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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned(...)
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned(...)
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Visionary Architecture: Blueprints of the modern imagination
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned but not built. For the past six decades, architects have created an astonishing range of constructs and urban utopias that have influenced generations of practitioners. Architects such as Libeskind, Koolhaas, Eisenman, Hadid, and many others, whose works were once considered too experimental or controversial to construct, are creating cultural icons the world over. This definitive history of experimental architecture since 1945 provides a thematic overview of the most important and far-reaching work produced in the last sixty years; a survey of contemporary experimental practices, shown through case studies; and an illustrated glossary of ideas, movements, people, and terms. 450+ illustrations, 250 in color.
Visionary Architecture: Blueprints of the modern imagination
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The design of imaginary, conceptual, or radical buildings is as old as the practice of architecture itself. For centuries, architects such as Piranesi, Ledoux, and Sant'Elia have drawn on their creative abilities to produce breathtaking works of imagination. Since World War II, technology has caught up with our imagination: there are few buildings that can be envisioned but not built. For the past six decades, architects have created an astonishing range of constructs and urban utopias that have influenced generations of practitioners. Architects such as Libeskind, Koolhaas, Eisenman, Hadid, and many others, whose works were once considered too experimental or controversial to construct, are creating cultural icons the world over. This definitive history of experimental architecture since 1945 provides a thematic overview of the most important and far-reaching work produced in the last sixty years; a survey of contemporary experimental practices, shown through case studies; and an illustrated glossary of ideas, movements, people, and terms. 450+ illustrations, 250 in color.
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books
books
Publication:
November 2007, New York
November 2007, New York
Subject:
Modernism
Modernism
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books
books
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$90.00
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using(...)
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August 2022
August 2022
Title:
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
Constructing Latin America: Architecture, politics and race at the Museum of Modern Art
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In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of ''Americanness'' and ''modernity'' in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA’s role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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books
books
Publication:
August 2022
August 2022
Form:
books
books
Title:
Luc Tuymans
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2009
October 2009
Title:
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
Luc Tuymans
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Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials.
Form:
books
books
Publication:
October 2009
October 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Neues Museum
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2009
September 2009
Title:
Neues Museum
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The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
Neues Museum
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Summary:
The Neues Museum - an important mid-nineteenth century example of Neoclassical architecture and the centerpiece of Berlin's Museum Island - was badly damaged during World War II. From 1997-2009, British architect David Chipperfield worked to restore the structure - which was originally completed by Friedrich August Stueler in 1859 - to its pre-war function. Located behind the Altes Museum, the space housed the Egyptian Collection. Chipperfield's controversial plans followed a principle of conservation (or amalgamation) rather than reconstruction; he preserved the skeleton of the original building, with its elaborate finishes, attractive brickwork, frescoes and ornamentation, merging and contrasting these characteristics with his own subtle interpolations of clean white lines and quiet geometrical structures. The results are astounding, setting new standards in the field and opening up exciting possibilities for museum conversions. This volume celebrates Chipperfield's work in a series of images by the Berlin-based architectural photographer Friederike von Rauch. Von Rauch is well known for her unusual and exacting approach to architectural photography : eschewing digital technology and only using natural light, she presents a crisp and vibrant series of images that eloquently tell the story of Chipperfield's unorthodox but successful restoration.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$50.00
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Summary:
Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a(...)
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a(...)
Title:
Art and the city : civic imagination and cultural authority in Los Angeles
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II.
Art and the city : civic imagination and cultural authority in Los Angeles
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Sarah Schrank in this book places the celebrated arrival of LA in the richer context of art controversies and political contests over modern art and art spaces in the twentieth century. Challenging historical accounts that situate the city's origins as an art center in the 1960s, she argues that debates over modernism among artists and civic leaders alike made art a charged political site as early as the 1910s. The legacy of those early battles reverberated throughout the century. Because of a rich tradition of arts education and the presence of Hollywood, Los Angeles historically hosted a talented population of contemporary artists. However, because of the snug relationship between urban aesthetics and capital investment that underscored the booster goals of the civic arts movement, modern artists were pushed out of public exhibition spaces until after World War II.
Form:
books
books
Publication:
October 2008, Philadelphia
October 2008, Philadelphia
Subject:
Urban Theory
Urban Theory
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books
books
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$20.00
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien,(...)
Title:
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
Artaud 1937 Apocalypse: letters from Ireland
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Antonin Artaud's journey to Ireland in 1937 marked an extraordinary—and apocalyptic—turning point in his life and career. After publishing the manifesto ''The New Revelations of Being'' about the 'catastrophic immediate-future,' Artaud abruptly left Paris for Ireland, remaining there for six weeks without money. Artaud was eventually arrested as an undesirable alien, beaten by the police, and summarily deported back to France. On his return, he spent nine years in asylums, remaining there through the entire span of World War II. During his fateful journey, Artaud wrote letters to friends in Paris which included several 'magic spells,' intended to curse his enemies and protect his friends from the city's forthcoming incineration and the Antichrist's appearance. This book collects all of Artaud's surviving correspondence from his time in Ireland, as well as photographs of the locations he traveled through.
Form:
books
books
Publication:
May 2019
May 2019
Subject:
Journeys
Journeys
Form:
books
books
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$35.95
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Summary:
German type and book designer Jan Tschichold (1902-1974) revolutionized modern typography through his bold, asymmetrical designs and use of sanserif typography, both inspired by the work of the Bauhaus. He proclaimed his new design philosophy through a(...)
