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Partout et constamment, la logique de l'accumulation capitaliste bouleverse les équilibres économiques et politiques, la technique et le travail, l'environnement et le climat, les sociétés et les formes de vie. Le capitalisme est, à quelque échelle qu'on le considère, un système de production de l'espace, c'est-à-dire un pouvoir de façonner les lieux, de modifier en(...)
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Partout et constamment, la logique de l'accumulation capitaliste bouleverse les équilibres économiques et politiques, la technique et le travail, l'environnement et le climat, les sociétés et les formes de vie. Le capitalisme est, à quelque échelle qu'on le considère, un système de production de l'espace, c'est-à-dire un pouvoir de façonner les lieux, de modifier en(...)
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Géographie et la domination du monde : capitalisme et production de l'espace
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Partout et constamment, la logique de l'accumulation capitaliste bouleverse les équilibres économiques et politiques, la technique et le travail, l'environnement et le climat, les sociétés et les formes de vie. Le capitalisme est, à quelque échelle qu'on le considère, un système de production de l'espace, c'est-à-dire un pouvoir de façonner les lieux, de modifier en profondeur les paysages, de transformer les rapports spatio-temporels. L'uniformisation du monde par le marché implique en effet une incessante prolifération des différences - économiques, sociales, géographiques, culturelles, géopolitiques. Ce dynamisme même fait du capitalisme un ensemble instable, en proie à des crises chroniques, perpétuellement contraint d'inventer des « solutions spatiales » aux contradictions qui le minent et aux catastrophes diverses qu'elles engendrent. Production et destruction, homogénéisation et différenciation : pour comprendre un capitalisme désormais planétaire, donc se donner les moyens d'en sortir, de briser les rapports inégalitaires qui le fondent, il est essentiel de saisir les logiques spatiales de ce mode de production. C'est à cela que nous invite l'oeuvre du géographe David Harvey, à laquelle ce livre se veut une introduction synthétique.
Géographie et la domination du monde : capitalisme et production de l'espace
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Partout et constamment, la logique de l'accumulation capitaliste bouleverse les équilibres économiques et politiques, la technique et le travail, l'environnement et le climat, les sociétés et les formes de vie. Le capitalisme est, à quelque échelle qu'on le considère, un système de production de l'espace, c'est-à-dire un pouvoir de façonner les lieux, de modifier en profondeur les paysages, de transformer les rapports spatio-temporels. L'uniformisation du monde par le marché implique en effet une incessante prolifération des différences - économiques, sociales, géographiques, culturelles, géopolitiques. Ce dynamisme même fait du capitalisme un ensemble instable, en proie à des crises chroniques, perpétuellement contraint d'inventer des « solutions spatiales » aux contradictions qui le minent et aux catastrophes diverses qu'elles engendrent. Production et destruction, homogénéisation et différenciation : pour comprendre un capitalisme désormais planétaire, donc se donner les moyens d'en sortir, de briser les rapports inégalitaires qui le fondent, il est essentiel de saisir les logiques spatiales de ce mode de production. C'est à cela que nous invite l'oeuvre du géographe David Harvey, à laquelle ce livre se veut une introduction synthétique.
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books
books
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November 2018
November 2018
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Urban Theory
Urban Theory
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books
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Blackwood Gallery 2022
Blackwood Gallery 2022
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books
books
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Blackwood Gallery 2022
Blackwood Gallery 2022
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books
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Capitalism has transformed the world and increased our productivity, but at the cost of enormous human suffering. Our shared values- equality and fairness, democracy and freedom, community and solidarity- can provide both the basis for a critique of capitalism and help to guide us toward a socialist and democratic society. Erik Olin Wright has distilled decades of work(...)
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Capitalism has transformed the world and increased our productivity, but at the cost of enormous human suffering. Our shared values- equality and fairness, democracy and freedom, community and solidarity- can provide both the basis for a critique of capitalism and help to guide us toward a socialist and democratic society. Erik Olin Wright has distilled decades of work(...)
