Zukunft Schulbau
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The construction and design of school buildings in Germany faces major challenges. Particularly in metropolitan areas, student numbers are continuously rising and, according to all forecasts, population growth is set to continue in the coming years. This is why new school buildings, including extensions and renovations of existing school buildings, are one of the central(...)
Zukunft Schulbau
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The construction and design of school buildings in Germany faces major challenges. Particularly in metropolitan areas, student numbers are continuously rising and, according to all forecasts, population growth is set to continue in the coming years. This is why new school buildings, including extensions and renovations of existing school buildings, are one of the central topics of investment policy throughout Germany today. Approximately 5.5 billion euros will be spent from 2017 to 2026 on the refurbishment and/or expansion of existing schools; about 40 new school buildings will be erected. Against this backdrop, the exhibition initiated and curated by Beate Engelhorn at Aedes Architecture Forum presents 12 contemporary school buildings in Europe that are exemplary for the implementation of current educational and urban planning models. The exhibition will be introduced by a two-day conference with numerous contributions from experts from Germany and abroad.
Commercial interiors, Building types
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
The pragmatist imagination: thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
Architecture and the imaginary
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did(...)
Architectural Theory
January 1900, Helsinki
Architecture and art: New visions, new strategies
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A compendium of lectures from the international architecture conference in 2005, Architecture + Art: New Visions, New Strategies looks at the fertile overlap between two competing (and complementary) disciplines. Published by the Alvar Aalto Academy, the essays explore the history of the border between art and architecture, from Aalto to Gordon Matta-Clark. What role did art play in the history of modern architecture? How did architecture influence art? What’s the current state of the balance between the two fields? Illustrated with color photographs and black and white reproductions, with a foreward by Aalto Academy Professor Eeva-Lisa Pelkonen, the thought-provoking essays strive to illuminate the mystery of overlap, from Le Corbusier to Donald Judd. In a world where Frank Gehry claims architecture is art against Richard Serra’s wishes, it’s refreshing to learn there’s more than one viewpoint at the table. The most recent publication from the Academy’s forward-thinking conferences held every summer in Finland.
Architectural Theory
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued(...)
After the city, this (is how we live)
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L.A. Forum’s new publication gives an insider view into the real world of real estate development in Southern California. Using the structure of a screenplay to tell the story, architect Tom Marble takes the reader inside the minds of the people on both sides of the development conflict – those seeing land as a commodity for profit, and those who see it as a valued resource for all to enjoy. Having spent time negotiating on both sides of the conference table, Marble goes beyond the usual debates over New Urbanism vs. Sprawl vs. Whatever-The-Next-Thing-Is to share his unique perspective, shedding light on the goals and motivations of all parties embroiled in defining how we live in a post-urban, consumer-driven economy. A total of 32 color images accompany the text to further engage the reader in the pivotal dialogue regarding the success or failure of the master-planned community.
Urban Theory
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore,(...)
Like origami gone wrong
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Simon Dybbroe M0ller's first monograph folds Modernist art history into something new. His interest stems in part from personal nostalgia and in part from intellectual fascination; he once told an interviewer, "You and I grew up in a society where a certain kind of provincial Modernism has had a major influence on how schools are constructed and everything. Furthermore, Modernism represents--and I guess it is almost a cliche to say--the last period of utopia, and a belief in actually producing truths." One installation, a darkened room with scattered light sources and projection screens, recalls both a party and the fusty setting of an academic conference; in another, a portrait of Le Corbusier emerges from a stain in the ceiling. Frieze magazine has called Moller's celebration of both the past and the uninterrupted march of artistic progress "a welcome alternative to thinking about art history as a daunting public library with strict rules for readers."
Contemporary Art Monographs
books
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
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November 2008
Contemporary Art Monographs
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la(...)
