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Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how(...)
Building happiness: architecture to make you smile
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Building Happiness discusses the nature of happiness within our built environment. In association with Building Futures, the book includes ideas and debates informed by architects such as Herman Hertzberger and Aldo van Eyck, with these brought up to date through the work of contemporary architects and commentators. The nature of our environment and how we use it and how we are conditioned by it is considered in detail, particularly the ways this affects our sense of wellbeing or happiness. Is this a personal feeling or is it how space is used in our community that constructs happiness? Is it green eco-houses, traditional cottages or 1970s modernism that makes you happy? Building Happiness comprises both short commentaries and longer essays concerned with the impact of our built environment. The book also provides a visual representation of the themes addressed through evocative illustrations, sketches and photography. With an introduction by Jane Wernick, and contributions by architectural and social critics such as Jeremy Till, Shami Chakrabarti, and Kirsty Wark, as well as commentaries from Glenda Jackson and prestigious architects and artists such as Richard Rogers and Richard Wentworth, amongst others.
Architectural Theory
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered(...)
Collections of nothing
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King, a professor at Santa Barbara, has spent decades collecting things that nobody else would want: food packages and labels (he has about eighteen thousand), illustrations snipped from old dictionaries (seven thousand), linings of "security" envelopes (eight hundred patterns), "the mute, meager, practically valueless object, like a sea-washed spigot, its mouth stoppered by a stone." What makes this book, bred of a midlife crisis, extraordinary is the way King weaves his autobiography into the account of his collection, deftly demonstrating that the two stories are essentially one. "I lost and found myself in remote topical aisles of scholarship-wreck," he says of his hours in Yale’s library, reading the most obscure books he could find. His hard-won self-awareness gives his disclosures an intensity that will likely resonate with all readers, even those whose collections of nothing contain nothing at all.
Design Theory
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Ourtopias seeks to explore the varied and future states of cities. The essays in this book were developed from presentations at the Ourtopias conference hosted by Toronto s Design Exchange in June 2007. City designers, activists and legislators offered a widely varying focus that included poetic imagination, diverse public cultures and practical methods for working with(...)
Urban Theory
August 2008, Waterloo
Ourtopias: cities and the role of design
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Ourtopias seeks to explore the varied and future states of cities. The essays in this book were developed from presentations at the Ourtopias conference hosted by Toronto s Design Exchange in June 2007. City designers, activists and legislators offered a widely varying focus that included poetic imagination, diverse public cultures and practical methods for working with complex city forms.
Urban Theory
AD : Cities of dispersal
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Questioning the traditional boundaries between cities, suburbs, countryside and wilderness, this issue of AD explores emergent types of public space in low-density environments. It describes this new form of urbanism: decentralised, in a constant process of expansion and contraction, not homogenous or necessarily low-rise, nor guided by one mode of development, typology(...)
AD : Cities of dispersal
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Questioning the traditional boundaries between cities, suburbs, countryside and wilderness, this issue of AD explores emergent types of public space in low-density environments. It describes this new form of urbanism: decentralised, in a constant process of expansion and contraction, not homogenous or necessarily low-rise, nor guided by one mode of development, typology or pattern. While functionally and programmatically dispersed, settlements operate as a form of urbanism; the place of collective spaces within them has yet to be defined and articulated. The physical transformation of the built environment on the one hand, and the change in our notion of the public on the other - due to globalisation, privatisation and segregation - call for renewed interpretations of the nature and character of public space. The concept of public space needs to be examined: replaced, re-created or adapted to fit these conditions. What is the place of the public in this form of urbanism, and how can architecture address the notion of common, collective spaces? What is the current sociopolitical role o such spaces? How does the form and use of these spaces reflect the conception of the public as a political (or non-political) body? And can architecture regain an active role in formulating the notion of the collective? These and other issues are addressed through essays, research projects and built work by distinguished writers such as Bruce Robbins, Albert Pope and Alex Wall, and Practitioners including Zvi Hecker, Vito Acconci, MUTOPIA, Manuel de Sola-Morales, Martha Rosler and Manuel Vicente in a search for new collective architectures within the dispersed city.
Urban Theory
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Charting the latest advances in thinking and practice in 21st-century landscape, this edition of AD looks at the degree to which landscape architects and architects have rethought and redefined the parameters for the interaction of buildings, infrastructures and surrounding landscape. Landscape Architecture: Site-Non-Site defines the key moves affected in the revision of(...)
