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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
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Summary:
For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels,(...)
Title:
Canon/Archive: Studies in quantative formalism
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For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
Canon/Archive: Studies in quantative formalism
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Summary:
For the past seven years, the Stanford Literary Lab, founded by Franco Moretti and Matthew Jockers, has been a leading site of literary scholarship aided by computers and algorithmic methods. This landmark volume gathers the collective research of the group and its most remarkable experiments. From seemingly ineffable matters such as the "loudness" of thousands of novels, the geographic distribution of emotions, the nature of a sentence and a paragraph, and the evolution of bureaucratic doublespeak, descriptions emerge. The Stanford Literary Lab lets the computers provide new insights for questions from the deep tradition of two centuries of literary inquiry. Rather than, like the rest of us, letting the computers lead. The results are adventurous, witty, challenging, profound. The old questions can finally get new answers—as the prelude to new big questions. "Canon/Archive" is the fulfillment and further development of "distant reading," adding a rare, full-length monument to the piecemeal progress of the digital humanities. No student, teacher, or inquisitive reader of literature will want to be without this book—just as no one interested in the new data-attentive methods in history, criticism, and the social sciences can afford to evade its summons.
Form:
books
books
Publication:
June 2018
June 2018
Subject:
Literature and poetry
Literature and poetry
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books
books
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts,(...)
Title:
Since 1839...: Eleven essays on photography
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''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Since 1839...: Eleven essays on photography
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Summary:
''Since 1839...'' offers a selection of essays by the renowned photography historian Clément Chéroux. Appointed Joel and Anne Ehrenkranz Chief Curator of Photography at the Museum of Modern Art (MoMA) in New York in 2020,Chéroux takes on a variety of topics, from the history of vernacular photography to the influence of documentary photography on Surrealism. These texts, newly translated into English and published together in one volume for the first time, reflect the breadth of Chéroux’s thinking, the rigor of his approach, and his endless curiosity about photographs. In this volume, Chéroux presents unique case studies and untold stories. He discusses ways of sharing images, from the nineteenth century to the digital age; considers the utopian ideals of early photography; and analyzes the duality of amateur photography. Among other things, he describes the appeal of photographs snapped from a speeding train and explains historical value of first-generation prints of photographs. Through an analysis of key photographs taken on 9/11, Chéroux shows that the same six images were seen again and again in the press. Widely ranging, erudite, and engaging, these essays present Chéroux's innovative investigations of the histories of photography.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code(...)
Title:
Local code: 3659 proposals about data, design, and the nature of cities
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With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Local code: 3659 proposals about data, design, and the nature of cities
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$57.00
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Summary:
With three billion more humans projected to be living in cities by 2050, all design is increasingly urban design. And with as much data now produced every day as was produced in all of human history to the year 2007, all architecture is increasingly information architecture. Praised in the NewYork Times for its "intelligent enquiry and actionable theorizing," Local Code is a collection of data-driven tools and design prototypes for understanding and transforming the physical, social, and ecological resilience of cities.'the book's data-driven layout arranges drawings of 3,659 digitally-tailored interventions for vacant public land in San Francisco, Los Angeles, New York City, and Venice, Italy. Between these illustrated case studies, critical essays present surprising and essential links between such designs and the seminal work of urbanist Jane Jacobs, artist Gordon Matta-Clark, and digital mapping pioneer Howard Fisher, along with the developing science of urban nature and complexity. In text and image, Local Code presents'a digitally prolific, open-ended approach to urban resilience and social and environmental justice; At once analytic and visionary, it pioneers a new field of enquiry and action at the meeting of big data and the expanding city.