January 2001, Paris
Façadisme et identité urbaine - Façadism and urban identity
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Ces actes rendent compte des réflexions soulevées lors du colloque international "Facadisme et identité urbaine" organisé par la Direction de l'architecture et du patrimoine et Icomos international, en janvier 1999 à Paris. L'ouvrage pose le problème du développement du façadisme en Europe et au-delà, et analyse les expériences mises en place pour en conserver la maîtrise dans le centre des villes. Articulé autour de trois grands axes, il explore les différents aspects de l'histoire du traitement des façades et de leurs fonctions. These proceedings give an account of the issues raised during the international conference "Façadism and Urban Identity" organized by the Department of Architecture and Heritage and Icomos International during January 1999 in Paris. Putting forward the question of the development of façadism in Europe and beyond, this work also analyses the measures adopted to bring it under control in the city centres. Centred on three main themes, various aspects in the history of the treatment of façades and their function are explored.
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This book is based on a conference sponsored by the National Endowment for the Arts with the Woodrow Wilson Center concerning strategies for the reuse of dead malls in America's first-ring suburbs. Originally celebrated as community centers, the substantial commercial success of the early suburban shopping center was fleeting, as subsequent generations of ever-larger(...)
small format
September 2002, Washington, D.C.
Sprawl and public space : redressing the mall
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This book is based on a conference sponsored by the National Endowment for the Arts with the Woodrow Wilson Center concerning strategies for the reuse of dead malls in America's first-ring suburbs. Originally celebrated as community centers, the substantial commercial success of the early suburban shopping center was fleeting, as subsequent generations of ever-larger malls have left behind a landscape of struggling and boarded- up shells. This pervasive condition is presented in the context of the history of public space and the shopping mall. The book includes essays by Robert Fishman, Benjamin Barber and Margaret Crawford and innovative projects for the strip and mixed-use developments by such architects as RoTo, Lewis, Tsurumaki, Lewis, ShoP and Gary Handel + Associates. A roundtable with developers and bankers on obstacles to the redevelopment of failed shopping centers is also included. The review of case studies and projective work is intended to foster a more serious examination of new models for making and using public space.
small format
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where(...)
Green Architecture
September 2023
Reconstructing the future: Cities as carbon sinks
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The built environment is a critical factor in the climate equation. Approximately 40 percent of global emissions derive from the construction, operation, and demolition of human settlements. The 21st century must be the century of re-entanglement, where quintessential functions (housing, work, culture, recreation, etc.) are reintegrated within urban spaces; where socioeconomic and ecological systems form a mutually supportive network of networks; and where past, present, and future are perceived as interwoven waves in the river of time. Fortunately, opportunities exist to transform the built environment from a carbon source to a carbon sink through, e.g. timber construction high-rise buildings, circular bioeconomy methods, AI-assisted design, smart recycling technology, multifunctional land use, integrated regional resource management, and community-based urban development, to name just a few. This volume compiles the papers presented by world-renowned scientists, architects, spatial planners, activists, and policy makers at the Reconstructing the Future for People and Planet conference, held at the Vatican in June 2022.
Green Architecture
Andreas Schmidt : the city
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Andreas Schmidt captures clear-sighted images on his nighttime rambles through the City of London — the historical heart of the city and one of the world’s financial centers. As was the case in his photobook Las Vegas, which dealt with another glittering, superficial world, here he also documents the seductive glamour of urban financial palaces while never losing sight of(...)
Andreas Schmidt : the city
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Andreas Schmidt captures clear-sighted images on his nighttime rambles through the City of London — the historical heart of the city and one of the world’s financial centers. As was the case in his photobook Las Vegas, which dealt with another glittering, superficial world, here he also documents the seductive glamour of urban financial palaces while never losing sight of their inhuman exorbitance. Although hundreds of thousands of people work in the City, its dimensions are not human. Everything is oversized, made of steel, glass, and marble, and decorated with mindless ornamental elements. Only emergency exits or indoor plants are of normal size, and they look absurd next to everything else. Empty lobbies, conference rooms, and endless corridors conform to corporate design, but primarily emanate power and coldness. As the cover of the book attests, the venerable Bank of England long ago began fitting itself out with enormous grandeur : the Neoclassical façade by Sir John Soane (1828) was regarded as an insurmountable barrier for unauthorized persons.
Photography monographs