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Title:
Utzon's own houses
Utzon's own houses
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The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
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Summary:
The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2006, Copenhagen
January 2006, Copenhagen
Title:
Utzon's own houses
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$44.95
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The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
Utzon's own houses
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$44.95
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Summary:
The Homes of Utzon includes descriptions of the homes – past and present – that Utzon designed and lived in himself: the house in Hellebæk, built in 1951, the Bay View villa in Australia, and his magnificent houses on Majorca.
Form:
books
books
Publication:
January 2006, Copenhagen
January 2006, Copenhagen
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Utzon and the new tradition
Utzon and the new tradition
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$60.50
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This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
$60.50
(available to order)
Summary:
This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2006, Copenhagen
January 2006, Copenhagen
Title:
Utzon and the new tradition
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$60.50
(available to order)
Summary:
This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
Utzon and the new tradition
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Price:
$60.50
(available to order)
Summary:
This second book in the Utzon Library is an introduction to Utzon's form world. His most signifiant projects are reviewed, many with hitherto unknown drawings and sketches. The review of these works is framed by Kim Dirckinck-Holmfeld and Christian Norberg-Schulz, who tell of the themes and conditons for Utzon's production.
Form:
books
books
Publication:
January 2006, Copenhagen
January 2006, Copenhagen
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$62.95
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Summary:
In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects,(...)
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Summary:
In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects,(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
December 2005, Rotterdam
December 2005, Rotterdam
Title:
Onix : awaiting signification
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Summary:
In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects, such as the much-discussed ecological farm for the disabled in Haren, the bureau seeks out novel positions where the context and specificity of the local play an important role, yet without ever falling into the traps of facile historicizing solutions. Even more important for Onix is the view that contemporary architecture is overly dominated by concepts and images, and too little by actual architectonic experience.
Onix : awaiting signification
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Summary:
In the space of barely a decade, the Groningen-based architecture bureau Onix has established an impressive reputation. Far from the hub of Dutch architecture in the Randstad conurbation of major cities in the west of the Netherlands, Onix has been working on its oeuvre with highly idiosyncratic views about the essential aspects of architecture. In many of its projects, such as the much-discussed ecological farm for the disabled in Haren, the bureau seeks out novel positions where the context and specificity of the local play an important role, yet without ever falling into the traps of facile historicizing solutions. Even more important for Onix is the view that contemporary architecture is overly dominated by concepts and images, and too little by actual architectonic experience.
Form:
books
books
Publication:
December 2005, Rotterdam
December 2005, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$109.00
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The book describes the history of the construction of the original factory, on the other, its architectural restoration and transformation. Attention is paid to the history of the Van Nelle Company and its relation to the dynamic development of the harbour of Rotterdam. The inspirations and the life of director and patron Kees van der Leeuw are dealt with in some detail,(...)
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The book describes the history of the construction of the original factory, on the other, its architectural restoration and transformation. Attention is paid to the history of the Van Nelle Company and its relation to the dynamic development of the harbour of Rotterdam. The inspirations and the life of director and patron Kees van der Leeuw are dealt with in some detail,(...)
Title:
Van Nelle : monument in progress
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The book describes the history of the construction of the original factory, on the other, its architectural restoration and transformation. Attention is paid to the history of the Van Nelle Company and its relation to the dynamic development of the harbour of Rotterdam. The inspirations and the life of director and patron Kees van der Leeuw are dealt with in some detail, and for the first time, the architecture, in which Van der Leeuw was involved, is positioned in a broader spiritual context. The design of the factory was not purely functional, but forms and colours seem to reflect a theosophical search for a higher level, which comes out, for one, in the analysis of the interiors. In addition to the illuminating descriptions of the construction process, shown in many contemporary photographs, the book examines the evolving social aspects of the time, the working conditions of the factory personnel and the well thought out logistics of the production process. The entire production process is reconstructed in a large fold-out drawing. The book also gives a great deal of consideration to influence of photography on the conceptualization of the complex and the questions that architectural historians have been posing for years. For example, the question of whether or not Mart Stam was the actual author of Van Nelle is answered in substantial detail. The problems of the modern day monument and the role of building conservation, the developer and the modern day architect are given considerable thought. In addition, the book describes the design of the old and new outdoor spaces in the complex.
