books
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xliii, 372 pages : illustrations ; 23 cm.
Montreal : Concordia University Press, 2024., ©2024
Tracings : writing art, 1975-2020 / Ian Carr-Harris.
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Description:
xliii, 372 pages : illustrations ; 23 cm.
books
Montreal : Concordia University Press, 2024., ©2024
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table(...)
Contemporary Asian Architecture
January 2008, Barcelona
Mad Dinner
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"In China, we like to sit around a big round table for dinner. We place our dishes on a big spinning disk in the center of the table so that we can all reach the food. Everyone, whether or not he or she has anything to say, and every discussion, whether it is important or not, has an equal place around the table. We hope to have such a dinner and to invite to our table those who don't usually come together in real life to share their experiences, opinions, and observations. Their concerns are really also our concerns." Mad Dinner MAD is a Beijing-based studio that has won numerous international design competitions, including the Absolute Tower in Toronto. Divided thematically, the book looks at MADs designs to illustrate the freedoms and limitations of the worlds fastest growing urbanization. It explores idealism and free market realities, the role of the media and cultural icons, enacting change in Chinas political landscape, and projects for environmental protection. A journalistic approach with a series of interviews reconnects architecture to the daily cultural landscape: A taxi driver speaks on China's economy, a doctor describes his ideal architecture.
Contemporary Asian Architecture
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As(...)
The north end
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Award-winning documentary maker John Paskievich has made his name making films about places and people throughout the world. His films made for the National Film Board have chronicled groups as different as young Czechs trying to be North American Indians, the impoverished Roma community in Slovakia, and an isolated group of Orthodox Russians on the Canadian prairies. As a filmmaker, his work has been shown at film festivals throughout North America and Europe, including the Cannes Film Festival and the Toronto Festival of Festivals. In "The North End", Paskievich returns to his first love, photography. His lyrical black and white photographs chronicle a community closer to home, the iconic Winnipeg neighbourhood in which he grew up. Winnipeg’s North End is the great Canadian melting pot, the place "north of the tracks" that welcomed waves of immigrants from central and eastern Europe at the turn of the last century. It is a place that spawned some of Canada’s greatest cultural events and personalities, from the Winnipeg General Strike to the Guess Who. Paskievich captures the vibrancy and conflicts of the North End and other urban spaces like it, places where history, poverty, and resilience come together.
Photography monographs
General Idea
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral,(...)
General Idea
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$105.00
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This 768-page volume stands as the most comprehensive source on the Canadian collective General Idea, founded in Toronto in 1969 by Felix Partz, Jorge Zontal and AA Bronson and active until the deaths of Partz and Zontal in 1994. The book is arranged in three parts: Performances and Actions, In the Streets and In the Showroom. The first two parts focus on ephemeral, time-based and even disposable works. The third part includes a plate section offering a near-complete visual survey of General Idea's practice. Facing-page comparative images show works as they appeared in historical installations or other relevant contexts. These three sections correspond broadly to the collective’s development: from performances, actions, pageants and other practices (1969–78), through works engaging with mass-media formats such as the magazine, television and video (1972–’80s), and finally to works conceived for galleries and museums (1985–94). The publication features a prologue by AA Bronson, a conversation between him and Beatrix Ruf, and new texts by international scholars. The appendix includes a complete scholarly bibliography, exhibition and performance histories, and an illustrated chronology of the group.
Canadian art
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The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing(...)
The transatlantic collapse of urban renewal: postwar urbanism from New York to Berlin
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The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing responses to the challenging issues that most affected the lives of the world’s cities. In the postwar decades, the principles of modernist planning came to be challenged—in the grassroots revolts against the building of freeways through urban neighborhoods, for instance, or by academic critiques of slum clearance policy agendas—and then began to collapse entirely. Over the 1960s, several alternative views of city life emerged among neighborhood activists, New Left social scientists, and neoconservative critics. Ultimately, while a pessimistic view of urban crisis may have won out in the United States and Great Britain, Klemek demonstrates that other countries more successfully harmonized urban renewal and its alternatives. This much anticipated book provides one of the first truly international perspectives on issues central to historians and planners alike, making it essential reading for anyone engaged with either field.
Urban Theory
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have(...)