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Urban Theory
Urban Theory
Form:
journals and magazines
journals and magazines
Actions:
Description:
1 online resource (volumes)
Subject:
- Constitutional law Periodicals.,
- International law Periodicals.,
- Political science Periodicals.,
- Droit constitutionnel Périodiques.,
- Derecho constitucional Publicaciones periódicas En línea.,
- Derecho público Publicaciones periódicas En línea.,
- Public law Periodicals Online.,
- Constitutional law,
- International law,
- Political science,
- Geschichte,
- Zeitschrift,
- Kunst,
- Staatsrecht.,
- Bestuursrecht.,
- Openbaar bestuur.,
- Frankfurt am Main,
- Periodicals
(See more)
Publication:
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Form:
journals and magazines
journals and magazines
Publication:
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Freiburg : J.C.B. Mohr (Paul Siebeck), 1886-
Subject:
- Constitutional law Periodicals.,
- International law Periodicals.,
- Political science Periodicals.,
- Droit constitutionnel Périodiques.,
- Derecho constitucional Publicaciones periódicas En línea.,
- Derecho público Publicaciones periódicas En línea.,
- Public law Periodicals Online.,
- Constitutional law,
- International law,
- Political science,
- Geschichte,
- Zeitschrift,
- Kunst,
- Staatsrecht.,
- Bestuursrecht.,
- Openbaar bestuur.,
- Frankfurt am Main,
- Periodicals
(See more)
Form:
journals and magazines
journals and magazines
Actions:
Description:
1 online resource
Subject:
Publication:
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Form:
journals and magazines
journals and magazines
Publication:
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
Bonn [Germany] : E. Weber, 1832-, Frankfurt am Main : J.D. Sauerländer
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books
books
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Description:
303 pages : illustrations (some color) ; 28 cm
Description:
303 pages : illustrations (some color) ; 28 cm
Author:
- Giovanna Melandri -- Maristella Casciato -- Pippo Ciorra -- Barry Bergdoll -- Antoine Picon -- Jean-Louis Cohen -- Nina Rappaport -- Tullia Ioria -- Cristiana Chiorino and Mario Alberto Chiorino -- Patricio del Real -- Anat Falbel -- Mohsen Mostafavi -- Seng Kuan -- José Aragüez -- Luca Di Lorenzo Latini -- Lucia Allais -- Sarah Nichols -- Guy Nordenson -- Gina Morrow --,
- Casciato, Maristella,,
- Ciorra, Pippo,,
- Museo nazionale delle arti del XXI secolo (Italy),
(See more)
Subject:
- Structural engineering History Exhibitions.,
- Building History Exhibitions.,
- Buildings Exhibitions.,
- Architecture Exhibitions.,
- Construction Histoire Expositions.,
- Technique de la construction Histoire Expositions.,
- Constructions Expositions.,
- Architecture Expositions.,
- Building.,
- Buildings.,
- Structural engineering.,
- exhibition catalogs.,
- Exhibition catalogs.,
- History.,
- Catalogues d'exposition.
(See more)
Publication:
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Title:
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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Description:
303 pages : illustrations (some color) ; 28 cm
Technoscape : the architecture of engineers / edited by Maristella Casciato, Pippo Ciorra ; translations: Matteo Bugiolacchi, Eugénie Antoinette Goedheeer, Valentina Moriconi.
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Description:
303 pages : illustrations (some color) ; 28 cm
Form:
books
books
Publication:
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Florence, Italy : Forma ; Rome : MAXXI, september 2022., ©2022
Author:
- Giovanna Melandri -- Maristella Casciato -- Pippo Ciorra -- Barry Bergdoll -- Antoine Picon -- Jean-Louis Cohen -- Nina Rappaport -- Tullia Ioria -- Cristiana Chiorino and Mario Alberto Chiorino -- Patricio del Real -- Anat Falbel -- Mohsen Mostafavi -- Seng Kuan -- José Aragüez -- Luca Di Lorenzo Latini -- Lucia Allais -- Sarah Nichols -- Guy Nordenson -- Gina Morrow --,
- Casciato, Maristella,,
- Ciorra, Pippo,,
- Museo nazionale delle arti del XXI secolo (Italy),
(See more)
Subject:
- Structural engineering History Exhibitions.,
- Building History Exhibitions.,
- Buildings Exhibitions.,
- Architecture Exhibitions.,
- Construction Histoire Expositions.,
- Technique de la construction Histoire Expositions.,
- Constructions Expositions.,
- Architecture Expositions.,
- Building.,
- Buildings.,
- Structural engineering.,
- exhibition catalogs.,
- Exhibition catalogs.,
- History.,
- Catalogues d'exposition.