Van Nelle : monument in progress
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$109.00
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Summary:
The book describes the history of the construction of the original factory, on the other, its architectural restoration and transformation. Attention is paid to the history of the Van Nelle Company and its relation to the dynamic development of the harbour of Rotterdam. The inspirations and the life of director and patron Kees van der Leeuw are dealt with in some detail, and for the first time, the architecture, in which Van der Leeuw was involved, is positioned in a broader spiritual context. The design of the factory was not purely functional, but forms and colours seem to reflect a theosophical search for a higher level, which comes out, for one, in the analysis of the interiors. In addition to the illuminating descriptions of the construction process, shown in many contemporary photographs, the book examines the evolving social aspects of the time, the working conditions of the factory personnel and the well thought out logistics of the production process. The entire production process is reconstructed in a large fold-out drawing. The book also gives a great deal of consideration to influence of photography on the conceptualization of the complex and the questions that architectural historians have been posing for years. For example, the question of whether or not Mart Stam was the actual author of Van Nelle is answered in substantial detail. The problems of the modern day monument and the role of building conservation, the developer and the modern day architect are given considerable thought. In addition, the book describes the design of the old and new outdoor spaces in the complex.
Form:
books
books
Publication:
January 2005, Rotterdam
January 2005, Rotterdam
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Le Corbusier's hands
Le Corbusier's hands
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Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky(...)
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Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, Cambridge, Mass.
January 1900, Cambridge, Mass.
Title:
Le Corbusier's hands
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$18.95
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"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes-50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands-touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him. . . . They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions-which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site-"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With "Le Corbusier's hands", Wogenscky gives us a unique record of an enigmatic genius.
Le Corbusier's hands
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Summary:
"Le Corbusier's Hands" offers a poetic and personal portrait of Le Corbusier-a nuanced portrayal that is in contrast to the popular image of Le Corbusier the aloof modernist. The author knew Le Corbusier intimately for thirty years, first as his draftsman and main assistant, later as his colleague and personal friend. In this book, written in the mid-1980s, Wogenscky remembers his mentor in a series of revealing personal statements and evocative reflections unlike anything that exists in the vast literature on Le Corbusier. Wogenscky draws a portrait in swift, deft strokes-50 short chapters, one leading to the next, one memory of Le Corbusier opening into another. Appearing and reappearing like a leitmotif are Le Corbusier's hands-touching, taking, drawing, offering, closing, opening, grasping, releasing: "It was his hands that revealed him. . . . They spoke all his feelings, all the vibrations of his inner life that his face tried to conceal." Wogenscky writes about Le Corbusier's work, including the famous design of the chapel at Ronchamp, his ideas for high-density Unités d'Habitation linked to the center of a "Radiant City," and his "Modulor" system for defining proportions-which Wogenscky compares to a piano tuner's finding the exact relation between sounds. He remembers the day Picasso spent with Le Corbusier at the Marseilles building site-"All day long they outdid one another in a show of modesty," he observes in amazement. He adds, speaking for himself and the others present, "We were inside a double energy field." And Wogenscky writes about Le Corbusier more personally. "I have spent years trying to understand what went on in his mind and in his hand," he tells us. With "Le Corbusier's hands", Wogenscky gives us a unique record of an enigmatic genius.
Form:
books
books
Publication:
January 1900, Cambridge, Mass.
January 1900, Cambridge, Mass.
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$81.50
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Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
$81.50
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Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
Title:
Summersopn and Hitchcock : centenary essays on architectural historiography
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
Summersopn and Hitchcock : centenary essays on architectural historiography
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$81.50
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Summary:
In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
Form:
books
books
Publication:
January 2006, New Haven, London
January 2006, New Haven, London
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Palladio's Rome
Palladio's Rome
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$64.95
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Summary:
Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
$64.95
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Summary:
Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 1900, New Haven, London
January 1900, New Haven, London
Title:
Palladio's Rome
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$64.95
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Summary:
Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
Palladio's Rome
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$64.95
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Summary:
Andrea Palladio (1508-1580), one of the most famous architects of all time, published two enormously popular guides to the churches and antiquities of Rome in 1554. Striving to be both scholarly and popular, Palladio invited his Renaissance readers to discover the charm of Rome's ancient and medieval wonders, and to follow pilgrimage routes leading from one church to the next. He also described ancient Roman rituals of birth, marriage, and death. Here translated into English and joined in a single volume for the first time, Palladio's guidebooks allow modern visitors to enjoy Rome exactly as their predecessors did 450 years ago. Like the originals, this new edition is pocket sized and therefore easily read on site. Enhanced with illustrations and commentary, the book also includes the first full English translation of Raphael's famous letter to Pope Leo X on the monuments of ancient Rome. For architectural historians, tourists, and armchair travellers, this book offers insights into the antiquarian and ecclesiastical preoccupations of one of the greatest of the Renaissance architectural masters.
Form:
books
books
Publication:
January 1900, New Haven, London
January 1900, New Haven, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$39.95
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Summary:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
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Summary:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the(...)
