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C'était l'été de la mort de Coltrane, l'été de l'amour et des émeutes, quand une rencontre fortuite à Brooklyn guida deux jeunes gens dans la vie de bohème, sur la voie de l'art. Patti Smith et Robert Mapplethorpe avaient vingt ans ; elle deviendrait poète et performeuse, il serait photographe. A cette époque d'intense créativité, les univers de la poésie, du rock and(...)
Just kids
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C'était l'été de la mort de Coltrane, l'été de l'amour et des émeutes, quand une rencontre fortuite à Brooklyn guida deux jeunes gens dans la vie de bohème, sur la voie de l'art. Patti Smith et Robert Mapplethorpe avaient vingt ans ; elle deviendrait poète et performeuse, il serait photographe. A cette époque d'intense créativité, les univers de la poésie, du rock and roll et du sexe s'entrechoquent. Le couple fréquente la cour d'Andy Warhol, intègre au Chelsea Hotel une communauté d'artistes et de marginaux hauts en couleur, croise Allen Ginsberg, Janis Joplin, Lou Reed... Just Kids commence comme une histoire d'amour et finit comme une élégie, brossant un inoubliable instantané du New York des années 1960-1970. Avec pudeur et émotion, Patti Smith retrace l'ascension de deux gamins inséparables qui insufflèrent à leur vie la même énergie qu'à leur art.
small format
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Anton Corbijn: 1-2-3-4
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Depuis les années 1970, le photographe et réalisateur Anton Corbijn collabore avec de nombreux groupes de musique. Certaines de ses photos ont marqué la carrière de ces musiciens. Pour cet ouvrage, Corbijn s’est replongé dans ses archives et a sélectionné plus de 350 photographies d’Arcade Fire, Depeche Mode, Metallica, Nirvana, R.E.M., des Rolling Stones, U2, Nick Cave,(...)
Anton Corbijn: 1-2-3-4
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Depuis les années 1970, le photographe et réalisateur Anton Corbijn collabore avec de nombreux groupes de musique. Certaines de ses photos ont marqué la carrière de ces musiciens. Pour cet ouvrage, Corbijn s’est replongé dans ses archives et a sélectionné plus de 350 photographies d’Arcade Fire, Depeche Mode, Metallica, Nirvana, R.E.M., des Rolling Stones, U2, Nick Cave, Johnny Rotten, Siouxsie Sioux, Tom Waits... Cette sélection présente à la fois des portraits emblématiques et plus méconnus de Joe Cocker, David Bowie, Johnny Cash, Grace Jones, Courtney Love, Morrissey, Neil Young. En 1980, Corbijn a aussi brièvement suivi les Slits, groupe de punk rock féminin, au cours de l’une de leurs tournées. Ce reportage est dévoilé ici pour la première fois. Cet ouvrage est publié à l’occasion de l’exposition rétrospective "Anton Corbijn 1-2-3-4" au Fotomuseum à La Haye en 2015.
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June 2015
Photography monographs
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new(...)
Arts for living: public architecture and architectural education
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The publication Arts for Living takes a close look at the Abrons Arts Center, a community-art facility on the Lower East Side of New York, as a case study for architecture designed to address issues of public space and community life. The Center was built during the 1970's fiscal crisis and designed by Prentice, Chan and Ohlhausen as a cultural institution with new educational facilities intended to enable, foster, and serve the everyday activities of the local low-income population. The notions of public architecture and architecture education will be framed through three topics: the architecture and urban space of the Abrons Arts Center itself; the programming and activities at the Abrons Arts Center within the context of architectural education; and a larger survey of the environment of the Lower East Side, in terms of its cultural, social, and political context.
Architectural Theory
Barney Kulok : building
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of(...)
Barney Kulok : building
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In September 2011, Barney Kulok was granted permission to create photographs at the construction site of Louis I. Kahn’s Four Freedoms Park in New York City, commissioned in 1970 as a memorial to Franklin D. Roosevelt. The last design Kahn completed before his untimely death in 1974, Four Freedoms Park became widely regarded as one of the great unbuilt masterpieces of twentieth-century architecture. Forty years after the original commission, it is finally being completed in 2012. Unbuilt is at once a historical record and a multilayered visual investigation of form and the subtleties of texture—elements that were of fundamental importance to Kahn’s phenomenal achievements. As architect Steven Holl writes, “Kulok’s photographs free the subject matter from a literal interpretation of the site. They stand as ‘Equivalents’ to the words about material, light and shadow that Louis Kahn often spoke.”
