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xxxiii, 461 pages : illustrations ; 26 cm
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xxxiii, 461 pages : illustrations ; 26 cm
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Minneapolis : University of Minnesota Press, ©2001.
Minneapolis : University of Minnesota Press, ©2001.
Title:
Textures of place : exploring humanist geographies / Paul C. Adams, Steven Hoelscher, and Karen E. Till, editors.
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xxxiii, 461 pages : illustrations ; 26 cm
Textures of place : exploring humanist geographies / Paul C. Adams, Steven Hoelscher, and Karen E. Till, editors.
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xxxiii, 461 pages : illustrations ; 26 cm
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books
books
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Minneapolis : University of Minnesota Press, ©2001.
Minneapolis : University of Minnesota Press, ©2001.
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books
books
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301 pages : illustrations ; 24 cm
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301 pages : illustrations ; 24 cm
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Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
Title:
Reasons for knocking at an empty house : writings 1973-1994 / Bill Viola ; edited by Robert Violette in collaboration with the author ; introduction by Jean-Christophe Ammann.
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301 pages : illustrations ; 24 cm
Reasons for knocking at an empty house : writings 1973-1994 / Bill Viola ; edited by Robert Violette in collaboration with the author ; introduction by Jean-Christophe Ammann.
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301 pages : illustrations ; 24 cm
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books
books
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Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
Cambridge, Mass. : MIT Press ; London : Anthony d'Offay Gallery, 1995.
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books
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149 pages : illustrations ; 22 cm.
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149 pages : illustrations ; 22 cm.
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[Brooklyn, NY] : Clog, [2012]
[Brooklyn, NY] : Clog, [2012]
Title:
Apple / editors Kyle May (Editor in Chief), Julia van den Hout, Jacob Reidel, Human Wu, PlayLab (Design).
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149 pages : illustrations ; 22 cm.
Apple / editors Kyle May (Editor in Chief), Julia van den Hout, Jacob Reidel, Human Wu, PlayLab (Design).
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149 pages : illustrations ; 22 cm.
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books
books
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[Brooklyn, NY] : Clog, [2012]
[Brooklyn, NY] : Clog, [2012]
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$45.00
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and(...)
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AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
AP164: Ábalos & Herreros. Selected by OFFICE, Juan José Castellon and SO-IL
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Iñaki Ábalos and Juan Herreros established the renowned architectural firm Ábalos & Herreros in Madrid in 1984. At the time, following the end of the Franco regime, architects were valued more for their technical ability than for their contributions to theoretical research. In this context, Ábalos and Herreros’s melding of design with a range of publications and curatorial projects presented a remarkable challenge to assumptions about the role of an architect. In 2012, the Canadian Centre for Architecture obtained the Ábalos & Herreros archive, which contains documents related to more than 160 projects. The material comprises sketches, slides, models, collages, and drawings. The archive presents a compelling opportunity to reconstruct Ábalos and Herreros’s planning and design process. Each of the book’s three contributors—two of whom worked with Ábalos and Herreros—approaches the archive with specific questions, and their essays explore topics including the architects’ fascination with industrial architecture, their capacity to construct a hybrid materiality without recourse to building technology as language, and their innovative visions for landscape architecture.
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books
books
Publication:
May 2016
May 2016
Subject:
CCA Publications
CCA Publications
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books
books
Title:
Architecture's theory
Architecture's theory
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$45.95
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From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between(...)
$45.95
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Summary:
From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between(...)
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Architecture's theory
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$45.95
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From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture's relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy's House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans.
Architecture's theory
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$45.95
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Summary:
From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture's discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory. Whether considering architecture's relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy's House complex in New Delhi, Mack Scogin and Merrill Elam's Wolfsburg Science Center project in Germany, and the Superdome in New Orleans.
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books
books
Publication:
April 2023
April 2023
Subject:
Architectural Theory
Architectural Theory
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books
books
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$115.00
(available to order)
Summary:
This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
$115.00
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Summary:
This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The(...)
Title:
Moholy-Nagy: laboratory of vision
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$115.00
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This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
Moholy-Nagy: laboratory of vision
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Price:
$115.00
(available to order)
Summary:
This book is published in conjunction with the exhibition Moholy-Nagy/In Motion introducing works spanning the full oeuvre of Moholy-Nagy (1895-1946), an artist who brought new vision to the art of the 20th century. As a prominent member of the avant-garde art movements between the two World Wars, he developed an artistic ideal of creating works of light and motion. The pursuit of his career as a creative artist and art educator took Moholy-Nagy from his native Hungary to Vienna, then on to Germany, the Netherlands and Great Britain and finally to the United States. Working in painting, photography, sculpture, film, graphic design, stage design and publishing, Moholy-Nagy’s career addressed many of the new issues confronting art in the 20th century, such as the relationship between art and industrial technology and the new media of information and communications. This exhibition marks Japan’s first full-scale retrospective of the art of Moholy-Nagy and spans the artist’s full career from its earliest years to its last in some 300 works and related materials and documents.
