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Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor,(...)
Within or without (Louis I. Kahn assistant professorship)
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Scott Ruff’s studio, 'Gullah/Geechee Institute', investigated architecture’s role as a cultural signifier in the African-American Gullah–Geechee community off the South Carolina coast. It challenged students to translate cultural ideas into tectonic and spatial strategies for a monument, museum, and memorial that serves as a gateway to the Gullah–Geechee corridor, incorporating public interpretive and historical programs. In Florencia Pita and Jackilin Bloom’s studio, 'Easy Office', students experimented with ways of generating new spatial, formal, material, and narrative ideas through the processes of collecting, collaging, and casting everyday objects. The studio considered notions of the creative office and the workplace based on the unexpected space, form, and materiality that emerged from these processes. Students in Omar Gandhi’s studio, 'Where the Wild Things Are', designed a campus of creatures for Rabbit Snare Gorge on the north coast of Cape Breton Island. They focused on a series of interventions that used vernacular approaches to produce specific functions, develop a process or ideology, and frame sensory experience. The students explored how Nova Scotia’s regional architecture takes advantage of phenomenological opportunities available on the site and inspires new responses to climate and geography.
Architectural Theory
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the(...)
New museum design
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"New museum design" provides a critical and compelling selective survey of contemporary international museum design since 2010. It provides an accessible and analytic review of the architectural landscape of museum and gallery design in the 2010s. The book comprises twelve case study museum and gallery projects from across Europe, Asia, North America, Africa, the Middle East and Australia. Each built example is interrogated through an essay and a series of beautiful supporting illustrations and drawings. Where appropriate architectural analysis is cross-scale, extending from consideration of the artefact’s encounter with museum space at the most intimate scale, through detailed architectural readings, to the wider perspective of urban/landscape response. Similarly, the book is not confined in its thematic or architectural ‘typological’ scope, including museums and art galleries, as well as remodellings, extensions and new build examples. "New museum design" provides a critical snapshot of contemporary international museum architecture, in order to: better understand reasons for the state of current practice; reveal and explore on-going themes and approaches in the field; and to point towards seminal future design directions. This book is essential reading for any student or professional interested in museum design.
Museums and Universal Exhibitions
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If you were asked to close your eyes and envision where you are happiest, would you picture somewhere inside a building? North Americans are inside buildings for more than 90% of the day. Meanwhile, the indoors are stifling us, sometimes even killing us. Buildings, and the materials that make them up, expose us to materials linked to negative health impacts. The(...)
People, planet, design: A practical guide to realizing architecture's potential
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If you were asked to close your eyes and envision where you are happiest, would you picture somewhere inside a building? North Americans are inside buildings for more than 90% of the day. Meanwhile, the indoors are stifling us, sometimes even killing us. Buildings, and the materials that make them up, expose us to materials linked to negative health impacts. The construction and operation of buildings is responsible for 40% of climate-changing carbon emissions. In the US, the design choices made by the typical architecture firm employee each year can reduce emissions by about 300 times that of an average American. But the promise of sustainable architecture will not be realized if sustainability remains a secondary consideration for architects. What if great design were defined by its ability to cool the planet, heal communities, enhance ecological functioning, and advance justice? In "People, planet, design," architect Corey Squire builds the case, provides the data, and lays out the practical tools for a transformative human-centered architecture. This approach integrates beauty and delight with an awareness of how every design choice impacts the community, the planet, and the people who will use the building. Outcome-focused with a deep dive into practical design strategies, the book showcases ten building systems that embody design excellence.
Green Architecture
World City
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Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the(...)
World City
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Cities around the world are striving to be global. This book tells the story of one of them, and in so doing raises questions which are essential for all cities. These questions concern identity, place, and political responsibility in the changing geographies of our times. The book also tells the story of the rise of a new class, of deepening inequality, and of the geographical imaginations that are mobilised to legitimate the increasing dominance of these powerful metropoles. In so doing, it sets the global city in its wider geographical and political context. World City focuses its account on London, one of the greatest of these global cities. London is a city of delight and of creativity, of the generation of vast wealth and of acute poverty. It also presides over a country increasingly divided between North and South and over a neo-liberal form of globalisation the deregulation, financialisation and commercialisation of all aspects of life that results in an evermore unequal world.World City explores how we can understand this complex narrative and asks a question that should be asked of any city: what does this place stand for? This book will appeal to students of human geography, politics and sociology as well as to the general reader.
Architectural Theory
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AV monographs dedicates each issue to a theme involving a city, a country, a tendency or an architect, featuring essays by prominent scholars and commentaries on built works and projects illustrated in detail. With edorial text "The fatigue of Europe" by Luis Fernandez-Galiano : (...) " Europeans vaunt about their tenacious experimental tradition in the field of housing,(...)
AV 116 : formal housing - vivienda formal
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AV monographs dedicates each issue to a theme involving a city, a country, a tendency or an architect, featuring essays by prominent scholars and commentaries on built works and projects illustrated in detail. With edorial text "The fatigue of Europe" by Luis Fernandez-Galiano : (...) " Europeans vaunt about their tenacious experimental tradition in the field of housing, but a distracted review of the latest residential projects leaves a bittersweet aftertaste. Apart from some odd technical displays and a few typological novelties, the majority of the projects presented in this issue stand out for their geometric rigor, their material sophistication and their compositional elegance. Rather than a product of the Welfare State, they are a consequence of the welfare of the State – promoter of a large number of them – and also of the social prosperity made evident by the boom of private real-estate development. Examples of the refinement of the European elites, these works also bear witness to the creative fatigue of a continent that finds itself demographically aged, economically less and less competitive, and with a knowledge industry that continues to lag behind the universities and laboratories of the American north, and now also in comparison with the dynamic surge of Asia.(...)"
