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"Imaginative bodies" contains a series of in-depth conversations with dancers and choreographers, composers, visual artists, Hip Hop artists, dramaturgs, a lighting designer and a puppeteer. The overall theme is defined by the body, both in relation to the place it takes in the artist’s work, and in relation to wider debates on the body in philosophy, science, medicine,(...)
Imaginative bodies: dialogues in performance practices
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"Imaginative bodies" contains a series of in-depth conversations with dancers and choreographers, composers, visual artists, Hip Hop artists, dramaturgs, a lighting designer and a puppeteer. The overall theme is defined by the body, both in relation to the place it takes in the artist’s work, and in relation to wider debates on the body in philosophy, science, medicine, anthropology, and the arts. Depending on the affinities of the artist, a more specific theme has been defined for each dialogue, ranging from poetics to politics, from mythology to ecology, from intercultural studies to conflict management. The associative chains of thoughts of these talks give an intimate insight into the creative process, inspirations, sources, identity, and ways of collaborating. It is through the sentient body that we experience, know and imagine. "Imaginative bodies" reaffirms the central position of the body in many artistic practices.
Art Theory
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"The practice of dramaturgy" addresses dramaturgy as a shared, politicized and catalytic practice that sets actions into motion in a more speculative, rather than an instructive way. The first part of this publication is 'Dramaturgy as working on actions', explores three working principles that lie at the heart of the editors' propositions, and relates these to debates on(...)
The practice of dramaturgy: working on actions in performance
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"The practice of dramaturgy" addresses dramaturgy as a shared, politicized and catalytic practice that sets actions into motion in a more speculative, rather than an instructive way. The first part of this publication is 'Dramaturgy as working on actions', explores three working principles that lie at the heart of the editors' propositions, and relates these to debates on action, work and post-Fordist labour. The second part, 'Working on actions and beyond', opens up to different artistic, social and political perspectives that such understanding of dramaturgy may give rise to.
Art Theory
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What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect(...)
The perfect spectator: the experience of the artwork and reception aesthetics
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What really happens between a spectator and a work of art at the moment of encounter? How does one experience "meaning" in a work of art? How does an interpretation of an art object come to take hold for a viewer? How can that process of interpretation, which often takes place at a subconscious level beyond language, be understood and articulated? In "The perfect spectator", author Janneke Wesseling addresses these questions by turning to the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between an active artwork and an active observer. Wesseling proceeds from her own intensely personal encounters with art objects, and her professional experience studying and writing about art, in order to arrive at a new theoretical framework for the sight and contemplation of art.
Art Theory
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the(...)
Of sponge, stone and the intertwinements with the here and now: a methodology of artistic research
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This concise book introduces the notion of "experience" as a key concept in a methodology of artistic research. The author traces a genealogy of "experience" from William James, John Dewey and Alfred North Whitehead to Brian Massumi, placing this concept in a framework of research in visual art. The argument is founded in the practice of artistic research and in the reflection on the interweaving of thinking and making. This publication is a slightly extended version of Wesseling's inaugural lecture at Leiden University in September 2016. Included is a collaboration with the Austrian performance artist and PhD researcher Lilo Nein.
Art Theory
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Il est enfin admis ouvertement que Le Corbusier était un fasciste bon teint. On tolère ses mensonges et sa mégalomanie. On sourit en le voyant mépriser ses (riches) clients. Un observateur impartial découvrira vite qu’il n’a rien inventé, gommant les auteurs dont il s’est attribué les idées. La seule réelle compétence de Le Corbusier fut la promotion de son image publique(...)
Misère de l'espace moderne: la production de Le Corbusier et ses conséquences
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Il est enfin admis ouvertement que Le Corbusier était un fasciste bon teint. On tolère ses mensonges et sa mégalomanie. On sourit en le voyant mépriser ses (riches) clients. Un observateur impartial découvrira vite qu’il n’a rien inventé, gommant les auteurs dont il s’est attribué les idées. La seule réelle compétence de Le Corbusier fut la promotion de son image publique au détriment de la qualité de son œuvre construite – catastrophique. Mais de tout cela on ne tire aucune conséquence, la plupart des critiques refusant de voir le monde cauchemardesque qu’il voulait édifier. Ce qui n’aurait aucune importance si Le Corbusier n’était devenu le modèle pour les architectes de l’après-guerre qui ont couvert la France de barres et tours en béton. Et si, aujourd’hui, ses théories ne faisaient les affaires des bureaucrates de Chine et de Russie.