Title:
The virtual window : from Alberti to Microsoft
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
The virtual window : from Alberti to Microsoft
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$39.95
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Summary:
As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen. In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end. In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.
Form:
books
books
Publication:
January 2006, Cambridge
January 2006, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Camouflage
Camouflage
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Summary:
The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between(...)
$28.95
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Summary:
The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between(...)
Title:
Camouflage
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$28.95
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The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between us and our environment--and it can contribute to a sense of belonging. Architecture, and indeed all forms of design and creativity--fashion, art, cinema, and others--can be an effective realm for forging a sense of belonging and establishing an identity. Camouflage offers a range of overlapping and intersecting theoretical perspectives--from an overview of psychoanalytic insights to an account of the magical properties of architectural models--that together suggest a way to rethink our relationship to the world and the role that design plays in that relationship.
Camouflage
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$28.95
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The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between us and our environment--and it can contribute to a sense of belonging. Architecture, and indeed all forms of design and creativity--fashion, art, cinema, and others--can be an effective realm for forging a sense of belonging and establishing an identity. Camouflage offers a range of overlapping and intersecting theoretical perspectives--from an overview of psychoanalytic insights to an account of the magical properties of architectural models--that together suggest a way to rethink our relationship to the world and the role that design plays in that relationship.
Form:
books
books
Publication:
June 2006, Cambridge
June 2006, Cambridge
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$48.00
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Summary:
The forced polarity between form and function in considerations of architecture - opposing art to social interests, ethics to poetic expression - obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past(...)
$48.00
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Summary:
The forced polarity between form and function in considerations of architecture - opposing art to social interests, ethics to poetic expression - obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2006, Cambridge, Mass.
January 2006, Cambridge, Mass.
Title:
Built upon love : architectural longing after ethics and aesthetics
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$48.00
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The forced polarity between form and function in considerations of architecture - opposing art to social interests, ethics to poetic expression - obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past architectural excesses, but, Pérez-Gómez argues, the materialistic and technological alternatives it proposes do not answer satisfactorily the complex desire that defines humanity. True architecture is concerned with far more than fashionable form, affordable homes, and sustainable development; it responds to a desire for an eloquent place to dwell- one that lovingly provides a sense of order resonant with our dreams. In "Built upon love" Pérez-Gómez uncovers the relationship between love and architecture in order to find the points of contact between poetics and ethics - between the architect's wish to design a beautiful world and architecture's imperative to provide a better place for society. Eros, as first imagined by the early lyric poets of classical Greece, is the invisible force at the root of our capacity to create and comprehend the poetic image. Pérez-Gómez examines the nature of architectural form in the light of eros, seduction, and the tradition of the poetic image in Western architecture. He charts the ethical dimension of architecture, tracing the connections between philia - the love of friends that entails mutual responsibility among equals - and architectural program. He explores the position of architecture at the limits of language and discusses the analogical language of philia in modernist architectural theory. Finally, he uncovers connections between ethics and poetics, describing a contemporary practice of architecture under the sign of love, incorporating both eros and philia.
Built upon love : architectural longing after ethics and aesthetics
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Summary:
The forced polarity between form and function in considerations of architecture - opposing art to social interests, ethics to poetic expression - obscures the deep connections between ethical and poetical values in architectural tradition. Architecture has been, and must continue to be, writes Alberto Pérez-Gómez, built upon love. Modernity has rightly rejected past architectural excesses, but, Pérez-Gómez argues, the materialistic and technological alternatives it proposes do not answer satisfactorily the complex desire that defines humanity. True architecture is concerned with far more than fashionable form, affordable homes, and sustainable development; it responds to a desire for an eloquent place to dwell- one that lovingly provides a sense of order resonant with our dreams. In "Built upon love" Pérez-Gómez uncovers the relationship between love and architecture in order to find the points of contact between poetics and ethics - between the architect's wish to design a beautiful world and architecture's imperative to provide a better place for society. Eros, as first imagined by the early lyric poets of classical Greece, is the invisible force at the root of our capacity to create and comprehend the poetic image. Pérez-Gómez examines the nature of architectural form in the light of eros, seduction, and the tradition of the poetic image in Western architecture. He charts the ethical dimension of architecture, tracing the connections between philia - the love of friends that entails mutual responsibility among equals - and architectural program. He explores the position of architecture at the limits of language and discusses the analogical language of philia in modernist architectural theory. Finally, he uncovers connections between ethics and poetics, describing a contemporary practice of architecture under the sign of love, incorporating both eros and philia.
Form:
books
books
Publication:
January 2006, Cambridge, Mass.
January 2006, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
