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Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the(...)
Blue dream and the legacy of modernism in the Hamptons. Diller + Scofidio + Renfro
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Architecture critic Paul Goldberger tells the story of an extraordinary house on the Atlantic Double Dunes in East Hampton-- ''Blue dream,'' the result of a collaboration between collectors Julie Reyes Taubman and Robert Taubman, architects Diller Scofidio + Renfro, builder Ed Bulgin, landscape architect Michael Boucher and designer Michael Lewis, who sought to renew the legacy of modernist architecture and art in the Hamptons. Goldberger offers insight into the complex process by which an architectural idea generated a work that stands as the most striking addition of our time to the roster of architecturally ambitious modernist houses on Long Island. As he notes, "There are relatively few books devoted to the architecture of a single house, but what is clear if you read any of them is that they are stories about clients as much as about architects." So it is with ''Blue dream.'' The Taubmans were inspired by the avant-garde spirit of artists and architects who settled and worked in the Hamptons and set out to create a house like no other, a house whose complex curving forms could only be built using the composite material used to make fighter jets. Iwan Baan's photographic portfolio documents ''Blue dream'' across four seasons. Goldberger’s text is illustrated with images of earlier modernist houses that inspired the project, as well as documentation of the design process involved in the making of ''Blue dream'' itself.
Architecture Monographs
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Toronto : design city
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At a time when modern architecture has become a means for cities to up their game and raise their cultural profile on the world stage, Toronto is coming into its own. Fully entrenched in a design renaissance that is dramatically changing the face and space of the city, Toronto is now a welcome playground for celebrated local talent and international star architects. While(...)
Architecture in Canada
March 2007, Chichester
Toronto : design city
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At a time when modern architecture has become a means for cities to up their game and raise their cultural profile on the world stage, Toronto is coming into its own. Fully entrenched in a design renaissance that is dramatically changing the face and space of the city, Toronto is now a welcome playground for celebrated local talent and international star architects. While some cities can be immediately defined by a specific style, Toronto is distinguished instead by a fusion of contemporary architecture, heritage preservation and sustainable urban design. A true mosaic of architecture and culture, Toronto is a city learning to recognise and celebrate its diversity – it is a city set to rediscover itself. "Design city : Toronto" showcases over thirty exemplary contemporary interior and architectural projects, both complete and underway. These range from hip restaurants and bars by Toronto-based practices to major institutional buildings completed by the likes of Will Alsop, Behnisch, Behnisch & Partners, Foster and Partners, Frank Gehry, Kuwabara Payne McKenna Blumberg and Daniel Libeskind. Written in an engaging and lively manner, the book is illustrated with new photography by Tom Arban. It also provides a neighbourhood overview and biographies of featured designers.
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March 2007, Chichester
Architecture in Canada
Hollaway: From now on
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Hollaway is an architectural and interior design practice that embraces the past, the present, and the future and places people and feeling at the core of its architecture philosophy. The RIBA award-winning practice has built its reputation working on a wide array of projects, including a cutting-edge skate park, the world’s first heritage theme park, a bespoke artist’s(...)
Hollaway: From now on
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Hollaway is an architectural and interior design practice that embraces the past, the present, and the future and places people and feeling at the core of its architecture philosophy. The RIBA award-winning practice has built its reputation working on a wide array of projects, including a cutting-edge skate park, the world’s first heritage theme park, a bespoke artist’s studio in an open field, and a high-end seafood restaurant. They were also one of the first to install a tubular steel slide in an office redesign, and the chosen architects for the replanning of an entire town. The breadth of these projects may be wide, but each one brings the perfect balance of playfulness and sincerity, with a firm focus on placemaking, sustainability and the experience of the individuals who will use the space. "From now on" documents Hollaway’s inspirational buildings, brought alive by glowing client testimonies. It also reflects on where the practice has evolved from, where it finds itself today, and what the challenges of tomorrow demand of it – told in the words of those who make it what it was, is, and will become. A must for modern architecture lovers or anyone who is interested in seeing creative ideas made possible.
Architecture Monographs
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The ethics of building
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Mario Botta's villas, schools, banks, office and administrative buildings, museums and churches are structures of extraordinary visual power. How do they come into being? What are the foundations and constants in Botta's design process? What are the (...)
