Book of ruins
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when(...)
Architectural Theory
September 2022
Book of ruins
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''Book of ruins'' offers a survey – not encyclopedic, but substantial – of leading moments when the fact and idea of ruins were taken up by writers, travellers and artists: painters, film makers, landscape architects, and architects. Gathering together short texts and extracts that describe and reflect on ruins, dating from remote antiquity (Scipio shedding tears when viewing the destruction of Carthage) to present times (the ruins of a modern city, portrayed in the film ''Requiem for Detroit''), it provides a perspective upon what the past has meant to different cultures at different times. Following an introductory essay, the book includes 70 entries, chronologically ordered, each including an indicative image (or two), an introductory commentary by the authors, and the text itself. The texts come from designers (from Bernini through Piranesi to David Chipperfield) as well as other artists (John Piper), and from literary figures (Goethe, Wordsworth, Byron and Shelley, Hugo, and Hardy). It concludes by discussing what we do with ruins by way of preservation, conservation, adaptive reuse and appropriation, and contemporary loss and ruin, as illustrated by 9/11 and the Neues Museum and highlighting the continuing relevance of the ruin.
Architectural Theory
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This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel(...)
The deepest sense: a cultural history of touch
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This publication fleshes out our understanding of the past with explorations of lived experiences of embodiment from the middle ages to modernity. This intimate approach to history makes it possible to foreground the tactile foundations of Western culture -the ways in which feelings shaped society. Constance Classen explores a variety of tactile realms including the feel of the medieval city; the tactile appeal of relics; the social histories of pain, pleasure, and affection; the bonds of touch between humans and animals; the strenuous excitement of sports such as wrestling and jousting; and the sensuous attractions of consumer culture. She delves into a range of vital issues, from the uses--and prohibitions--of touch in social interaction to the disciplining of the body by the modern state, from the changing feel of the urban landscape to the technologization of touch in modernity.
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group(...)
Utopia deferred : Jean Baudrillard, writings for Utopie (1967-1978)
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The Utopie group was born in 1966 at Henri Lefebvre's house in the Pyrenees. The eponymous journal edited by Hubert Tonka brought together sociologists Jean Baudrillard, René Lourau, and Catherine Cot, architects Jean Aubert, Jean-Paul Jungmann, Antoine Stinco, and landscape architect Isabelle Auricoste. Over the next decade, both in theory and in practice, the group articulated a radical ultra-leftist critique of architecture, urbanism, and everyday life. "Utopia deferred" collects all of the essays Jean Baudrillard published in Utopie as well as recent interviews with Jean Baudrillard and Hubert Tonka. Utopie served as a workshop for Baudrillard's thought. Many of the essays he first published in Utopie were seminal for some of his books: "For a critique of the political economy of the sign", "The mirror of production", "Simulations", "Symbolic exchange and death", and "In the shadow of the silent majorities". But Utopie was also a topical journal and a political one; the topics of these essays are often torn from the headlines of the tumultuous decade following the uprisings of May 1968.
Critical Theory
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a(...)
Do you remember how perfect everything was?: the work of Zoe Zenghelis
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Born in Athens in 1937, Zoe Zenghelis began her career as a founding member of Office for Metropolitan Architecture (OMA), where her contributions created new opportunities for the group at the vanguard of architectural representation. Within, alongside and beyond this collaboration, Zenghelis developed a body of work exhibiting a playful and iconoclastic evocation of a very particular urban form – one that is perhaps a surreal mix of the Aegean landscape of her youth and metropolitan cities such as Paris, Berlin, New York or London. She has lived and worked in the latter since 1955. This book traces the development of Zenghelis’ artistic career through her paintings, projects and teaching. Published to accompany her first major retrospective exhibition, this monograph assembles an extensive selection of Zenghelis’ work from the early 1960s to 2020, alongside a unique collection of her paintings as a member of OMA. Containing a number of studies, sketches and archival documents, it reviews the working process behind Zenghelis’ OMA projects and teaching methods at the Architectural Association.
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Michael Wolf achieved fame when he won the 2005 World Press Photo with his China, Factory of the World project, and the 2010 World Press Photo with Tokyo Compression. The present book offers his personal take on the French capital. Singling out typical architectural features of the Parisian landscape he renders the seemingly banal immortal. Roofs, chimneys, and lights(...)
