Great Migration, and the civil rights and Great Society eras. This publication adds to the small but growing number of studies on modern architecture in St. Louis.
Design agendas: Modern architecture in St. Louis 1930s-1970s
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"Design agendas: Modern architecture in St. Louis, 1930s–1970s" features essays on the modernist architects Charles E. Fleming, R. Buckminster Fuller, Eric Mendelsohn, and Gyo Obata by contributing scholars Shantel Blakely, John C. Guenther, Kathleen James-Chakraborty, and Winifred Elysse Newman, as well as a memoir by Michael E. Willis, FAIA, NOMA. Editor and architectural historian Eric P. Mumford situates the work of these architects and others within the context of St. Louis urban development against the midcentury backdrop of New Deal planning, the Great Migration, and the civil rights and Great Society eras. This publication adds to the small but growing number of studies on modern architecture in St. Louis.
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books
books
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January 2025
January 2025
Subject:
Modernism
Modernism
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390 pages : illustrations (black and white, and colour) ; 23 cm
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390 pages : illustrations (black and white, and colour) ; 23 cm
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London : Reaktion Books, 2021., ©2021
London : Reaktion Books, 2021., ©2021
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Extinct : a compendium of obsolete objects / edited by Barbara Penner, Adrian Forty, Olivia Horsfall Turner and Miranda Critchley.
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390 pages : illustrations (black and white, and colour) ; 23 cm
Extinct : a compendium of obsolete objects / edited by Barbara Penner, Adrian Forty, Olivia Horsfall Turner and Miranda Critchley.
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390 pages : illustrations (black and white, and colour) ; 23 cm
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books
books
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London : Reaktion Books, 2021., ©2021
London : Reaktion Books, 2021., ©2021
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$48.95
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112 Greene Street, The Kitchen, Artists Space, The Clocktower, P.S.1, Franklin Furnace, ou Fashion Moda : ces lieux nés durant la décennie 1970, et parfois toujours en activité, ont laissé une empreinte durable sur la scène artistique new-yorkaise. « Espaces alternatifs », d'abord installés dans ces quartiers industriels du sud de Manhattan qui deviendront SoHo et(...)
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112 Greene Street, The Kitchen, Artists Space, The Clocktower, P.S.1, Franklin Furnace, ou Fashion Moda : ces lieux nés durant la décennie 1970, et parfois toujours en activité, ont laissé une empreinte durable sur la scène artistique new-yorkaise. « Espaces alternatifs », d'abord installés dans ces quartiers industriels du sud de Manhattan qui deviendront SoHo et(...)
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Une histoire des espaces alternatifs à New York: de SoHo au South Bronx,1969-1985
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112 Greene Street, The Kitchen, Artists Space, The Clocktower, P.S.1, Franklin Furnace, ou Fashion Moda : ces lieux nés durant la décennie 1970, et parfois toujours en activité, ont laissé une empreinte durable sur la scène artistique new-yorkaise. « Espaces alternatifs », d'abord installés dans ces quartiers industriels du sud de Manhattan qui deviendront SoHo et TriBeCa, puis dans l'East Village, le Queens, Brooklyn, ou encore le sud du Bronx, ces lieux d'exposition, de création et de sociabilité établis en marge des institutions muséales et des galeries commerciales ont favorisé l'épanouissement de nouvelles pratiques : art processuel, danse postmoderne, art vidéo, performance. C'est une enquête historique et un parcours géographique que propose l'ouvrage, mettant en lumière l'articulation entre ces pratiques et les phénomènes institutionnels, sociaux, économiques et urbains dont elles ne peuvent être dissociées. Si les installations dans les espaces bruts du 112 Greene Street ou l'exposition inaugurale de P.S.1 révèlent un engouement pour le matériau urbain, c'est aussi la place des artistes dans la ville de New York qui est alors constamment interrogée, depuis la légalisation des premiers lofts jusqu'aux critiques virulentes de la gentrification qui émanent de la communauté artistique elle-même. Alors qu'au début des années 1970 ces lieux alternatifs profitent d'un contexte économique favorable et du soutien d'une nouvelle politique culturelle fédérale et locale, le milieu des années 1980 sonne le glas d'un mouvement. « The Fun is gone » arbore la Fun Gallery à sa fermeture dans l'East Village en 1985. La scène alternative s'essouffle sous la présidence Reagan, non sans avoir nourri sa propre histoire et contribué à la constitution d'une mythologie et d'un héritage dont l'ambivalence persiste aujourd'hui.
