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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, (...)
Architecture since 1900, Europe
May 2001, Cambridge,MA
Making Paradise: Art, Modernity, and the Myth of the French Riviera
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The French Riviera has been a fabled resort for more than a century. As an enclave for the rich and famous, as well as a scenic tourist spot, it represents all that is beautiful and amusing. But for many of the twentieth century's finest painters, sculptors, photographers, and architects it has been much more: a place of potent myth and extraordinary creativity. Picasso, Matisse, Beckmann, Brancusi, Lartigue, Le Corbusier, and Eileen Gray, among many others, were inspired to create some of their greatest work on the Côte d'Azur. This study examines the impact of modernity and the artistic imagination on an idyllic landscape. Touching on the issues of pleasure and escape, work and leisure, and desire and ecstasy, "Making Paradise" offers a fresh look at the Côte d'Azur and its historical significance as a site for modernist innovation from 1890 to the present. Beginning with the neoimpressionists, moving to the Fauves, and ending with such contemporary artists as David Hockney and Faith Ringgold, the book examines the splendid light and terrain of the southeastern coast of France and the region's influence on the artists who worked and played there. Like the book, the exhibition it accompanies features unexpected juxtapostitions: masterworks by Bonnard and Picasso with the photographs of Lartigue and Model; the villas of Le Corbusier, Gray, and Mallet-Stevens with designs for the Ballets Russes de Monte Carlo; and ceramics of Picasso with the found-object constructions of the École de Nice of the early 1960s.
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May 2001, Cambridge,MA
Architecture since 1900, Europe
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Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most(...)
Thomas Struth: nature & politics
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Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.
Photography monographs
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces.(...)
Survival city : adventures among the ruins of atomic America
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The Cold War was the war that never happened. Nonetheless, it spurred the most significant buildup of military contingency this country has ever known: from the bunkers of Greenbrier, West Virginia, to the "proving grounds" of Nevada, where entire cities were built only to be vaporized. The Cold War was waged on a territory that knew no boundaries but left few traces. In this fascinating--and at turns frightening and comical--travelogue to the hidden battlefields of the Cold War, Tom Vanderbilt travels the Interstate (itself a product of the Cold War) to uncover the sites of Cold War architecture and reflect on their lasting heritage. In the process, Vanderbilt shows us what the Cold War landscape looked like, how architecture tried to adapt to the threat of mass destruction, how cities coped with the knowledge that they were nuclear targets, and finally what remains of the Cold War theater today, both its visible and invisible legacies. Ultimately, Vanderbilt gives us a deep look into our cultural soul, the dreams and fears that drove us for the last half of the 20th century.
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March 2002, New York
Architectural Theory
A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where(...)
A+U 618 : Columbia
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This issue offers an inside look at the architecture, landscape, and cities of Colombia, a land of fabulous natural beauty that has used architecture as a key agent in rebuilding its cities and civil society following decades of strife. A photo essay by Camilo Echavarría shows how travels through the tropical region reveal a homogenous, abstract passage of time, where architecture is conditioned by various landscapes and geographic diversity. Medellín-based architect and guest editor Camilo Restrepo Ochoa leads this journey through Colombia, showing works by fourteen practices across three generations, and neighbourhoods that are reinvigorated through mobility and urban space.
Magazines
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480 pages : illustrations (some color) ; 34 cm
New York : Museum of Modern Art, ©2005.
Friedlander / Peter Galassi ; with an essay by Richard Benson.
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480 pages : illustrations (some color) ; 34 cm
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New York : Museum of Modern Art, ©2005.
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''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural, social, and environmental realities. ''Inventing Greenland'' is a critical(...)
Inventing Greenland: designing an arctic nation
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''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Geared towards a design audience, this book combines spatial sensibilities with Greenland's local cultural, social, and environmental realities. ''Inventing Greenland'' is a critical and timely assemblage of stories highlighting a shifting landscape – one born from the imagination, projections, and ambitions of a wide range of actors. Today, especially within the design discipline, there is a lack of understanding of Greenland as a complex constellation of perspectives, histories, and forces. This book aims to fill that knowledge vacuum. Geared towards architects, landscape architects, and urban planners, this book combines spatial sensibilities with local cultural, social, and environmental realities. More specifically, spatial sensibility is a way of responding to and reading beyond a diverse array of relationships in the built environment. Furthermore, ''Inventing Greenland'' provides a broad understanding of a unique island undergoing intense transformation while drawing attention to its historical and current challenges and emerging opportunities.
Architectural Theory
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
Organization space : landscapes, highways, and houses in America
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
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October 2001, Cambridge, Mass.
Urban Theory
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem.(...)
Seizing Jerusalem: the architectures of unilateral unification
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After seizing Jerusalem's eastern precincts from Jordan at the conclusion of the Six-Day War in 1967, Israel unilaterally unified the city and plunged into an ambitious building program, eager to transform the very meaning of one of the world's most emotionally charged urban spaces. The goal was as simple as it was controversial: to both Judaize and modernize Jerusalem. Seizing Jerusalem, the first architectural history of "united Jerusalem," chronicles how numerous disciplines, including architecture, landscape design, and urban planning, as well as everyone from municipal politicians to state bureaucrats, from Israeli-born architects to international luminaries such as Louis Kahn, Buckminster Fuller, and Bruno Zevi, competed to create Jerusalem's new image. This decade-long competition happened with the Palestinian residents still living in the city, even as the new image was inspired by the city's Arab legacy. The politics of space in the Holy City, still contested today, were shaped in this post-1967 decade not only by the legacy of the war and the politics of dispossession, but curiously also by emerging trends in postwar architectural culture.Drawing on previously unexamined archival documents and in-depth interviews with architects, planners, and politicians, Alona Nitzan-Shiftan analyzes the cultural politics of the Israeli state and, in particular, of Jerusalem's influential mayor, Teddy Kollek, whose efforts to legitimate Israeli rule over Jerusalem provided architects a unique, real-world laboratory to explore the possibilities and limits of modernist design--as built form as well as political and social action. Seizing Jerusalem reveals architecture as an active agent in the formation of urban and national identity, and demonstrates how contemporary debates about Zionism, and the crisis within the discipline of architecture over postwar modernism, affected Jerusalem's built environment in ways that continue to resonate today.
Arch Middle East
books
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176 pages : chiefly color illustrations ; 30 cm
Munich ; London : Prestel, ©2003.
Labyrinths & mazes / Jürgen Hohmuth ; with contributions by Simone Augustin [and others].
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176 pages : chiefly color illustrations ; 30 cm
books
Munich ; London : Prestel, ©2003.
C3 335: add in the scape
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Incorporating in nature and the landscape is the main feature of this issue of C3. The manipulation of their surroundings is a key characteristic of the human race, and here it is explored through the facet of architecture and building. Texts by Aldo Vanini and Alison Killing are followed with examples of significant projects typified by either augmentation to, or(...)
C3 335: add in the scape
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Incorporating in nature and the landscape is the main feature of this issue of C3. The manipulation of their surroundings is a key characteristic of the human race, and here it is explored through the facet of architecture and building. Texts by Aldo Vanini and Alison Killing are followed with examples of significant projects typified by either augmentation to, or submersion in, the landscape. Featured are Rossignol Global Headquarters by Hérault Arnod Architects, Kilden Performing Arts Centre by ALA Architects, Troll Wall Restaurant by Reiulf Ramstad Architects, Mário Sequeira Gallery by Atelier Carvalho Araújo, and OASIS-Pastoral Care Voestalpine by X Architekten, among several others. A special highlight on Madrid-based collective EXIT Architects rounds out the issue.
Magazines