The ethics of building
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Mario Botta's villas, schools, banks, office and administrative buildings, museums and churches are structures of extraordinary visual power. How do they come into being? What are the foundations and constants in Botta's design process? What are the convictions behind them and the experiences derived from thirty years of creative work? This book answers these questions in three chapters, revolving around the themes of city, architecture and design. To Botta, the most primary and important task of the house is to protect and comfort; it is the place where the individual can find himself. Consequently, Botta describes the city as the "house» of a community, a house which should permit the most varied of interactions. The design in either of these two realms should never disregard the other. The architect must not forget that one of his essential tasks is to enrich the city that all too often threatens to deteriorate into an agglomerate. Architecture that deserves its name is "pensieri costruiti»: constructed ideas; it therefore does not limit itself to the functional and the pragmatic, but holds a beacon pointing to what already exists. When it comes to his furniture designs, Botta is fascinated by the tension between unchanging function and the persistent search for new aesthetic interpretation.
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October 1997, Basel
Architecture Monographs
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the(...)
Black turtleneck, round glasses
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the discipline make it difficult for women to remain in the profession. As a result, a great deal of highly trained talent is lost. This book uses an intersectional feminist perspective to examine the structural causes that push women—and anyone else who isn’t a white cis man—out of the field. How can architectural teaching and discourse, as well as the industry’s self-image, become more diverse? Where are the experiences of a pluralistic society missing from the built environment? How can we bring about cultural change in planning and architecture?
Gender Theory in Architecture
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''Living in nature'' showcases a selection of architect-designed houses that have something fundamental in common: a special relationship with the natural world. Each of the book's 50 homes is carefully chosen for its stunning location, whether cocooned within the earth itself or soaring high amongst treetops, surrounded by cooling waters, or resisting the desert heat.(...)
Living in nature: contemporary houses in the natural world
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''Living in nature'' showcases a selection of architect-designed houses that have something fundamental in common: a special relationship with the natural world. Each of the book's 50 homes is carefully chosen for its stunning location, whether cocooned within the earth itself or soaring high amongst treetops, surrounded by cooling waters, or resisting the desert heat. With a wealth of photographs showcasing each house inside and out, ''Living in nature'' offers inspiration — and tranquillity.
Residential Architecture
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
Architecture since 1900, Europe
December 2023
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
Architecture since 1900, Europe
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature(...)
Last landscapes : the architecture of the cemetery in the west
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery 'Beth Haim' at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture ‘began with the tomb', yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Gardens
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The Bank of England symbolizes the economic strength, influence, and potency of Britain. Founded in 1694, its world-famous buildings were built and rebuilt four times by different architects, most notably Sir John Soane. The Bank’s three-and-a-quarter-acre complex has included elegant public banking halls and private offices, courtyards and gardens, warehouses and vaults,(...)
History until 1900
January 1900, New Haven and London
Building the bank of England : money, architecture, society 1694-1942
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The Bank of England symbolizes the economic strength, influence, and potency of Britain. Founded in 1694, its world-famous buildings were built and rebuilt four times by different architects, most notably Sir John Soane. The Bank’s three-and-a-quarter-acre complex has included elegant public banking halls and private offices, courtyards and gardens, warehouses and vaults, residential apartments and guards’ barracks. This illustrated book examines for the first time the entire architectural history of the Bank from the seventeenth through the twentieth centuries. Drawing on a variety of perspectives, the book relates the history of the Bank of England to current debates on English economic, social, and urban history, including issues of national identity, mercantile politics, and the commercialization of culture. The book also shows how the building itself has expressed various historical tensions among the Bank’s inhabitants and publics: its directors and detractors, its clerks and clientele, its tourists, and even its mob attackers.
History until 1900
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228 pages : illustrations (chiefly color) ; 23 x 24 cm
New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.
Moving pictures : contemporary photography and video from the Guggenheim Museum collections / [essays by John G. Hanhardt and Nancy Spector ; organized by Lisa Dennison, Nancy Spector, and Joan Young].
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228 pages : illustrations (chiefly color) ; 23 x 24 cm
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New York : Solomon R. Guggenheim Museum ; London : Thames & Hudson ; New York : [Distributed by] D.A.P./Distributed Art Publishers, ©2003.