10592 Results
Form:
books
books
Actions:
Price:
$75.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
$75.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century(...)
Title:
Montage and the metropolis: architecture, modernity, and the representation of space
Actions:
Price:
$75.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Montage and the metropolis: architecture, modernity, and the representation of space
Actions:
Price:
$75.95
(available to order)
Summary:
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe’s spatial experiments, and Rem Koolhaas’s use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city.
Form:
books
books
Publication:
May 2018
May 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$49.95
(available to order)
Summary:
Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a(...)
$49.95
(available to order)
Summary:
Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a(...)
Title:
Designing the modern city: urbanism since 1850
Actions:
Price:
$49.95
(available to order)
Summary:
Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called “urbanism.” He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities.
Designing the modern city: urbanism since 1850
Actions:
Price:
$49.95
(available to order)
Summary:
Written with an international perspective that encourages cross-cultural comparisons, leading architectural and urban historian Eric Mumford presents a comprehensive survey of urbanism and urban design since the industrial revolution. Beginning in the second half of the 19th century, technical, social, and economic developments set cities and the world’s population on a course of massive expansion. Mumford recounts how key figures in design responded to these changing circumstances with both practicable proposals and theoretical frameworks, ultimately creating what are now mainstream ideas about how urban environments should be designed, as well as creating the field called “urbanism.” He then traces the complex outcomes of approaches that emerged in European, American, and Asian cities.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
What is landscape?
What is landscape?
Actions:
Price:
$25.95
(available to order)
Summary:
"What Is Landscape?" is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a(...)
$25.95
(available to order)
Summary:
"What Is Landscape?" is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a(...)
Title:
What is landscape?
Actions:
Price:
$25.95
(available to order)
Summary:
"What Is Landscape?" is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a representation of the meadow of a medieval freehold.
What is landscape?
Actions:
Price:
$25.95
(available to order)
Summary:
"What Is Landscape?" is an invitation to walk, to notice, to ask: to see a sandcastle with a pinwheel at the beach and think of Dutch windmills icons of triumph, markers of territory won from the sea; to walk in the woods and be amused by the Elizabethans' misuse of the Latin silvaticus (people of the woods) to coin the word savages; to see in a suburban front lawn a representation of the meadow of a medieval freehold.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Landscape Theory
Landscape Theory
Form:
books
books
Actions:
Price:
$23.95
(available to order)
Summary:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
$23.95
(available to order)
Summary:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
Title:
Unhoused: Adorno and the problem of dwelling
Actions:
Price:
$23.95
(available to order)
Summary:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Unhoused: Adorno and the problem of dwelling
Actions:
Price:
$23.95
(available to order)
Summary:
"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$44.50
(available to order)
Summary:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects(...)
$44.50
(available to order)
Summary:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects(...)
Title:
Flintstone modernism: or the crisis in postwar American culture
Actions:
Price:
$44.50
(available to order)
Summary:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.
Flintstone modernism: or the crisis in postwar American culture
Actions:
Price:
$44.50
(available to order)
Summary:
In Flintstone Modernism, Jeffrey Lieber investigates transformations in postwar American architecture and culture. He considers sword-and-sandal films of the 1950s and 1960s—including forgotten gems such as Land of the Pharaohs, Helen of Troy, and The Egyptian—and their protean, ideologically charged representations of totalitarianism and democracy. He connects Cinemascope and other widescreen technologies to the architectural “glass curtain wall,” arguing that both represented the all-encompassing eye of American Enterprise. Lieber reminds us that until recently midcentury modern American architecture was reviled by architectural historians but celebrated by design enthusiasts, just as sword-and-sandal epics are alternately hailed as cult classics or derided as camp.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
Price:
$60.95
(available to order)
Summary:
Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first(...)
$60.95
(available to order)
Summary:
Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first(...)
Title:
Deaccessioning and its discontents: a critical history
Actions:
Price:
$60.95
(available to order)
Summary:
Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.
Deaccessioning and its discontents: a critical history
Actions:
Price:
$60.95
(available to order)
Summary:
Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in ''Deaccessioning and Its Discontents,'' deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions.
Form:
books
books
Publication:
July 2018
July 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
Price:
$45.95
(available to order)
Summary:
From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining(...)
$45.95
(available to order)
Summary:
From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining(...)
Title:
The eye of history: when images take positions
Actions:
Price:
$45.95
(available to order)
Summary:
From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining how they became the means for Brecht, a wandering poet in exile, to “take a position” about the Nazi war in Europe. Illustrated with pages from the Arbeitsjournal and War Primer and contextual images including Raoul Hausmann’s poem-posters and Walter Benjamin’s drawings, The Eye of History offers a new view of important but little-known works by Brecht.