Photography monographs
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Quiconque visite le Musée national des beaux-arts du Québec ne peut s’empêcher de déambuler dans le bâtiment de l’ancienne prison des plaines, aujourd’hui reconvertie en pavillon muséal Charles-Baillairgé qui abrite des expositions permanentes. Peu de gens savent toutefois que la prison a été en activité jusqu’à l’automne 1970. Construite un siècle plus tôt dans le(...)
La prison des plaines d'Abraham, 1863-1877
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Quiconque visite le Musée national des beaux-arts du Québec ne peut s’empêcher de déambuler dans le bâtiment de l’ancienne prison des plaines, aujourd’hui reconvertie en pavillon muséal Charles-Baillairgé qui abrite des expositions permanentes. Peu de gens savent toutefois que la prison a été en activité jusqu’à l’automne 1970. Construite un siècle plus tôt dans le contexte d’une vaste réforme du système carcéral québécois, la prison des plaines devait être un modèle pénitentiaire. On pensait pouvoir y réhabiliter les déviants par le travail, la discipline et la morale religieuse. Mais entre la théorie et la pratique, il y aura un large fossé. Comme le souligne John R. Porter dans sa préface, cet établissement deviendra «un lieu où les préoccupations relatives à la sécurité et à l’hygiène des prisonniers prirent vite le pas sur les efforts de réhabilitation».
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April 2007, Sillery
Architecture du Québec
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
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October 2007, London
Graphic Designers, Monographs
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous(...)
Graphic Design and Typography
December 2006, Zürich
Poster collection 14 : Zurich-Milano
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This publication sheds light on the era between 1948 and 1970, when the arrival at Milano Centrale train station not only represented a turning point in the lives of certain young Swiss graphic artists but also became a decisive moment for the history of design. Being cosmopolitan had its difficulties, but it richly rewarded many recent graduates of the famous Kunstgewerbeschule Zürich. Supplied with a type of education that was not available in Italy at the time, Swiss graphic artists encountered an optimistic and undogmatic attitude that was inspiring and new. Italy’s path to a widely admired form of visual communication was marked by a profound transalpine dialogue and earned Milan a reputation as a city for which it was worth leaving behind one’s homeland. The publication includes such icons of the history of poster design as Max Huber and Walter Ballmer.
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December 2006, Zürich
Graphic Design and Typography
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'',(...)
Trust: Building on the cultural commons
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How do we break a culture of mistrust while suspicion of fellow humans, governments and capitalist enterprise seems to keep growing? Feelings of powerlessness are often cited as the main cause. We look for remedies in rules, contracts, assurances and audits, as well as in "good governance." But do they really provide trust? In ''Trust: Building on the Cultural Commons'', featuring drawings by Karina Beumer (born 1988), sociologist of art and cultural politics Pascal Gielen (born 1970) highlights the crucial role played by the cultural commons, shared "common" life and its customs, practices, knowledge and values. Trust is, after all, a matter of culture, of feeling and even of aesthetics. Broad societal trust begins with sharing vulnerabilities, and the commons, according to Gielen, provides space for that—breathing space and experimental space. How could a society and a policy further build on this?
Social
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little(...)
Donald Judd: The Low Countries, 1966–1971
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little attention has been paid to what has happened on the other side of the Atlantic. Writing from Antwerp, Belgium and working with a rich array of sources from archives in Belgium and The Netherlands, Wouter Davids discloses that during the early years of his European career, Judd could count on significant critical and institutional interest in the European region better known as the Low Countries. The starting point is an interview with Judd for Belgian Radio and Television (BRT) from 1970, published here for the first time.
Contemporary Art Monographs
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and(...)
Merz to Emigre and beyond : avant-garde magazine design of the twentieth century
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"Merz to Emigre and Beyond" is a historical survey of avant-garde cultural and political magazines and newspapers from the early twentieth century to the present. The book features a unique selection of international publications from Europe and the U.S.A. including "Merz" (1920's), "View" (1940's), "East Village Other" (1960's), "Punk" (1970's), "Raw" (1980's) and "Emigre" (1990's). The design of these magazines, often raucous and undisciplined, was as ground-breaking as the ideas they disseminated. Many were linked with controversial art, literary and political movements such as Dada, Surrealism, Modernism, the New Left and Deconstruction. They contain the work of many leading experimental artists and designers of their time from Kurt Schwitters and El Lissitzky in the 1920's and 30's, to Art Spiegelman and Rudy Vanderlans in the 1980's and 90's.
Graphic Design and Typography