(See more)
Form:
books
books
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Description:
195 p. : ill. (some col.) ; 23 cm.
Description:
195 p. : ill. (some col.) ; 23 cm.
Author:
Subject:
- Beesley, Philip, 1956-,
- Interactive art Canada.,
- Kinetic sculpture Canada.,
- Installations (Art) Canada.,
- Art and architecture Canada.,
- Sculpture, Canadian 21st century Exhibitions.,
- Art interactif Canada.,
- Sculpture cinétique Canada.,
- Art et architecture Canada.,
- Art and architecture,
- Installations (Art),
- Interactive art,
- Kinetic sculpture,
- Art and Design.,
- Canada,
- Exhibition publications.,
- Exhibition catalogs
(See more)
Publication:
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
Title:
Hylozoic ground : liminal responsive architecture : Philip Beesley / contributions by Rob Gorbet ... [et al.] ; edited by Pernilla Ohrstedt & Hayley Isaacs.
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Description:
195 p. : ill. (some col.) ; 23 cm.
Hylozoic ground : liminal responsive architecture : Philip Beesley / contributions by Rob Gorbet ... [et al.] ; edited by Pernilla Ohrstedt & Hayley Isaacs.
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Description:
195 p. : ill. (some col.) ; 23 cm.
Form:
books
books
Publication:
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
[Cambridge, Ont.] : Riverside Architectural Press, c2010.
Subject:
- Beesley, Philip, 1956-,
- Interactive art Canada.,
- Kinetic sculpture Canada.,
- Installations (Art) Canada.,
- Art and architecture Canada.,
- Sculpture, Canadian 21st century Exhibitions.,
- Art interactif Canada.,
- Sculpture cinétique Canada.,
- Art et architecture Canada.,
- Art and architecture,
- Installations (Art),
- Interactive art,
- Kinetic sculpture,
- Art and Design.,
- Canada,
- Exhibition publications.,
- Exhibition catalogs
(See more)
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books
books
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
Description:
255 pages : illustrations (chiefly color) ; 29 cm
Subject:
- Interactive art 21st century.,
- Installations (Art) 21st century.,
- Art and technology 21st century.,
- Multimedia (Art) 21st century.,
- Computer art 21st century.,
- Video art 21st century.,
- Sound in art 21st century.,
- Art interactif 21e siècle.,
- Installations (Art) 21e siècle.,
- Art et technologie 21e siècle.,
- Œuvres multimédias (Art) 21e siècle.,
- Art vidéo 21e siècle.,
- Art and technology.,
- Computer art.,
- Installations (Art),
- Interactive art.,
- Multimedia (Art),
- Sound in art.,
- Video art.,
- Installationer (konst) 2000-talet bildverk.,
- Konst och teknik.,
- Interaktiva multimedier.,
- installasjonskunst,
- installasjoner,
- programmering,
- datateknologi,
- visue,
- lle,
- medier,
- interaktivitet,
- interaksjon,
- ikonisk,
- kunst,
- design,
- digitale,
- teknologi,
- virtuelle,
- maskin-menneske,
- performance,
- lys,
- overflater,
- kommunikasjon
(See more)
Publication:
Berlin : Gestalten, 2011.
Berlin : Gestalten, 2011.
Title:
A touch of code : interactive installations and experiences / [edited by Robert Klanten, Sven Ehmann, Verena Hanschke ; preface by Joachim Sauter ; introduction and text by Lukas Feireiss].
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
A touch of code : interactive installations and experiences / [edited by Robert Klanten, Sven Ehmann, Verena Hanschke ; preface by Joachim Sauter ; introduction and text by Lukas Feireiss].
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Description:
255 pages : illustrations (chiefly color) ; 29 cm
Form:
books
books
Publication:
Berlin : Gestalten, 2011.
Berlin : Gestalten, 2011.