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books
books
Publication:
October 2011
October 2011
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$74.95
(available to order)
Summary:
In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural(...)
$74.95
(available to order)
Summary:
In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural(...)
Title:
From ornament to object: genealogies of architectural modernism
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$74.95
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In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology.
From ornament to object: genealogies of architectural modernism
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$74.95
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Summary:
In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology.
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books
books
Publication:
July 2012
July 2012
Subject:
Architectural Theory
Architectural Theory
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books
books
Price:
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a(...)
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a(...)
Title:
Dark matter: art and politics in the age of enterprise culture
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$41.95
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Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.
Dark matter: art and politics in the age of enterprise culture
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Price:
$41.95
(available to order)
Summary:
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalised artists, the 'dark matter' of the art world, are essential to the survival of the mainstream and that they frequently organize in opposition to it. Gregory Sholette, a politically engaged artist, argues that imagination and creativity in the art world originate thrive in the non-commercial sector shut off from prestigious galleries and champagne receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and used to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the alternative art world to increasingly subvert the mainstream and intervene politically as both new and old forms of non-capitalist, public art. This book is essential for anyone interested in interventionist art, collectivism, and the political economy of the art world.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Art Theory
Art Theory
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books
books
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$58.50
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Summary:
From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
$58.50
(available to order)
Summary:
From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of(...)
Title:
Käthe Kollwitz: prints, process, politics
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$58.50
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From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Käthe Kollwitz: prints, process, politics
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$58.50
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Summary:
From its title to its formal arrangement of language, Brad Feuerhelm's Dein Kampf suggests a commentary on our cyclical anxieties about ideology. Anxiety is implicit in his photographs and Berlin is their natural backdrop, being a city in which several ideologies collided in the twentieth century. The city exemplifies the quagmire of possibilities in which the tensions of historical narrative and contemporary political and ideological doubt are played out in visual motifs throughout the landscape. Fragments of the past and symbols of capitalist modernity underpin the work-banks, insurance companies and people as effigies of citizens appear as a cloaking miasma, the spectre of past, present and no future. The schema of the glitch and the appropriation methods in Feuerhelm's work are subtle enquiries into the contemporary conditions of fear and confusion. Loose associations about changing futures under technology, religion, immigration and the future of the photographic image also loom large. Dein Kampf is Feuerhelm's proposition about how we activate image and ideology in the book form. Includes text by Ulrich Baer.
Form:
books
books
Publication:
January 2020
January 2020
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Drivers of change
Drivers of change
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$80.00
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Summary:
Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five(...)
$80.00
(available to order)
Summary:
Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five(...)
Title:
Drivers of change
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$80.00
(available to order)
Summary:
Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five domains known as the steep framework: societal, technological, economic, environmental, and political. Each card represents a single driver of change-for instance urban migration, ageing population, austerity-along with a challenging and thought-provoking question. The flip side of the card provides pertinent data to expand on the question, as well as maps, graphs, and other illustrations. An accompanying booklet offers tips on how to use these cards independently or in a group setting. Whether brainstorming for new ideas or facilitating a discussion, these graphically sophisticated cards are an excellent resource for anyone interested in the future of technology, design and sustainability or indeed the way we might live in the years to come.
Drivers of change
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Price:
$80.00
(available to order)
Summary:
Conceived and designed by the Foresight, innovation and incubation team at Arup, the influential consulting firm that advises on all aspects of the built environment, this card set features seven topics that have been chosen as headings for further discussion: energy, waste, climate change, water, demographics, urbanization and poverty. The 189 cards are divided into five domains known as the steep framework: societal, technological, economic, environmental, and political. Each card represents a single driver of change-for instance urban migration, ageing population, austerity-along with a challenging and thought-provoking question. The flip side of the card provides pertinent data to expand on the question, as well as maps, graphs, and other illustrations. An accompanying booklet offers tips on how to use these cards independently or in a group setting. Whether brainstorming for new ideas or facilitating a discussion, these graphically sophisticated cards are an excellent resource for anyone interested in the future of technology, design and sustainability or indeed the way we might live in the years to come.
Form:
books
books
Publication:
July 2009
July 2009
Subject:
Green Architecture
Green Architecture