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How to be an anticapitalist in the twenty-first century
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Capitalism has transformed the world and increased our productivity, but at the cost of enormous human suffering. Our shared values- equality and fairness, democracy and freedom, community and solidarity- can provide both the basis for a critique of capitalism and help to guide us toward a socialist and democratic society. Erik Olin Wright has distilled decades of work into this concise and tightly argued manifesto: analyzing the varieties of anticapitalism, assessing different strategic approaches, and laying the foundations for a society dedicated to human flourishing. ''How to be an anticapitalist in the twenty-first century'' is an urgent and powerful argument for socialism, and an unparalleled guide to help us get there. Another world is possible. Included is an afterword by the author’s close friend and collaborator Michael Burawoy.
How to be an anticapitalist in the twenty-first century
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Capitalism has transformed the world and increased our productivity, but at the cost of enormous human suffering. Our shared values- equality and fairness, democracy and freedom, community and solidarity- can provide both the basis for a critique of capitalism and help to guide us toward a socialist and democratic society. Erik Olin Wright has distilled decades of work into this concise and tightly argued manifesto: analyzing the varieties of anticapitalism, assessing different strategic approaches, and laying the foundations for a society dedicated to human flourishing. ''How to be an anticapitalist in the twenty-first century'' is an urgent and powerful argument for socialism, and an unparalleled guide to help us get there. Another world is possible. Included is an afterword by the author’s close friend and collaborator Michael Burawoy.
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books
books
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April 2021
April 2021
Subject:
Critical Theory
Critical Theory
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books
books
Title:
Invisible hand
Invisible hand
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Adam Smith’s landmark treatise on the free market paved the way for modern capitalism, arguing that competition is the engine of a productive society, and that self-interest will eventually come to enrich the whole community, as if by an ‘invisible hand’. From the Penguin Great Ideas series
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Adam Smith’s landmark treatise on the free market paved the way for modern capitalism, arguing that competition is the engine of a productive society, and that self-interest will eventually come to enrich the whole community, as if by an ‘invisible hand’. From the Penguin Great Ideas series
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Invisible hand
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Adam Smith’s landmark treatise on the free market paved the way for modern capitalism, arguing that competition is the engine of a productive society, and that self-interest will eventually come to enrich the whole community, as if by an ‘invisible hand’. From the Penguin Great Ideas series
Invisible hand
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Adam Smith’s landmark treatise on the free market paved the way for modern capitalism, arguing that competition is the engine of a productive society, and that self-interest will eventually come to enrich the whole community, as if by an ‘invisible hand’. From the Penguin Great Ideas series
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books
books
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May 2008
May 2008
Subject:
Critical Theory
Critical Theory
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books
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Description:
457 pages : illustrations ; 22 cm
Description:
457 pages : illustrations ; 22 cm
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Paris : Amsterdam, [2020]
Paris : Amsterdam, [2020]
Title:
Le capital dans la cité : une encyclopédie critique de la ville / sous la direction de Matthieu Adam et Émeline Comby.
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457 pages : illustrations ; 22 cm
Le capital dans la cité : une encyclopédie critique de la ville / sous la direction de Matthieu Adam et Émeline Comby.
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457 pages : illustrations ; 22 cm
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books
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Paris : Amsterdam, [2020]
Paris : Amsterdam, [2020]
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$42.00
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how(...)
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how(...)
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Profit: an environmental history
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
Profit: an environmental history
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Profit is the original genius of homo sapiens, who learned how to unleash the energy stored in wood, exploit the land, and refashion ecosystems. As civilization developed, we found more and more ways of extracting surplus value from the earth, often deploying brutally effective methods to discipline people to do the work needed. Historian Mark Stoll explains how capitalism supercharged this process and traces its many environmental consequences. The financial innovations of medieval Italy created trade networks that, with the European discovery of the Americas, made possible vast profits and sweeping cultural changes, to the detriment of millions of slaves and indigenous Americans; the industrial age united the world in trade and led to an energy revolution that changed lives everywhere. But when efficient production left society awash in goods, a new sort of capitalism, predicated on endless individual consumption, took its place.
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books
books
Publication:
January 2023
January 2023
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
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32BNY - issue 5/6, winter 2005 : Russia/China 1920/2004
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
32BNY - issue 5/6, winter 2005 : Russia/China 1920/2004
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In a new double issue, "32BNY" traces the modern urban trajectories of Russia and China, mapping their connections, divergences, and potential futures. From the legacy of Russia in the 1920s, to the volatile architectural energy of China today, 32 revisits what had once seemed irrefutable binaries: communism and capitalism, east and west, history and progress.
