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Every time you wheel a shopping cart through one of Walmart’s more than 10,000 stores worldwide, or swipe your credit card or purchase something online, you enter a mind-boggling logistical regime. Even if you’ve never shopped at Walmart, its logistics have probably affected your life. ''The Rule of Logistics'' makes sense of its spatial and architectural ramifications by(...)
The rule of logistics: Walmart and the architecture of fulfillment
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Every time you wheel a shopping cart through one of Walmart’s more than 10,000 stores worldwide, or swipe your credit card or purchase something online, you enter a mind-boggling logistical regime. Even if you’ve never shopped at Walmart, its logistics have probably affected your life. ''The Rule of Logistics'' makes sense of its spatial and architectural ramifications by analyzing the stores, distribution centers, databases, and inventory practices of the world’s largest corporation. This book tells the story of Walmart’s buildings in the context of the corporation’s entire operation, itself characterized by an obsession with logistics. Beginning with the company’s founding in 1962, Jesse LeCavalier reveals how logistics—as a branch of knowledge, an area of work, and a collection of processes—takes shape and changes our built environment.
Architectural Theory
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the(...)
Eisenman/Krier : two ideologies, a conference at the Yale school of architecture
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Published in this volume are the papers delivered at the conference, which focused on the themes of history, language, urbanism, and politics. The speakers included an exceptional array of historians and critics: Stan Allen of Princeton; Maurice Culot of the Institut Français d'Architecture, Paris; Kurt Forster of the Bauhaus University in Dessau; Phyllis Lambert of the Canadian Centre for Architecture; Joan Ockman and Mark Wigley of Columbia; Demetri Porphyrios and Vincent Scully of Yale; Robert Somol of the University of California, Los Angeles; Anthony Vidler of the Cooper Union; and Sarah Whiting of Harvard. Eisenman and Krier culminated the event with presentations that made evident their lifelong commitment to architectural language, to architectural scholarship, and to architecture itself as a vital element of society and culture.
sale books
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"What is a Museum Now?" asks about the role of a museum in contemporary society. All of Snøhetta's work is formed by the interaction between humans and their physical surroundings. Regarding this connection, the design studio recognized that a museum is a mediator between art and life. This book contains a detailed and extensive documentation of the San Francisco Museum(...)
What is a museum now?: Snøhetta and the San Francisco Museum of Modern Art
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"What is a Museum Now?" asks about the role of a museum in contemporary society. All of Snøhetta's work is formed by the interaction between humans and their physical surroundings. Regarding this connection, the design studio recognized that a museum is a mediator between art and life. This book contains a detailed and extensive documentation of the San Francisco Museum of Modern Art's expansion, conducted by Snøhetta. The studio evolved the SFMOMA as a new form of art appreciation where the experience is an extension of the life of the city itself. This book presents the most recent investigation by Snøhetta into how architecture can nurture social interaction and diversity, fostering relationships where the world of the imagination and the realities of our lives come together. Accompanied by behind-the-scenes sketches, drawings and photographs that detail the design and construction process, this book is in itself an intimate engagement with the building, its art, its directors and curators, its inhabitants and its creators.
Architecture Monographs
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This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new(...)
Christian Kerez: uncertain certainty
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This monograph of work and projects by Venezuelan-born, Swiss-based architect Christian Kerez seeks to elucidate his particular approach, which emphasises how architecture does not exist in and of itself, but is rather a reflection of a practice of questioning, and of working with the unexpected. At its core, the things we take for granted must be seen again, in a new light. Architecture critic Erwin Viray delves into this kind of reasoning in a conversation with Kerez, while the book beautifully presents examples of his designs, among them, a high-rise in Zhengzhou, the Museum of Modern Art in Warsaw, social housing in Paraisópolis and a school building in Munich.
Architecture Monographs
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class(...)
Building romanticism : literature and architecture in Nineteenth-Century Britain
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class mobility, the individual's uncertain place in history, challenges to the British national character and to the project of nation building, and the very form and function of art itself.
History until 1900, Great Britain
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection(...)
