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This issue of IN Residence is dedicated to matter and its use, features and difficulties: "Matter Matters". A workshop with talented young designers and even younger students, cross-examined reasons and projects at the Du Parc Residence in Turin, a renowned building designed in the early Seventies by architects Laura Petrazzini and Corrado Levi. Feature designers(...)
IN Residence : Design dialogues, diary #2 matters matters
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This issue of IN Residence is dedicated to matter and its use, features and difficulties: "Matter Matters". A workshop with talented young designers and even younger students, cross-examined reasons and projects at the Du Parc Residence in Turin, a renowned building designed in the early Seventies by architects Laura Petrazzini and Corrado Levi. Feature designers include: FormaFantasma (Eindhoven, The Netherlands), Philippe Malouin (London, UK), Peter Marigold (London, UK), Jo Meesters (Rotterdam, The Netherlands), Studio Glithero (London, UK), Anke Weiss (Amsterdam, The Netherlands). An enclosed dvd, with original music by Max Casacci, documents the most important moments of the workshop.
Industrial Design
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Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive(...)
IN Residence: design dialogues, diary #1 nature through artifice
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Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive to environmental conditions. In its impact with the environment, design produces "new" objects that become in time integral part of the landscape (moreover, they contribute to its construction and development). Pre-existing landscape and created object - "nature" and "artifice" - are the two starting points from which the IN Residence project starts. This book is dedicated to the project IN Residence.
Industrial Design
Zumtobel group award 2010
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For many years now, the Zumtobel Group has assigned top priority to sustainability and energy efficiency in its products and their application. As the logical next step in this corporate commitment, the Austrian-based company has created the "Zumtobel Group Award for Sustainability and Humanity in the Built Environment". The award, organised by the curators Aedes(...)
Zumtobel group award 2010
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For many years now, the Zumtobel Group has assigned top priority to sustainability and energy efficiency in its products and their application. As the logical next step in this corporate commitment, the Austrian-based company has created the "Zumtobel Group Award for Sustainability and Humanity in the Built Environment". The award, organised by the curators Aedes Architecture Forum in Berlin, is designed to honour outstanding sustainable solutions in architecture and engineering that make a notable contribution to a liveable, sustainable and equitable future.
small format
London memory game
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London Memory Game is made up of twenty-five pairs of cards featuring typical London themes: Big Ben, the city of London, shopping in London, London architecture, outdoor and indoor markets, bridges, museums, pubs, good eating, etc. Creatively visualized, it is an extra treat to play a game while learning to know the city better and from a new perspective.
London memory game
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London Memory Game is made up of twenty-five pairs of cards featuring typical London themes: Big Ben, the city of London, shopping in London, London architecture, outdoor and indoor markets, bridges, museums, pubs, good eating, etc. Creatively visualized, it is an extra treat to play a game while learning to know the city better and from a new perspective.
Toys
LAb(au): metadesign
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A collective founded in 1997 and based in Brussels, LAb[au] is a dynamic interdisciplinary art studio for architecture and urbanism, creating interactive artworks, audiovisual performances and its own software and interfaces. The name LAb[au] is a pun inspired partly by the Bauhaus, whose methodological and experimental reflection on the industrialisation of art helped to(...)
LAb(au): metadesign
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A collective founded in 1997 and based in Brussels, LAb[au] is a dynamic interdisciplinary art studio for architecture and urbanism, creating interactive artworks, audiovisual performances and its own software and interfaces. The name LAb[au] is a pun inspired partly by the Bauhaus, whose methodological and experimental reflection on the industrialisation of art helped to inspire the group. Their first monograph presents an important selection of the group's artworks, which they term MetaDeSIGN; an approach characterised by the establishing of systems and processes, whose new rules and geometries become the principle artistic creation.
Architectural Theory
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a(...)
Modern ruins: Portraits of place in the Mid-Atlantic region
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a larger psychological sense. Brief essays by noted historians Curt Miner, Kenneth Warren, Kenneth Wolensky, and Thomas Lewis offer social and historical contexts for the sites documented in the book. It concludes with an interview with the photographer that touches on his fascination with ruins and explores some of the processes and procedures he uses to document them.
Photography monographs
In praise of copying
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word(...)
In praise of copying
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This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in. In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.
Critical Theory
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that(...)
The digital eye: Photographic art in the electronic age
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Digital photographic and imaging technologies are the most recent development in an art and science whose history is one of constant technological innovation. Using sophisticated software and scanners, artists are able to enhance or alter photographs, and create mesmerizing effects. Focusing exclusively on digital photography, Sylvia Wolf explores a medium that challenges our notions of the role of the artist and of an image's relationship to the real. Taking readers from the earliest experiments in digital photography to the latest innovations, Wolf offers a historical perspective and points to future trends. The work of a global panoply of artists, including Ida Applebroog, Sheila Pree Bright, Peter Campus, Xing Danwen, Joan Fontcuberta, Tom Friedman, Andreas Gursky, Martina Lopez, Loretta Lux, Mary Mattingly, Wendy McMurdo, Andreas Müller-Pohle, Thomas Ruff, Lucas Samaras, and Jeff Wall, demonstrates how diverse and complex the field has become.
Theory of Photography
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This book examines how the United States became the world's most thoroughly motorized nation and why mass transit has been more displaced in the United States than in any other advanced industrial nation. The historical and international perspective provides a uniquely effective framework for understanding both the intensity of U.S. motorization and the difficulties the(...)
Mass Motorization + Mass Transit: An American history and policy analysis
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This book examines how the United States became the world's most thoroughly motorized nation and why mass transit has been more displaced in the United States than in any other advanced industrial nation. The historical and international perspective provides a uniquely effective framework for understanding both the intensity of U.S. motorization and the difficulties the country will face in moderating its demands on the world's oil supply and reducing the CO2 emissions generated by motor vehicles.
Transportation, Tourism, Migration
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
Curating consciousness: Mysticism and the Modern museum
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
Museums and Universal Exhibitions