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Geomedia offers critical analysis of the new possibilities and power relations emerging in the public space of contemporary cities. As ubiquitous digital networks enable embedded and mobile devices to integrate place-specific data with real-time feedback circuits, everyday experience of public space has become subject to new demands. Looking beyond debates framed by the(...)
Geomedia: networked cities and the future of public space
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Geomedia offers critical analysis of the new possibilities and power relations emerging in the public space of contemporary cities. As ubiquitous digital networks enable embedded and mobile devices to integrate place-specific data with real-time feedback circuits, everyday experience of public space has become subject to new demands. Looking beyond debates framed by the dominance of surveillance and spectacle, McQuire asks: how might the kind of collaborative practices that have flourished in art and online cultures be translated into urban space? In the urban crisis of the 1960s, Henri Lefebvre argued that the capacity for a city’s inhabitants to actively appropriate the time and space of their surroundings was a critical dimension of modern democracy. What does it mean to speak of ‘the right to the city’ in the context of the networked city? Addressing this question through a series of case studies, this cutting-edge text highlights the tensions between citizen and consumer, communication and surveillance, participation and control, which define contemporary struggles over public space.
Urban Theory
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal,(...)
Steiner's Diary: on architecture since 1959
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This publication includes lectures; interviews; articles published in daily newspapers and magazines, and longer essays on a variety of topics. Steiner brings to his work a keen critical acumen that draws on decades of travel, research, and contact with renowned international architects, such as Rob Krier, Hermann Czech, Herzog & de Meuron, Rem Koolhaas, Lacaton + Vassal, Jon Jerde, Rural Studio, Wang Shu, and Alexander Brodsky. At the same time, his articles and essays are often amplified by personal observations and experiences. While paying tribute to a prolific scholar and critic, Steiner’s Diary takes readers through four decades of architectural history that represent some of the discipline’s most fascinating historical developments, and it will be welcomed by architects, architectural historians, and anyone with an interest in architecture’s role in society today.
Architectural Theory
Planet of slums
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In this book, Mike Davis explores the future of a radically unequal and explosively unstable urban world. From the sprawling barricadas of Lima to the garbage hills of Manila, urbanization has been disconnected from industrialization, and even from economic growth. Davis portrays a vast humanity warehoused in shantytowns and exiled from the formal world economy. He argues(...)
Planet of slums
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In this book, Mike Davis explores the future of a radically unequal and explosively unstable urban world. From the sprawling barricadas of Lima to the garbage hills of Manila, urbanization has been disconnected from industrialization, and even from economic growth. Davis portrays a vast humanity warehoused in shantytowns and exiled from the formal world economy. He argues that the rise of this informal urban proletariat is a wholly unforeseen development, and asks whether the great slums, as a terrified Victorian middle class once imagined, are volcanoes waiting to erupt.
Urban Theory
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose(...)
When site lost the plot
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The critical concept of site-specificity once seemed to harbour the potential for disruption. But site-specific work has become increasingly assimilated into the capitalist logic of regeneration and value creation. The materialist critique of the art object has been shortcircuited by the franchised idiosyncrasies of international nomad flâneurs. And on a planet whose entire surface is mapped and apped, the concept of ‘site’ itself becomes ever more problematic. How can we do justice to the particularity of local sites while unearthing their material conditions? What do a contemporary ‘geo-philosophy’ and the historical legacy of site-specific art have to offer each other? Can we develop methods for the controlled unpacking of the local into the global, avoiding trivial reconciliations between local sites and their global conditions? "When site lost the plot" charts some of the ways in which site continues to be a concern for contemporary practice; and introduces the concept of ‘plot’ as an alternative approach. Alongside artists discussing their practice and their approach to site and plot, contributors from various disciplines introduce concepts from cartography, mathematics, film, fiction, design, and philosophy.
Art Theory
Cave 1: Territories
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"Cave" is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.