January 2012
Traffic : conceptual art in Canada, 1965-1980
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The first book to look extensively at conceptualism in Canada, published to accompany a touring exhibition. The most transformative art movement of the late 20th century, conceptual art became a global phenomenon long before it was popularized by a new generation of artists and institutions in the early 21st century. Its various manifestations in Canada, however, have remained a limited concern, a whispered art history circulated among artists and writers primarily in alternative publications and artist-run centres. Traffic: Conceptual Art in Canada 1965-1980 is the first publication and exhibition to track the complex, rigorous and diverse manifestations of conceptual art in the country. Presenting work by more than 90 artists, Traffic examines the particular local and geographic needs and interests enacted by individual artists, collectives and art communities from across the country. The book includes essays by six curators, a conversation with an international group of scholars, an annotated chronology and many reproductions of conceptual artworks produced in Canada. Co-published by the Vancouver Art Gallery, Art Gallery of Alberta, Justina M. Barnicke Gallery (Hart House, University of Toronto), Leonard & Bina Ellen Gallery (Concordia University) and Halifax, INK
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The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing(...)
The transatlantic collapse of urban renewal : postwar urbanism from New York to Berlin
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$27.95
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The Transatlantic Collapse of Urban Renewal examines how postwar thinkers from both sides of the Atlantic considered urban landscapes radically changed by the political and physical realities of sprawl, urban decay, and urban renewal. With a sweep that encompasses New York, London, Berlin, Philadelphia, and Toronto, among others, Christopher Klemek traces changing responses to the challenging issues that most affected the lives of the world’s cities. In the postwar decades, the principles of modernist planning came to be challenged — in the grassroots revolts against the building of freeways through urban neighborhoods, for instance, or by academic critiques of slum clearance policy agendas — and then began to collapse entirely. Over the 1960s, several alternative views of city life emerged among neighborhood activists, New Left social scientists, and neoconservative critics. Ultimately, while a pessimistic view of urban crisis may have won out in the United States and Great Britain, Klemek demonstrates that other countries more successfully harmonized urban renewal and its alternatives. This much anticipated book provides one of the first truly international perspectives on issues central to historians and planners alike, making it essential reading for anyone engaged with either field.
Urban Theory
Walking home
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From a youth spent in the boroughs of New York City and other great cities of the world, to his beginnings as an architect in Toronto, Ken Greenberg has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be(...)
Walking home
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From a youth spent in the boroughs of New York City and other great cities of the world, to his beginnings as an architect in Toronto, Ken Greenberg has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability.Ken Greenberg has not only advocated for the renewal of downtown cores, he has for thirty years designed the very means by which that renewal can happen. Walking Home is both Ken's story and a lesson in turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.
Urban Theory
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Increasingly and forebodingly, contemporary artists are turning their attention to the subject of climate change, in poignant and often confrontational ways. "The edge of the Earth: climate change in photography and video" explores recent and historic work in the context of present-day environmental concerns, considering the future consequences of the age of the(...)
Environment and environmental theory
November 2016
The edge of the earth: climate change in photography and video
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Increasingly and forebodingly, contemporary artists are turning their attention to the subject of climate change, in poignant and often confrontational ways. "The edge of the Earth: climate change in photography and video" explores recent and historic work in the context of present-day environmental concerns, considering the future consequences of the age of the anthropocene, and humanity's harsh imprint on our planet. "The edge of the Earth" accompanies a major exhibition at the Ryerson Image Centre in Toronto, and includes works by pioneering and renowned artists such as Edward Burtynsky, Naoya Hatakeyama, Richard Misrach and Robert Rauschenberg; critical propositions on present situations by Chris Jordan, Gideon Mendel and Brandi Merolla; plus visionary works by Jean-Pierre Aube, Adrien Missika, Evariste Richer and Andreas Rutkauskas. Photojournalism from the RIC s Black Star Collection is also included, contextualising artistic reflections within half a century of historical reportage on the environment. Produced as a large-format book with high-quality reproductions throughout, "The edge of the Earth" includes critical texts by Benedicte Ramade and TJ Demos and an introduction by Paul Roth. This critical overview offers the insight of artists into the present climate crisis, with the motive of prompting reconsideration of our increasingly perilous relationship to our planet.
Environment and environmental theory
Elisabeth Wild: Fantasias
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
Elisabeth Wild: Fantasias
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$47.95
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Contemporary Art Monographs