Paris
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Michael Wolf achieved fame when he won the 2005 World Press Photo with his China, Factory of the World project, and the 2010 World Press Photo with Tokyo Compression. The present book offers his personal take on the French capital. Singling out typical architectural features of the Parisian landscape he renders the seemingly banal immortal. Roofs, chimneys, and lights provide the pictures with rhythm, with their colors, shapes, and above all their volumes. Wolf invites the reader to enter his highly distinctive visual world and let his gaze follow the snaking lines of walls and gutters, dwelling on unexpected details lovingly picked out. The photographer's underlying desire is to encourage us to consider the environmental and architectural context that provides a framework for all these rigorously rectangular features. This dreamlike journey into a Paris viewed from the rooftops is underlined in the second part of the book. The shadows of trees decorate the façades of various buildings, creating a visual poetry and prompting an intimate dialogue where, in the absence of all human presence, nature and architecture blend into one another.
Photography monographs
1972: Nakagin Capsule Tower
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual(...)
1972: Nakagin Capsule Tower
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In the city of Tokyo, a building stands as an anachronism in relation to the surrounding urban landscape. The building in question is the Nakagin Capsule Tower designed by Kisho Kurokawa (1934 – 2007), one of the founders of an influential architectural movement in the 1960s called Metabolism. The movement’s aim was to formulate flexible designs that facilitate continual growth and renewal of architecture. As the first capsule apartment in history constructed for everyday use, the Nakagin Capsule Tower is considered the most ambitious attempt in implementing the principles of Metabolism. Kurokawa attached the building with 140 removable capsules to promote modifications to the structure over time, theoretically improving its capacity to adjust to the rapidly changing conditions of the post-industrial society. When the building first opened in March of 1972, it was advertised in the media to signal “the dawn of the capsule age.” At the time, Kurokawa had additional capsule projects planned in the coming years and predicted the mass production of these living unit. Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.
Photography monographs
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On the High Line, first published in 2012, is an engaging guide to everything a visitor sees when strolling through the park: the innovative gardens and their thousands of native and exotic plant species; the architecture, both old and new, industrial and residential; and a neighborhood whose colorful history includes the birth of the railroad, the Manhattan Project, S(...)
On the high line: exploring America's most original urban park
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On the High Line, first published in 2012, is an engaging guide to everything a visitor sees when strolling through the park: the innovative gardens and their thousands of native and exotic plant species; the architecture, both old and new, industrial and residential; and a neighborhood whose colorful history includes the birth of the railroad, the Manhattan Project, S clubs, and the legendary Tenth Avenue Cowboy. This updated edition includes sixteen new pages devoted to the final section of the park, with original photography, design renderings, and a new essay by Rick Darke. The book has also been updated throughout to reflect dozens of changes in the neighborhood since first publication.
Urban Landscapes
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Demonstrating how cartography is a valuable instrument for urban research, this cartographic book reveals the impact of infrastructure on a region's development in an original manner. Bieke Cattoor has mapped and analysed the roads, railways and communications network of Belgium's Kortrijk region, overlaying them with historical and topical information. With this(...)
Figures, Infrastructures: an atlas of roads and railways
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Demonstrating how cartography is a valuable instrument for urban research, this cartographic book reveals the impact of infrastructure on a region's development in an original manner. Bieke Cattoor has mapped and analysed the roads, railways and communications network of Belgium's Kortrijk region, overlaying them with historical and topical information. With this perspective, the varied elements in an infrastructural network are clarified, and Cattoor identifies how roads and railways form related patterns and lead to nodes. The book reveals the complexity of our layered urban landscape with a new and simple representational method, and suggests how this method can be deployed in urban research as a whole.
Architectural Plans and Cartography
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of(...)
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of modernism) in favor of a local style, becomes a practice of the highest order in the hands of Rose, one of America's most accomplished young architects. With both the rigor of geometry and a commitment to ecosensitivity, his work is as attuned to the dense urban fabric of New York City as it is to the rural outback of Wyoming. The profile of his award-winning Camp Paint Rock in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow.
sale books
Nils Norman: Edible park
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In a public park in the Hague, British artist Nils Norman (born 1966) has devised an unusual work of art: one that grows and blossoms and produces delicious fruit and vegetables. Norman's "Edible Park" was developed using the principles of permaculture, a form of vegetable gardening in which different plants are combined in such a way that they complement one another's(...)
Nils Norman: Edible park
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In a public park in the Hague, British artist Nils Norman (born 1966) has devised an unusual work of art: one that grows and blossoms and produces delicious fruit and vegetables. Norman's "Edible Park" was developed using the principles of permaculture, a form of vegetable gardening in which different plants are combined in such a way that they complement one another's needs as they grow. More than just a gardening model, permaculture is a nature-based design philosophy that can be used as a guide for architecture, product design and to improve society in general. In Edible Park, Norman explains his methods, his sources of inspiration and the artistic and social-critical context around his work.
Urban Landscapes