Cave 1: Territories
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"Cave" is a series of publications dedicated to contemporary collecting. The first issue looks into the territory of the public collection considering it both a semantic ground for institutional collecting as well as political and cultural infrastructure.
Art Theory
Why the world does not exist
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Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else.(...)
Why the world does not exist
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Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else. This all-inclusive being does not exist and cannot exist. For the world itself is not found in the world. And even when we think about the world, the world about which we think is obviously not identical with the world in which we think. For, as we are thinking about the world, this is only a very small event in the world. Besides this, there are still innumerable other objects and events: rain showers, toothaches and the World Cup. Drawing on the recent history of philosophy, Gabriel asserts that the world cannot exist at all, because it is not found in the world. Yet with the exception of the world, everything else exists; even unicorns on the far side of the moon wearing police uniforms.
Critical Theory
l'Obsolescence
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Qu’est-ce que l’«obsolescence»? Parfois confondue avec l’idée d’inadaptation et parfois envisagée comme synonyme de péremption, citée ici dans un discours contre l’autodestruction programmée et invoquée là pour témoigner du caractère démodé ou désuet des objets… Ces dernières années, on aura entendu parler à tort et à travers de l’obsolescence. Que révèle cette confusion(...)
l'Obsolescence
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Qu’est-ce que l’«obsolescence»? Parfois confondue avec l’idée d’inadaptation et parfois envisagée comme synonyme de péremption, citée ici dans un discours contre l’autodestruction programmée et invoquée là pour témoigner du caractère démodé ou désuet des objets… Ces dernières années, on aura entendu parler à tort et à travers de l’obsolescence. Que révèle cette confusion sémantique? Et surtout quel sens attribuer en définitive à ce terme? Cet ouvrage s’attache à fonder la notion d’obsolescence de façon rigoureuse pour en déployer ensuite les potentialités critiques et leurs multiples résonances avec l’actualité. Ainsi, au fil des chapitres, sont envisagés et questionnés des champs et objets d’études variés, de la pensée de Günther Anders aux courants transhumantes, de la critique de l’«obsolescence programmée» à la discipline architecturale. Avec à chaque fois une même hypothèse: l’idée que l’obsolescence, entrevue comme figure de l’impossible, recèle aussi un formidable potentiel: une ressource incomparable pour relire sous un nouvel angle notre contemporain et ses enjeux.
Architectural Theory
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In this original book, Richard Higgins explores Thoreau’s deep connections to trees: his keen perception of them, the joy they gave him, the poetry he saw in them, his philosophical view of them, and how they fed his soul. His lively essays show that trees were a thread connecting all parts of Thoreau’s being—heart, mind, and spirit. Included are one hundred excerpts from(...)
Thoreau and the language of trees
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In this original book, Richard Higgins explores Thoreau’s deep connections to trees: his keen perception of them, the joy they gave him, the poetry he saw in them, his philosophical view of them, and how they fed his soul. His lively essays show that trees were a thread connecting all parts of Thoreau’s being—heart, mind, and spirit. Included are one hundred excerpts from Thoreau’s writings about trees, paired with over sixty of the author’s photographs.
Landscape Theory
Tree (object lessons)
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Tree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human,(...)
Tree (object lessons)
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Tree explores the forms, uses, and alliances of this living object's entanglement with humanity, from antiquity to the present. Trees tower over us and yet fade into background. Their lifespan outstrips ours, and yet their wisdom remains inscrutable, treasured up in the heartwood. They serve us in many ways-as keel, lodgepole, and execution site-and yet to become human, we had to come down from their limbs. In this book Matthew Battles follows the tree's branches across art, poetry, and landscape, marking the edges of imagination with wildness and shadow.
Landscape Theory
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video,(...)
Slow art: the experience of looking, sacred images to James Turrell
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Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries—hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past—including photography, painting, sculpture, “living pictures,” film, video, digital and performance art—even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory—it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.
Art Theory