Design, Periods and Styles
March 2008, Rotterdam
Chairs: catalogue of the Delft faculty of architecture collection
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Comprising the effort of more than a century of collecting chairs, the Faculty of Architecture of the TU Delft can pride itself on having one of the major furniture collections in the Netherlands. Set up as an educational tool, the collection has offered knowledge about materials, construction and typology to students and designers. In the catalogue, the entire collection of over 240 chairs is presented for the first time. Each object is accompanied by images and a thorough description. Also, the book offers comprehensive texts on key designs in the collection, showing the diversity of the collection which consists of world famous designs, 17th, 18th and 19th century designs, everyday household chairs and rare pieces of furniture that have never been published before. Among the designers presented are Verner Panton, Gerrit Th. Rietveld, Hendrik Petrus Berlage, Jean Prouvé, Marcel Breuer and Droog Design.
Design, Periods and Styles
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform(...)
Everything XI-XV. Everything without content 232
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This book chronicles the third academic year of the studio led by Kersten Geers, Jelena Pancevac, Guido Tesio and Fabrizio Ballabio at the Academy of Architecture USI in Mendrisio. Stemming from the idea of ‘large form’ and the built environment as a testament to the futility of the virtual one, this body of work investigates how the model of grand ensembles can perform in urban fringes (in Milan), and what to do with the existing obsolete office space in the urban centre (in Brussels). Our unlikely guide to the contemporary idea of sustainable living and working in the city was the work of Aldo and Hannie van Eyck, which would grow into a separate book itself (Excess of Architecture). Brussels also served as a testbed for establishing a relation between the production of culture and the instrumental role of architecture within that process.
Contemporary Architecture
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356 pages : illustrations (some color) ; 33 cm
New York : Rizzoli, [1987], ©1986.
The Kremlin and its treasures / Irina Rodimzeva, Nicolai Rahmanov, Alfons Raimann.
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356 pages : illustrations (some color) ; 33 cm
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New York : Rizzoli, [1987], ©1986.
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This first monograph compiles 13 pieces by the Dutch-born artist Jan Hendrix related to his architecture and urban projects. Based in Mexico since 1978, Hendrix has worked across a variety of media from sculptures, to photographs to artist’s books. This collection of his monumentally scaled, intricate perforated metal screens shows his transition from two to three(...)
Jan Hendrix: ornament is not a crime
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This first monograph compiles 13 pieces by the Dutch-born artist Jan Hendrix related to his architecture and urban projects. Based in Mexico since 1978, Hendrix has worked across a variety of media from sculptures, to photographs to artist’s books. This collection of his monumentally scaled, intricate perforated metal screens shows his transition from two to three dimensions. Either as functional screens for lighting in large civic projects, exterior building treatments or stand-alone installations in the manner of Dan Graham, Hendrix’s art has transformed itself to architecture. The natural patterns and fractal geometries of his recent works sing in this generously illustrated, linen-bound volume, accompanied by essays on Hendrix’s relationship to historical movements like Jugendstil and individual project profiles on each included work.
Architecture Monographs
Poolology of housing
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In architecture, nothing is ever truly new; everything has been tried before. And nowhere is this more evident than in the architecture of housing. Each proffered solution to a specific architectural problem is actually an amalgam of predecessors’ ideas and new approaches, which itself contributes in turn to a great global 'pool' for succeeding concepts. For twenty years,(...)
Poolology of housing
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In architecture, nothing is ever truly new; everything has been tried before. And nowhere is this more evident than in the architecture of housing. Each proffered solution to a specific architectural problem is actually an amalgam of predecessors’ ideas and new approaches, which itself contributes in turn to a great global 'pool' for succeeding concepts. For twenty years, this philosophy has driven the activities of Zurich-based cooperative Pool Architekten, with a special focus on the research and design of residential buildings. ''Poolology of housing'' is an up-close look at the collective’s body of work and a potential font of inspiration for others interest in letting this philosophy guide the creation of innovative architecture. At the core of the book are two hundred floor plans, designed by members of the collective and students during Pool Architekten’s tenure from 2013 to 2016 at Technische Universität Berlin.
Architecture Monographs