Landscape (architectural design), march april 2007
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Charting the latest advances in thinking and practice in 21st-century landscape, this edition of AD looks at the degree to which landscape architects and architects have rethought and redefined the parameters for the interaction of buildings, infrastructures and surrounding landscape. Landscape Architecture: Site-Non-Site defines the key moves affected in the revision of landscape, using a compilation of some of the most current work in the field. Featured designers include: James Corner of Field Operations, Kathryn Findlay, Adriaan Geuze of West 8, Gross Max, Bernard Lassus, Gustafson Porter, Maggie Ruddick, Ken Smith and Michael van Valkenburgh. There are contributions from Lucy Bullivant, Peter Cook, Jayne Merkel, Juhani Pallasmaa and Grahame Shane.
Landscape Theory
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De la ville au technocosme n'est pas un essai ordinaire. C'est fort de son expérience et de ses lectures que l'auteur s'est plongé dans ce monde, le nôtre, constamment renouvelé par la technologie. En interrogeant ce nouvel environnement - un assemblage de réseaux, de fonctions et de lieux qui équipent notre existence et servent notre quête de performance -, il nous(...)
De la ville au technocosme, le meilleur des mondes?
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De la ville au technocosme n'est pas un essai ordinaire. C'est fort de son expérience et de ses lectures que l'auteur s'est plongé dans ce monde, le nôtre, constamment renouvelé par la technologie. En interrogeant ce nouvel environnement - un assemblage de réseaux, de fonctions et de lieux qui équipent notre existence et servent notre quête de performance -, il nous propose de réfléchir à l'impact de la technicité croissante de nos existences. Vers quoi allons-nous ? est-ce que cette artificialisation du réel préfigure la fin du genre humain ? Ni idolâtre ni catastrophiste, Xavier Bonnaud nous prévient de la menace majeure de cette évolution techniciste : la capitulation définitive, donc sans retour possible, de l'humain. Faut-il voir dans l'avènement de ce technocosme une métaphore du " meilleur des mondes " ?
Architectural Theory
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Employing ethnographies from the United States to continental Europe, Asia, and South America, Deciphering the Global exemplifies the next wave of globalization studies and lays the groundworks for a new school in the study of the global.
Deciphering the global: its scales, spaces, and subjects
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Employing ethnographies from the United States to continental Europe, Asia, and South America, Deciphering the Global exemplifies the next wave of globalization studies and lays the groundworks for a new school in the study of the global.
Architectural Theory
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Lefebvre’s massive body of work has generated two main schools of thought: one that is political economic, and another that is more culturally oriented and poststructuralist in tone. Space, Difference, and Everyday Life merges these two schools of thought into a unified Lefebvrian approach to contemporary urban issues and the nature of our spatialized social structures.
Architectural Theory
August 2008, New York, London
Space difference, everyday life: Henri Lefebvre and radical politics
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Lefebvre’s massive body of work has generated two main schools of thought: one that is political economic, and another that is more culturally oriented and poststructuralist in tone. Space, Difference, and Everyday Life merges these two schools of thought into a unified Lefebvrian approach to contemporary urban issues and the nature of our spatialized social structures.
Architectural Theory
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In 2004 and 2005, Antonio Negri held ten workshops at the Collège International de Philosophie in Paris to formulate a new political grammar of the postmodern. Postmodernity, Negri suggests, can be described as a "porcelain workshop": a delicate and fragile construction that could be destroyed through one clumsy act. Looking across twentieth century history, Negri warns(...)
The porcelain workshop: for a new grammar of politics
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In 2004 and 2005, Antonio Negri held ten workshops at the Collège International de Philosophie in Paris to formulate a new political grammar of the postmodern. Postmodernity, Negri suggests, can be described as a "porcelain workshop": a delicate and fragile construction that could be destroyed through one clumsy act. Looking across twentieth century history, Negri warns that our inability to anticipate future developments has already placed coming generations in serious jeopardy. Describing the years 1917-1968 as the "short century," Negri suggests that by the end of it, all of the familiar markers of modernity (including that of socialism) had lost their relevance. Confronted with an intolerable reality, indignation and the revolutionary will to transform the world have both taken new forms and must be understood anew, free of modernist assumptions. In the impassioned debates recounted in this book, Antonio Negri attempts to describe the formation of an alternative political horizon and looks for a way to define the practices and modes of expression that democracy could take.
Critical Theory
The design culture reader
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings(...)
The design culture reader
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Design is part of ordinary, everyday life, to be found in every room in every building in the world. While we may tend to think of design in terms of highly desirable objects, this book encourages us to think about design as ubiquitous (from plumbing to television) and as an agent of social change (from telephones to weapon systems). The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world. Organised in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalisation, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor's introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.
Design Theory