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German type and book designer Jan Tschichold (1902-1974) revolutionized modern typography through his bold, asymmetrical designs and use of sanserif typography, both inspired by the work of the Bauhaus. He proclaimed his new design philosophy through a(...)
Title:
Jan Tschichold : a life in typography
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German type and book designer Jan Tschichold (1902-1974) revolutionized modern typography through his bold, asymmetrical designs and use of sanserif typography, both inspired by the work of the Bauhaus. He proclaimed his new design philosophy through a series of articles and books, including Die neue Typographie, published in Berlin in 1928. His international renown came largely as a result of his redesign of Penguin's entire series of paperback novels just after World War II. Any graphic designer practicing today owes a debt to Tschichold's innovation. "Jan Tschichold: A Life in Typography" offers a concise biography of Tschichold, accompanied by numerous examples of his vast body of work. It serves as an introduction to Tschichold for those who are unfamiliar with his influential style, yet for the experienced designer it is an excellent collection of the wide range of his designs.
Jan Tschichold : a life in typography
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Summary:
German type and book designer Jan Tschichold (1902-1974) revolutionized modern typography through his bold, asymmetrical designs and use of sanserif typography, both inspired by the work of the Bauhaus. He proclaimed his new design philosophy through a series of articles and books, including Die neue Typographie, published in Berlin in 1928. His international renown came largely as a result of his redesign of Penguin's entire series of paperback novels just after World War II. Any graphic designer practicing today owes a debt to Tschichold's innovation. "Jan Tschichold: A Life in Typography" offers a concise biography of Tschichold, accompanied by numerous examples of his vast body of work. It serves as an introduction to Tschichold for those who are unfamiliar with his influential style, yet for the experienced designer it is an excellent collection of the wide range of his designs.
Form:
books
books
Publication:
November 1997, New York
November 1997, New York
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
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$205.00
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker,(...)
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker,(...)
Title:
Le Corbusier : furniture and interiors 1905-1965
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker, Le Corbusier developed a particular interest in équipement, a term he coined for the essential furnishings of a residence. He focused specifically on tables, cabinets, and eventually the chrome and leather chairs—designed in collaboration with Pierre Jeanneret and Charlotte Perriand—for which he became famous. These pieces exhibit Le Corbusier’s trademark metal detailing and elegant austerity. After World War II, Le Corbusier shifted to more functional designs for use in everyday life. These wooden pieces resemble packing crates, evoking a rustic design aesthetic rooted in functionality.
Le Corbusier : furniture and interiors 1905-1965
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Presenting illustrations gathered together for the first time, Le Corbusier: Furniture and Interiors is a comprehensive account of Le Corbusier’s extensive work in furniture and interior design. As a young architect, Swiss-born Charles-Edouard Jeanneret primarily worked in designed furnishings. After he moved to Paris in the early 1920s and adopted his now famous moniker, Le Corbusier developed a particular interest in équipement, a term he coined for the essential furnishings of a residence. He focused specifically on tables, cabinets, and eventually the chrome and leather chairs—designed in collaboration with Pierre Jeanneret and Charlotte Perriand—for which he became famous. These pieces exhibit Le Corbusier’s trademark metal detailing and elegant austerity. After World War II, Le Corbusier shifted to more functional designs for use in everyday life. These wooden pieces resemble packing crates, evoking a rustic design aesthetic rooted in functionality.
Form:
books
books
Publication:
July 2012
July 2012
Subject:
Design Monographs
Design Monographs
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books
books
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and(...)
Title:
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Tumult and order : Malcontenta, 1924-1939
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In the 1920s and 1930s, the Villa Foscari in Venice, better known as La Malcontenta, became a meeting place for intellectuals, artists, and members of the nobility such as Serge Diaghilev, Boris Kochno, Serge Lifar, Winston Churchill, Robert Byron, Diana Cooper, and Le Corbusier. It was an era of inspiring encounters between aristocrats, the avantgarde, snobs, and intellectuals that ended when Italy entered World War II. Antonio Foscari recounts this lively period in the building’s history and talks about its then owner, Bertie Landsberg, and his friends Catherine de Rochegude, Baroness of Erlanger, and Paul Rodocanachi, who not only lovingly renovated the villa, but made it such a lively place for the first time. The text is complemented by numerous photographs dating from this exciting time that convey an impression of what was happening in the villa in those days.
Form:
books
books
Publication:
August 2012
August 2012
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$72.00
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Summary:
Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important(...)
Title:
Friedlander The Museum of Modern Art
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Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Friedlander The Museum of Modern Art
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$72.00
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Summary:
Writing about The Museum of Modern Art's monumental and critically acclaimed 2005 Lee Friedlander retrospective, Richard Lacayo of Time magazine said: "If a sophisticated notion of what a picture can look like, the continuous construction of new avenues of feeling, and sheer, sustained inventiveness are the measures we go by, then Friedlander is one of the most important American artists of any kind since World War II Friedlander loves the muchness of the world. He loves the haphazard multitude of things that can pop up in every picture--street signs, sunbeams, bits of roofline, a jagged shadow--all colliding and contradicting one another. In his breezy but very acute introduction to the show's catalogue, Peter Galassi, MoMA's chief curator of photography, gets it just right when he says some of Friedlander's pictures give you the impression that 'the physical world had been broken into fragments and reconstituted under pressure at three times its original density.'" Now available for the first time, the paperback edition of this definitive, comprehensive volume is being published to coincide with the traveling retrospective's stop in San Francisco at SFMOMA.
Form:
books
books
Publication:
February 2008, New York
February 2008, New York
Subject:
Photography monographs
Photography monographs
