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In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)—later the author of the classics "Space, Time and Architecture" (1941) and "Mechanization Takes Command" (1948)—issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an(...)
Sigfried Giedion: Liberated dwelling (Befreites Wohnen)
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In 1929, the great Swiss historian and architecture critic Sigfried Giedion (1888–1968)—later the author of the classics "Space, Time and Architecture" (1941) and "Mechanization Takes Command" (1948)—issued Befreites Wohnen (Liberated Dwelling), a small but vocal architecture manifesto and an early expression of modernist housing ideology. From the vision of an international architectural modernism (a mission with which Giedion was involved as the first secretary-general of the International Congresses of Modern Architecture, between 1928 and 1959) to debates on the industrialization of construction processes and their impact on public housing, Liberated Dwelling expresses the dreams and anxieties of early 20th-century modernist architecture.
Architectural Theory
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the(...)
Le Corbusier: drawing as process
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Charles-Édouard Jeanneret, known as Le Corbusier (1887–1965), is famous for transforming 20th-century architecture and urbanism. Less attention has been paid to his artistic production, although he began his career as a painter. Le Corbusier indeed studied under Charles L’Éplattenier and, together with the artist Amédée Ozenfant, founded the Purist movement in the manifesto After Cubism. Even after Le Corbusier turned to architecture, he continued to paint and draw. His thousands of drawings, rarely exhibited but meticulously stored in two watch cabinets from his family home, were particularly significant; he considered his work as a draftsman to be fundamental to his creative process.
Architecture Monographs
In praise of the bicycle
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In 'In Praise of the Bicycle', Augé takes us on a personal journey of his own, on a two-wheeled ride around our cities, and on a journey into ourselves. We all remember the thrill of riding a bike for the first time and the joys of cycling. Here he reminds us that these memories are not just personal, but rooted in a time and a place, in a history that is shared with(...)
In praise of the bicycle
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In 'In Praise of the Bicycle', Augé takes us on a personal journey of his own, on a two-wheeled ride around our cities, and on a journey into ourselves. We all remember the thrill of riding a bike for the first time and the joys of cycling. Here he reminds us that these memories are not just personal, but rooted in a time and a place, in a history that is shared with millions of others. Part memoir, part manifesto, Augé celebrates cycling as a way of reconnecting with the places in which we live, and, ultimately, as a necessary alternative to our disconnected world.
Journeys
In defense of lost causes
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Is global emancipation a lost cause? Are universal values outdated relics of an earlier age? In the postmodern world, ideologies of all kinds have been cast in doubt. In this combative new work, renowned theorist Slavoj Zizek takes on the reigning postmodern agenda with a manifesto for several "lost causes". From a provocative redemption of Heideggers engagement with the(...)
In defense of lost causes
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Is global emancipation a lost cause? Are universal values outdated relics of an earlier age? In the postmodern world, ideologies of all kinds have been cast in doubt. In this combative new work, renowned theorist Slavoj Zizek takes on the reigning postmodern agenda with a manifesto for several "lost causes". From a provocative redemption of Heideggers engagement with the Third Reich as "a right step in the wrong direction" to reasserting class struggle as the underlying reality of global capitalism, to a defense of the emancipatory legacy of Christianity against New Age spiritualism, Zizek confronts the failures of contemporary theory and proposes unexpected resolutions.
Critical Theory
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Is the present obsession with the icon and the promotion of image over substance symptomatic of a general trend in contemporary architecture? Arup Associates provides the alternative: unified design. This straightforward, critical reflection on contemporary architecture - a manifesto of sorts, polemical in parts, philosophical; and determined to set an honest agenda - is(...)
Unified design Arup associates
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Is the present obsession with the icon and the promotion of image over substance symptomatic of a general trend in contemporary architecture? Arup Associates provides the alternative: unified design. This straightforward, critical reflection on contemporary architecture - a manifesto of sorts, polemical in parts, philosophical; and determined to set an honest agenda - is divided into three sections. First, an explanation of unified design. Next, a demonstration of the sustainable agenda that is a the heart of this practice. Finally, a complementary series of essays by respected commentators outside of the practice place the vision of people-focused design in the context of other critical social thought.
Architecture Monographs
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American Surrealist artist Dorothea Tanning worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces(...)
Dorothea Tanning: Doesn't the paint say it all?
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American Surrealist artist Dorothea Tanning worked across painting, sculpture, printmaking, installation and writing over the course of seven decades, producing one of the 20th century’s most enigmatic oeuvres. This fully illustrated catalog highlights Tanning’s works created between the 1950s and ’90s, a particularly fruitful period in the artist’s career, and traces her stylistic arc through over 20 significant paintings drawn from interrelated phases of the artist’s practice. Scholars Mary Ann Caws, Victoria Carruthers and Kate Conley contribute essays to the volume; additionally, it reproduces Tanning’s 1986 essay "To Paint," a poetic and impassioned manifesto on painting and Surrealism. The catalog takes its title from the last line of this text.
Contemporary Art Monographs
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites(...)
Didier Fiuza Faustino: misarchitectures
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Didier Fiuza Faustino: misarchitectures brings together for the first time the entire work of Didier Faustino and his office Bureau des Mesarchitectures. Through drawings, diagrams, photographs and essays this part-monograph part-manifesto explores the ideas that drive Faustino’s architectural and artistic works: the political and ethical conditions for constructing sites and spaces within the socio-cultural layout of the city, and in particular how to critically approach the problem of the body in both private and public space. At the same time, the book revisits Faustino’s projects – from sculptures and installations, to public art, architectures and books – up to his most recent work, offering new insight into the architect’s perspective.
Architecture Monographs
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a(...)
Five footnotes toward an architecture
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On the occasion of his fifth and final year as Chair of the Department of Architecture at the Harvard University Graduate School of Design, architect and educator Mark Lee strings together five “footnotes”—on history, on cadence, on autonomy, on America, and on point—to assess the relationship between architectural education, research, and professional practice. Evoking a similar position that marked his tenure, Lee delivers a lecture that embraces dialogue, context, and precedent, and rejects the notion of a heroic manifesto in favor of the footnote: “something ancillary, something used for referencing and providing citations for metanarratives that already exist.” And why five? “It’s a ubiquitous number in the culture of architecture. Five orders, five architects, five points.”
Architectural Theory
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In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and(...)
Radical museology: or what's contemporary in museums of contemporary art?
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In Radical Museology, New York–based art historian Claire Bishop argues that the incommensurability of fiscal and cultural temporality--one fast, the other slower--points to an alternative world of values in which museums (and by extension, culture, education and democracy in general) are not subject to the banalities of a spreadsheet, but enable us to access a rich and diverse history, to question the present and to realize a different future. She discusses creative solutions implemented at the Van Abbemuseum in Eindhoven, the Museo Nacional de Reina Sofía in Madrid and MSUM in Ljubljana. This book is a manifesto for the importance of a politicized representation of the contemporary in today’s art.
Museology
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes(...)
Besides, history: Go Hasegawa, Kersten Geers, David Van Severen
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What role can history play in contemporary architecture practice? ''Besides, History: Go Hasegawa, Kersten Geers, David Van Severen'' invites three architects to reread, redraw, translate, and appropriate from the past and from each other in order to construct relationships between and meanings out of a constellation of references. In their conversations, history becomes a tool that can be used in production, rather than just an object of study. The book features newly produced plans, sections, models, and perspectives for projects by Go Hasegawa and OFFICE Kersten Geers David Van Severen, juxtaposed with reference material chosen from the CCA Collection. Introduced and annotated by the architects, these images form a visual manifesto for a unique relationship to history.
CCA Publications