Magazines
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia,(...)
Museology
January 2007, Durham, London
Museum frictions : public cultures / global transformations
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"Museum frictions" is the third volume in a series on culture, society, and museums. "Museum frictions" is an illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors — scholars, artists, and curators —present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.
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January 2007, Durham, London
Museology
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was(...)
Daniel Meadows & Martin Parr — June Street, Salford 1973
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One day in 1973, acting on a whim, Daniel Meadows and Martin Parr, final year photography students at Manchester Polytechnic, attended a Granada TV open day to view the newly reconstructed set of Coronation Street. There they learned that location filming of the popular soap opera was shortly to end. This was because wholesale regeneration of Salford’s housing stock was sweeping away the ranks of Victorian terraced streets and their paving of stone setts, the very features which defined how a TV audience expected ‘the north’ to look. If the drama were to continue to look like itself, exterior scenes would henceforth be shot only at the studio. This discovery inspired Meadows and Parr to go looking for a former classic ‘Street’-like location to document before the bulldozers moved in. They settled on June Street in Ordsall, twenty houses which were still fully occupied. Over eight weeks or so, using the college Hasselblad and a bright photoflood lightbulb (screwed into the ceiling socket), they photographed each household — adults, children, dogs, cats, the budgie and, in one case, a tortoise — sitting together in their front rooms. When it was all done, they invited everyone to take part in a group photograph.
Photography monographs
Decolonize self-care
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"Decolonize self-care" mounts a sharply critical investigation into contemporary "self-care" practices—particularly those that embrace using mindfulness and other techniques such as tantra and yoga, as well as gluten-free and low-carbohydrate diets. The authors argue that "self-care" has become an industry, and one that is often marketed to and by wealthy, cisgender,(...)
Decolonize self-care
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"Decolonize self-care" mounts a sharply critical investigation into contemporary "self-care" practices—particularly those that embrace using mindfulness and other techniques such as tantra and yoga, as well as gluten-free and low-carbohydrate diets. The authors argue that "self-care" has become an industry, and one that is often marketed to and by wealthy, cisgender, white women in the global north. Spurgas and Meleo-Erwin contend that the rhetoric of "feminism" is regularly co-opted in selling self-care, with wealthy white women being the primary consumer target and also those who profit from self-care entrepreneurship. Through careful research and sharp analysis, the authors offer a vision of more radical, communal, collective, anti-racist, and anti-capitalist forms of care for chronic pain, burnout, depression, anxiety, and other conditions, which are often the result of gendered, sexualized, racialized, ableist, and colonialist traumas under late capitalism. Utilizing critical feminist disability studies, madness studies, Black feminist scholarship, decolonial theory, and other intersectional and Marxist feminist critique, the authors re-theorize care outside of and beyond what current self-care rhetorics generally allow. A smart and often laugh-out-loud read, "Decolonize self-care" speaks to academic and lay audiences alike.
Social
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and(...)
Robert A. M. Stern : houses and gardens
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Robert A. M. Stern is dedicated to the synthesis of tradition and innovation. In more than thirty-five years of practice, he has produced a wide range of building types with a variety of stylistic influences, all inspired by the great legacy of American architecture. His firm, Robert A. M. Stern architects, was first recognized for its distinguished houses, and residential design remains the cornerstone of the practice. This illustrated monograph-a companion to "Robert A. M. Stern: houses"- presents twenty-six of the firm's most memorable houses. Located in diverse settings across North America-from a valley in Colorado with views of the Aspen mountains to a bluff overlooking Long Island Sound to an island off the coast of British Columbia-these houses reveal the architect's emphasis on the importance of context and his dedication to exploring the nature of space. Each house invokes the vernacular architectural heritage particular to its region while reflecting its unique natural surroundings. Whether they are Shingle style "cottages" by the sea, colonial Georgian country estates, or elegant Regency designs, Stern's houses are unique both for their timelessness and their ability to evoke a conversation with the past-a dialogue he believes lies at the heart of architecture.
Architecture Monographs
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Imagine affordable homes that are both well-designed and environmentally friendly, better for the families who live in them and for the planet. The HOME House Project brings such imagining closer to reality. This book chronicles a multi-year national design initiative aimed at addressing issues of design, affordability, and sustainability in housing. Launched by the(...)
The HOME House Project : the future of affordable housing
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Imagine affordable homes that are both well-designed and environmentally friendly, better for the families who live in them and for the planet. The HOME House Project brings such imagining closer to reality. This book chronicles a multi-year national design initiative aimed at addressing issues of design, affordability, and sustainability in housing. Launched by the Southeastern Center for Contemporary Art (SECCA) in Winston-Salem, North Carolina, this project challenged designers and architects to imagine a world in which sustainable and environmentally friendly materials, technologies, and techniques were considered important elements of housing for low- and moderate-income families. A SECCA-sponsored open competition in 2003 drew 440 entries from the United States and six other countries, all using Habitat for Humanity's three- and four-bedroom house plans as a point of departure for the design of affordable and environmentally friendly housing. This book, published in conjunction with a traveling exhibition, documents the 25 prize-winning designs as well as fifty other selected submissions with 396 colour illustrations. The accompanying text includes Michael Sorkin's essay connecting democratic values to quality of housing, Ben Nicholson's satiric critique of American excess, Steve Badanes's insights on the social responsibilities of architects, and HOME House Project Director David Brown's overview of the project and its continuing evolution.
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January 1900, Cambridge, Mass.
Collective Housing