Subject:
- Interactive art 21st century.,
- Installations (Art) 21st century.,
- Art and technology 21st century.,
- Multimedia (Art) 21st century.,
- Computer art 21st century.,
- Video art 21st century.,
- Sound in art 21st century.,
- Art interactif 21e siècle.,
- Installations (Art) 21e siècle.,
- Art et technologie 21e siècle.,
- Œuvres multimédias (Art) 21e siècle.,
- Art vidéo 21e siècle.,
- Art and technology.,
- Computer art.,
- Installations (Art),
- Interactive art.,
- Multimedia (Art),
- Sound in art.,
- Video art.,
- Installationer (konst) 2000-talet bildverk.,
- Konst och teknik.,
- Interaktiva multimedier.,
- installasjonskunst,
- installasjoner,
- programmering,
- datateknologi,
- visue,
- lle,
- medier,
- interaktivitet,
- interaksjon,
- ikonisk,
- kunst,
- design,
- digitale,
- teknologi,
- virtuelle,
- maskin-menneske,
- performance,
- lys,
- overflater,
- kommunikasjon
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books
books
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$19.95
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Summary:
Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along(...)
$19.95
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Summary:
Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along(...)
Title:
Kister Scheithauer Gross. Working title : BRICK
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Summary:
Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along with current projects and buildings. Building in brick implies an ability to adapt to a location and its atmosphere as well as social structures. The regional identity and character of cities are often associated with a specific type of brick. At a time of digital production, brick factories today are almost anachronistic places, where elementary work processes with lots of manual work take place and the brick is given its specific sand-coloured, reddish-orange, or sometimes greenish shade through the firing of the minerals in the clay soil. Each stone is thus a unique specimen and as a haptically rich product also helps the architectural project tell its own story. On the basis of filigree paper models set on brick bases, the exhibition presents eight projects by kister scheithauer gross, which has been designing and working with the sustainable and sensual material for a quarter of a century.
Kister Scheithauer Gross. Working title : BRICK
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Price:
$19.95
(available to order)
Summary:
Twenty-five years ago, kister scheithauer gross completed its first brick building, the Institute for Biology in Halle. The replicated used brick of the façade is situated in the city centre in a self-evident way, and stands there today, still untouched by time. This is the starting point for the exhibition, which presents earlier brick buildings by the firm anew, along with current projects and buildings. Building in brick implies an ability to adapt to a location and its atmosphere as well as social structures. The regional identity and character of cities are often associated with a specific type of brick. At a time of digital production, brick factories today are almost anachronistic places, where elementary work processes with lots of manual work take place and the brick is given its specific sand-coloured, reddish-orange, or sometimes greenish shade through the firing of the minerals in the clay soil. Each stone is thus a unique specimen and as a haptically rich product also helps the architectural project tell its own story. On the basis of filigree paper models set on brick bases, the exhibition presents eight projects by kister scheithauer gross, which has been designing and working with the sustainable and sensual material for a quarter of a century.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Materials and Lighting
Materials and Lighting
Form:
journals and magazines
journals and magazines
Actions:
Price:
$54.00
(available to order)
Summary:
Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane(...)
$54.00
(available to order)
Summary:
Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane(...)
Title:
AD Multispace: Architecture at the dawn of the metaverse
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$54.00
(available to order)
Summary:
Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting.
AD Multispace: Architecture at the dawn of the metaverse
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Price:
$54.00
(available to order)
Summary:
Multispace exists at the intersection of the physical and digital, and in the blurring of their previously clear dividing lines. Multispace is not a single space, but a hybrid space where, in effect, we occupy multiple spaces simultaneously. We enter it on a Zoom call, when we are in our office and in a meeting with 20 people; when we are cycling down a country lane whilst racing against thousands of others who also use the Strava app; when we are watching a TV show while live tweeting; or, perhaps most literally, when wandering around the local park looking for creatures that only appear on a smartphone screen. A fundamental question of this AD is why the phenomena that multispace describes are of concern to architects. The answer is that multispace points to a situation that is at root an architectural one. Offering both a collective and highly personalised experience, static and dynamically customisable, and above all at the same time public and private, multispace lies at the centre of a set of tensions, concerns and preoccupations at the core of our conception of architecture as theory and practice. It is the messy space between, with rough and uneven edges that are constantly shifting.
Form:
journals and magazines
journals and magazines
Publication:
November 2023
November 2023
Subject:
Magazines
Magazines