Une histoire des espaces alternatifs à New York: de SoHo au South Bronx,1969-1985
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112 Greene Street, The Kitchen, Artists Space, The Clocktower, P.S.1, Franklin Furnace, ou Fashion Moda : ces lieux nés durant la décennie 1970, et parfois toujours en activité, ont laissé une empreinte durable sur la scène artistique new-yorkaise. « Espaces alternatifs », d'abord installés dans ces quartiers industriels du sud de Manhattan qui deviendront SoHo et TriBeCa, puis dans l'East Village, le Queens, Brooklyn, ou encore le sud du Bronx, ces lieux d'exposition, de création et de sociabilité établis en marge des institutions muséales et des galeries commerciales ont favorisé l'épanouissement de nouvelles pratiques : art processuel, danse postmoderne, art vidéo, performance. C'est une enquête historique et un parcours géographique que propose l'ouvrage, mettant en lumière l'articulation entre ces pratiques et les phénomènes institutionnels, sociaux, économiques et urbains dont elles ne peuvent être dissociées. Si les installations dans les espaces bruts du 112 Greene Street ou l'exposition inaugurale de P.S.1 révèlent un engouement pour le matériau urbain, c'est aussi la place des artistes dans la ville de New York qui est alors constamment interrogée, depuis la légalisation des premiers lofts jusqu'aux critiques virulentes de la gentrification qui émanent de la communauté artistique elle-même. Alors qu'au début des années 1970 ces lieux alternatifs profitent d'un contexte économique favorable et du soutien d'une nouvelle politique culturelle fédérale et locale, le milieu des années 1980 sonne le glas d'un mouvement. « The Fun is gone » arbore la Fun Gallery à sa fermeture dans l'East Village en 1985. La scène alternative s'essouffle sous la présidence Reagan, non sans avoir nourri sa propre histoire et contribué à la constitution d'une mythologie et d'un héritage dont l'ambivalence persiste aujourd'hui.
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books
books
Publication:
July 2017
July 2017
Subject:
Art Theory
Art Theory
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books
books
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$80.00
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of(...)
Publication:
December 2009
December 2009
Title:
First works: emerging architectural experimentation of the 1960s and 1970s
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During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
First works: emerging architectural experimentation of the 1960s and 1970s
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Summary:
During a tumultuous period in the 1960s and 70s, a new generation of architects began their careers amidst a period of profound social change, new conditions for architecture and the city and lasting changes to popular and critical forms of cultural production. First Works tells the story of this period and reassesses the conditions of architecture and the beginnings of architectural careers through a selection of projects undertaken during the 60s and 70s. The book, accompanying a major travelling exhibition, presents a single key early project, in the form of models, sketches, photographs and drawings, by 20 young architectural practices, including Archigram, Aldo Rossi, Robert Venturi, Renzo Piano, Peter Eisenman, Herzog & de Meuron and Zaha Hadid. Alongside these ‘first works’, 20 invited critics, including Kenneth Frampton, Sylvia Lavin and Pier Vittorio Aureli, offer contemporary commentaries on these projects and their place within the architects’ subsequent careers.
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books
books
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December 2009
December 2009
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books
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309 pages, 10 unnumbered pages of plates : illustrations (some color) ; 25 cm
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309 pages, 10 unnumbered pages of plates : illustrations (some color) ; 25 cm
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Vancouver, BC : Vancouver Art Gallery : Information Office, [2018], ©2018
Vancouver, BC : Vancouver Art Gallery : Information Office, [2018], ©2018
Title:
Cabin fever / editors: Jennifer M. Volland, Bruce Grenville and Stephanie Rebick.
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309 pages, 10 unnumbered pages of plates : illustrations (some color) ; 25 cm
Cabin fever / editors: Jennifer M. Volland, Bruce Grenville and Stephanie Rebick.
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309 pages, 10 unnumbered pages of plates : illustrations (some color) ; 25 cm
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books
books
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Vancouver, BC : Vancouver Art Gallery : Information Office, [2018], ©2018
Vancouver, BC : Vancouver Art Gallery : Information Office, [2018], ©2018
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books
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1 online resource
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Ostfildern, Germany : Hatje Cantz, [2011], ©2011
Ostfildern, Germany : Hatje Cantz, [2011], ©2011
Title:
Alighiero Boetti's One Hotel = Alighiero Boettis One Hotel / Annemarie Sauzeau.