Architectural Theory
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For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s(...)
Imaginary cities: a tour of dream cities, nightmare cities and everywhere in between
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For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place. This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
Urban Theory
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Huit équipes ont été désignées lauréates du Palmarès des jeunes urbanistes par un jury réuni à l’initiative du ministère du Logement et de l’Habitat durable. L’objectif de ce Palmarès est de renouveler l’urbanisme contemporain et de mettre en lumière une profession multiforme, talentueuse et innovante, au service de la qualité urbaine du territoire. Les profils et les(...)
Jouer avec l'incertitude : palmarès des jeunes urbanistes 2016-2017
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Huit équipes ont été désignées lauréates du Palmarès des jeunes urbanistes par un jury réuni à l’initiative du ministère du Logement et de l’Habitat durable. L’objectif de ce Palmarès est de renouveler l’urbanisme contemporain et de mettre en lumière une profession multiforme, talentueuse et innovante, au service de la qualité urbaine du territoire. Les profils et les parcours de ces jeunes professionnels (architectes, urbanistes, paysagistes, sociologue, philosophe, programmiste, designer, artiste, analyste et gestionnaire immobiliers, cartographe) témoignent d’un renouveau des métiers de l’urbanisme désormais perçu comme une matière malléable, exigeant souplesse et adaptation.
Urban Theory
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Comment associer ce mot archaïque et désuet - « urbanisme » - au plaisir de faire la ville, à la modernité, à l’appétence pour toutes les disciplines, toutes les évolutions de modes de vie, de modes de faire, d’inventions sociales et technologiques ? Ariella Masboungi livre ici ses réflexions, ses convictions, ses « leçons » du projet urbain, persuadée que la ville est la(...)
Le plaisir de l'urbanisme : Grand prix de l'urbanisme 2016
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Comment associer ce mot archaïque et désuet - « urbanisme » - au plaisir de faire la ville, à la modernité, à l’appétence pour toutes les disciplines, toutes les évolutions de modes de vie, de modes de faire, d’inventions sociales et technologiques ? Ariella Masboungi livre ici ses réflexions, ses convictions, ses « leçons » du projet urbain, persuadée que la ville est la clé du développement durable et que c’est elle, et non l’État, qui sait innover, qu’il faut picorer dans les expériences européennes, capitaliser et diffuser, mais surtout impulser de nouvelles directions au service du bien public et du plaisir que la ville porte par définition.
Urban Theory
The hidden life of trees: what they feel, how they comunicate- discoveries from a secret world
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Are trees social beings? In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share(...)
The hidden life of trees: what they feel, how they comunicate- discoveries from a secret world
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Are trees social beings? In this international bestseller, forester and author Peter Wohlleben convincingly makes the case that, yes, the forest is a social network. He draws on groundbreaking scientific discoveries to describe how trees are like human families: tree parents live together with their children, communicate with them, support them as they grow, share nutrients with those who are sick or struggling, and even warn each other of impending dangers. Wohlleben also shares his deep love of woods and forests, explaining the amazing processes of life, death, and regeneration he has observed in his woodland. After learning about the complex life of trees, a walk in the woods will never be the same again.
Landscape Theory
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"Accidental gravity" moves from upstate New York to the contemporary western U.S. and into Canada, from urban and suburban places to wild lands. The essays are informative, but the focus is personal. Quetchenbach writes about urban and suburban places as well as wild lands. In the first section of the book, he focuses on suburban neighborhoods, “the places where tensions(...)
Accidental gravity: residents, travelers, and the landscape of memory
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"Accidental gravity" moves from upstate New York to the contemporary western U.S. and into Canada, from urban and suburban places to wild lands. The essays are informative, but the focus is personal. Quetchenbach writes about urban and suburban places as well as wild lands. In the first section of the book, he focuses on suburban neighborhoods, “the places where tensions between human and animal nature, and between differing concepts of the natural world, come to the fore.” In the second section, he juxtaposes these humanized places with Yellowstone National Park, in the context of climate change and other contemporary pressures. This is nature writing at its finest.
Landscape Theory