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books
books
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September 2004, New York
September 2004, New York
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sale books
sale books
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books
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Title:
Right / Wrong
Right / Wrong
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Women must look pretty. Women must be good mothers. Women must work hard. Women must make good wines. Right or wrong ? Communism of capitalism? Which is which? Right/Wrong is a new artist book by Estonian artist Marge Monko. Predominantly, Monko's work focuses on representations of women in the 20th century and their meaming.
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Women must look pretty. Women must be good mothers. Women must work hard. Women must make good wines. Right or wrong ? Communism of capitalism? Which is which? Right/Wrong is a new artist book by Estonian artist Marge Monko. Predominantly, Monko's work focuses on representations of women in the 20th century and their meaming.
Title:
Right / Wrong
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$18.95
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Women must look pretty. Women must be good mothers. Women must work hard. Women must make good wines. Right or wrong ? Communism of capitalism? Which is which? Right/Wrong is a new artist book by Estonian artist Marge Monko. Predominantly, Monko's work focuses on representations of women in the 20th century and their meaming.
Right / Wrong
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$18.95
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Women must look pretty. Women must be good mothers. Women must work hard. Women must make good wines. Right or wrong ? Communism of capitalism? Which is which? Right/Wrong is a new artist book by Estonian artist Marge Monko. Predominantly, Monko's work focuses on representations of women in the 20th century and their meaming.
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books
books
Publication:
September 2015
September 2015
Subject:
Zines
Zines
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books
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello(...)
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello(...)
Title:
Anime's media mix: franchising toys and characters in Japan
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers a sustained study of the Japanese mode of convergence that informs global media practices to this day.
Anime's media mix: franchising toys and characters in Japan
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$27.95
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In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. He traces the cultural genealogy that spawned Astro Boy to the transformations of Japanese media culture that followed—and forward to the even more profound developments in global capitalism supported by the circulation of characters like Doraemon, Hello Kitty, and Suzumiya Haruhi. He details how convergence was sparked by anime, with its astoundingly broad merchandising of images and its franchising across media and commodities. He also explains how the rise of anime cannot be understood properly—historically, economically, and culturally—without grasping the integral role that the media mix played from the start. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers a sustained study of the Japanese mode of convergence that informs global media practices to this day.
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books
books
Publication:
March 2012
March 2012
Subject:
Epistemology
Epistemology
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books
books
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$36.95
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Le style, la beauté, la mobilisation des goûts et des sensibilités s’imposent chaque jour davantage comme des impératifs stratégiques des marques : le capitalisme d’hyperconsommation est un mode de production esthétique. Dans les industries de consommation, le design, la mode, la publicité, la décoration, le cinéma, le show-business des produits chargés de séduction(...)
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Le style, la beauté, la mobilisation des goûts et des sensibilités s’imposent chaque jour davantage comme des impératifs stratégiques des marques : le capitalisme d’hyperconsommation est un mode de production esthétique. Dans les industries de consommation, le design, la mode, la publicité, la décoration, le cinéma, le show-business des produits chargés de séduction(...)
Title:
L'esthétisation du monde: vivre à l'âge du capitalisme artiste
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Le style, la beauté, la mobilisation des goûts et des sensibilités s’imposent chaque jour davantage comme des impératifs stratégiques des marques : le capitalisme d’hyperconsommation est un mode de production esthétique. Dans les industries de consommation, le design, la mode, la publicité, la décoration, le cinéma, le show-business des produits chargés de séduction sont créés en masse. Ils véhiculent des affects et de la sensibilité, ils agencent un univers esthétique proliférant et hétérogène par l’éclectisme des styles qui s’y déploie.
L'esthétisation du monde: vivre à l'âge du capitalisme artiste
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Le style, la beauté, la mobilisation des goûts et des sensibilités s’imposent chaque jour davantage comme des impératifs stratégiques des marques : le capitalisme d’hyperconsommation est un mode de production esthétique. Dans les industries de consommation, le design, la mode, la publicité, la décoration, le cinéma, le show-business des produits chargés de séduction sont créés en masse. Ils véhiculent des affects et de la sensibilité, ils agencent un univers esthétique proliférant et hétérogène par l’éclectisme des styles qui s’y déploie.
Form:
books
books
Publication:
May 2013
May 2013
Subject:
Urban Theory
Urban Theory