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1 online resource
Alighiero Boetti's One Hotel = Alighiero Boettis One Hotel / Annemarie Sauzeau.
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1 online resource
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books
books
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Ostfildern, Germany : Hatje Cantz, [2011], ©2011
Ostfildern, Germany : Hatje Cantz, [2011], ©2011
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journals and magazines
journals and magazines
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1 online resource (volumes)
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[Paris] : [Editions Sirey], [1965]-, Paris : Mouton, Paris : École des hautes études en sciences sociales ; Mouton, Paris : Editions de l'École des hautes études en sciences sociales, Paris : Editions Odile Jacob, Paris : Editions Belin
[Paris] : [Editions Sirey], [1965]-, Paris : Mouton, Paris : École des hautes études en sciences sociales ; Mouton, Paris : Editions de l'École des hautes études en sciences sociales, Paris : Editions Odile Jacob, Paris : Editions Belin
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journals and magazines
journals and magazines
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[Paris] : [Editions Sirey], [1965]-, Paris : Mouton, Paris : École des hautes études en sciences sociales ; Mouton, Paris : Editions de l'École des hautes études en sciences sociales, Paris : Editions Odile Jacob, Paris : Editions Belin
[Paris] : [Editions Sirey], [1965]-, Paris : Mouton, Paris : École des hautes études en sciences sociales ; Mouton, Paris : Editions de l'École des hautes études en sciences sociales, Paris : Editions Odile Jacob, Paris : Editions Belin
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journals and magazines
journals and magazines
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1 online resource
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Toronto, Ont., Canada : University of Toronto Press, 1968-, Cambridge : Cambridge University Press
Toronto, Ont., Canada : University of Toronto Press, 1968-, Cambridge : Cambridge University Press
Title:
Canadian journal of political science = Revue canadienne de science politique.
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1 online resource
Canadian journal of political science = Revue canadienne de science politique.
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1 online resource
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journals and magazines
journals and magazines
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Toronto, Ont., Canada : University of Toronto Press, 1968-, Cambridge : Cambridge University Press
Toronto, Ont., Canada : University of Toronto Press, 1968-, Cambridge : Cambridge University Press
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books
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$60.00
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Summary:
This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with(...)
$60.00
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with(...)
Title:
Translations from drawing to building and other essays, re-edition
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes ‘Mies van der Rohe’s Paradoxical Symmetries’ and other essays first published in AA Files. Evans’s writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
Translations from drawing to building and other essays, re-edition
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This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society’s involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes ‘Mies van der Rohe’s Paradoxical Symmetries’ and other essays first published in AA Files. Evans’s writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.
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books
books
Publication:
August 2023
August 2023
Subject:
Architectural Theory
Architectural Theory
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books
books
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$29.95
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Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by(...)
$29.95
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Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by(...)
Title:
The modern eye : craft and design in Canada, 1940-1980
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Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by Canada's most prominent designers and craft artists working in this period. Featured are dozens of pieces of furniture, ceramics, and household items that best illustrate modernist preoccupation with form, color, texture, experimentation, functionality, and honest use of materials. Items chosen reflect an interest in new materials and techniques and an awareness of contemporary trends in abstract art and Modern architecture. Accompanied by biographies of the leading designers of the time.
The modern eye : craft and design in Canada, 1940-1980
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$29.95
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Summary:
Modernism dominated craft and design in Canada from the 1940's through the 1970's. At one time Canadian art museums encouraged industrial design and even The National Gallery of Canada presented several exhibitions meant to introduce the country to the work of Canadian designers and the modernist style. This publication outlines the modernist viewpoints held by Canada's most prominent designers and craft artists working in this period. Featured are dozens of pieces of furniture, ceramics, and household items that best illustrate modernist preoccupation with form, color, texture, experimentation, functionality, and honest use of materials. Items chosen reflect an interest in new materials and techniques and an awareness of contemporary trends in abstract art and Modern architecture. Accompanied by biographies of the leading designers of the time.
Form:
books
books
Publication:
July 2011
July 2011
Subject:
Design, Periods and Styles
Design, Periods and Styles