The eye of history: when images take positions
Actions:
Price:
$45.95
(available to order)
Summary:
From 1938 to 1955, Bertolt Brecht created montages of images and text, filling his working journal (Arbeitsjournal) and his idiosyncratic atlas of images, War Primer, with war photographs clipped from magazines and adding his own epigrammatic commentary. In this book, Georges Didi-Huberman explores the interaction of politics and aesthetics in these creations, explaining how they became the means for Brecht, a wandering poet in exile, to “take a position” about the Nazi war in Europe. Illustrated with pages from the Arbeitsjournal and War Primer and contextual images including Raoul Hausmann’s poem-posters and Walter Benjamin’s drawings, The Eye of History offers a new view of important but little-known works by Brecht.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$32.00
(available to order)
Summary:
“Practice” is one of the key words of contemporary art, used in contexts ranging from artists’ descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.
$32.00
(available to order)
Summary:
“Practice” is one of the key words of contemporary art, used in contexts ranging from artists’ descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.
Title:
Practice
Actions:
Price:
$32.00
(available to order)
Summary:
“Practice” is one of the key words of contemporary art, used in contexts ranging from artists’ descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.
Practice
Actions:
Price:
$32.00
(available to order)
Summary:
“Practice” is one of the key words of contemporary art, used in contexts ranging from artists’ descriptions of their practice to curatorial practice, from social practice to practice-based research. This is the first anthology to investigate what contemporary notions of practice mean for art, tracing their development and speculating on where this leads.
Form:
books
books
Publication:
February 2018
February 2018
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
Price:
$49.95
(available to order)
Summary:
Andy Warhol, Susan Sontag, John Lennon & Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a(...)
$49.95
(available to order)
Summary:
Andy Warhol, Susan Sontag, John Lennon & Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a(...)
Title:
Jonas Mekas: Scrapbook of the sixties, writings 1954-2010
Actions:
Price:
$49.95
(available to order)
Summary:
Andy Warhol, Susan Sontag, John Lennon & Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958 he published his legendary Movie Journal column in the Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists, some of which will now appear for the first time in his Scrapbook of a Diarist. The book contains published and unpublished texts that reveal Mekas as a thoughtful diarist and an unparalleled chronicler of the day — a phenomenon that has continued now for over fifty years.
Jonas Mekas: Scrapbook of the sixties, writings 1954-2010
Actions:
Price:
$49.95
(available to order)
Summary:
Andy Warhol, Susan Sontag, John Lennon & Yoko Ono — Jonas Mekas was well acquainted with a great many New York artists. Born in Lithuania, he came to Brooklyn via Germany in 1949 and began shooting his first experimental films there. Mekas developed a form of film diary in which he recorded his daily observations. He became the barometer of the New York art scene and a pioneer of American avant-garde cinema. Every week, starting in 1958 he published his legendary Movie Journal column in the Village Voice, writing on a range of subjects that were by no means restricted to the world of film. He conducted numerous interviews with artists, some of which will now appear for the first time in his Scrapbook of a Diarist. The book contains published and unpublished texts that reveal Mekas as a thoughtful diarist and an unparalleled chronicler of the day — a phenomenon that has continued now for over fifty years.
Form:
books
books
Publication:
April 2020
April 2020
Subject:
Art Theory
Art Theory
Form:
books
books
Actions:
Price:
$47.00
(available to order)
Summary:
We spend much of our lives in transit to and from work. Although we might dismiss our daily commute as a wearying slog, we rarely stop to think about the significance of these daily journeys. In Transit Life, David Bissell explores how everyday life in cities is increasingly defined by commuting. Examining the overlooked events and encounters of the commute, Bissell shows(...)
$47.00
(available to order)
Summary:
We spend much of our lives in transit to and from work. Although we might dismiss our daily commute as a wearying slog, we rarely stop to think about the significance of these daily journeys. In Transit Life, David Bissell explores how everyday life in cities is increasingly defined by commuting. Examining the overlooked events and encounters of the commute, Bissell shows(...)
Title:
Transit life: how commuting is transforming our cities
Actions:
Price:
$47.00
(available to order)
Summary:
We spend much of our lives in transit to and from work. Although we might dismiss our daily commute as a wearying slog, we rarely stop to think about the significance of these daily journeys. In Transit Life, David Bissell explores how everyday life in cities is increasingly defined by commuting. Examining the overlooked events and encounters of the commute, Bissell shows that the material experiences of our daily journeys are transforming life in our cities. The commute is a time where some of the most pressing tensions of contemporary life play out, striking at the heart of such issues as our work-life balance; our relationships with others; our sense of place; and our understanding of who we are.
Transit life: how commuting is transforming our cities
Actions:
Price:
$47.00
(available to order)
Summary:
We spend much of our lives in transit to and from work. Although we might dismiss our daily commute as a wearying slog, we rarely stop to think about the significance of these daily journeys. In Transit Life, David Bissell explores how everyday life in cities is increasingly defined by commuting. Examining the overlooked events and encounters of the commute, Bissell shows that the material experiences of our daily journeys are transforming life in our cities. The commute is a time where some of the most pressing tensions of contemporary life play out, striking at the heart of such issues as our work-life balance; our relationships with others; our sense of place; and our understanding of who we are.
Form:
books
books
Publication:
March 2018
March 2018
Subject:
Urban Theory
Urban Theory
