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$55.95
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For street photographers, New York has always been a city of unparalleled visual excitement, teeming with diverse people and distinctive neighborhoods. "New York: capital of photography" examines how photographers chronicled New York throughout the twentieth century, how the city changed their vision, and how their work affected ideas about New York throughout the(...)
$55.95
(available to order)
Summary:
For street photographers, New York has always been a city of unparalleled visual excitement, teeming with diverse people and distinctive neighborhoods. "New York: capital of photography" examines how photographers chronicled New York throughout the twentieth century, how the city changed their vision, and how their work affected ideas about New York throughout the(...)
Title:
New York : capital of photography
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$55.95
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Summary:
For street photographers, New York has always been a city of unparalleled visual excitement, teeming with diverse people and distinctive neighborhoods. "New York: capital of photography" examines how photographers chronicled New York throughout the twentieth century, how the city changed their vision, and how their work affected ideas about New York throughout the world. This illustrated book presents the work of both famous and lesser-known photographers, many of them Jewish. An underlying theme in this pictorial history of New York is the critical role played by Jewish sensibility. Max Kozloff begins with the development of street photography that emerged in New York in the early 1900s with a local school of photographers led by Alfred Stieglitz. Documenting work, loneliness, play, conflict, love, and spectacle, this group came to define urban perception as the characteristic visual experience of modernity. Some photographers also became social activists, observing New York’s ethnic and racial diversity and focusing their lenses on newcomers and marginalized groups. From the 1930s to 1960s, Kozloff shows, members of the New York School envisioned the city in a different way, as a processing center for immigrants, a site of commercial display, and a crossroads of world culture. In the 1950s and 1960s, photographers saw New York as an uneasy battleground, and their pictures caught the forces of civil rights, sexual liberation, and leftist politics as they clashed with traditional powers. Finally, as the century waned, photographers became more self-conscious, exploring their own and their friends’ identities through the camera’s eye. From Lewis Hine’s 1905 picture of recent immigrants at Ellis Island to Nan Goldin’s portraits of her friends over the past thirty years, these photographs reveal the true vitality of New York. Max Kozloff, art critic and former executive editor of Artforum, has published widely on twentieth-century art and photography. Published in association with The Jewish Museum, New York.
New York : capital of photography
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Price:
$55.95
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Summary:
For street photographers, New York has always been a city of unparalleled visual excitement, teeming with diverse people and distinctive neighborhoods. "New York: capital of photography" examines how photographers chronicled New York throughout the twentieth century, how the city changed their vision, and how their work affected ideas about New York throughout the world. This illustrated book presents the work of both famous and lesser-known photographers, many of them Jewish. An underlying theme in this pictorial history of New York is the critical role played by Jewish sensibility. Max Kozloff begins with the development of street photography that emerged in New York in the early 1900s with a local school of photographers led by Alfred Stieglitz. Documenting work, loneliness, play, conflict, love, and spectacle, this group came to define urban perception as the characteristic visual experience of modernity. Some photographers also became social activists, observing New York’s ethnic and racial diversity and focusing their lenses on newcomers and marginalized groups. From the 1930s to 1960s, Kozloff shows, members of the New York School envisioned the city in a different way, as a processing center for immigrants, a site of commercial display, and a crossroads of world culture. In the 1950s and 1960s, photographers saw New York as an uneasy battleground, and their pictures caught the forces of civil rights, sexual liberation, and leftist politics as they clashed with traditional powers. Finally, as the century waned, photographers became more self-conscious, exploring their own and their friends’ identities through the camera’s eye. From Lewis Hine’s 1905 picture of recent immigrants at Ellis Island to Nan Goldin’s portraits of her friends over the past thirty years, these photographs reveal the true vitality of New York. Max Kozloff, art critic and former executive editor of Artforum, has published widely on twentieth-century art and photography. Published in association with The Jewish Museum, New York.
Form:
books
books
Publication:
April 2002, New York
April 2002, New York
Subject:
Theory of Photography
Theory of Photography
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327 pages : illustrations (some color), plans (some color), portraits (some color) ; 24 cm. + 1 card (1 unnumbered page : 2 illustrations ; 23 x 16 cm.)
- Library main 304844 | BIB 250557 | Available
- Library main 309824 | BIB 250557 | card | Available
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327 pages : illustrations (some color), plans (some color), portraits (some color) ; 24 cm. + 1 card (1 unnumbered page : 2 illustrations ; 23 x 16 cm.)
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Subject:
- Moura, Eduardo Souto de, 1952- Catalogs.,
- Moura, Eduardo Souto de, 1952- Criticism and interpretation.,
- Moura, Eduardo Souto de, 1952-,
- Architects Portugal 21st century.,
- Architecture Portugal History 21st century.,
- Architecture Portugal History 20th century.,
- Architecture, Modern 21st century Pictorial works.,
- Architecture Europe Pictorial works.,
- Architecture Portugal Histoire 21e siècle.,
- Architectes Portugal 21e siècle.,
- Architecture Portugal Histoire 20e siècle.,
- Architecture 21e siècle Ouvrages illustrés.,
- Architecture Europe Ouvrages illustrés.,
- Architects,
- Portugal,
- Catalogs,
- Criticism, interpretation, etc.
(See more)
Publication:
A Coruña, Galicia, Spain : C2C Proyectos Editoriales de Arquitectura S.L., 2019., ©2018
A Coruña, Galicia, Spain : C2C Proyectos Editoriales de Arquitectura S.L., 2019., ©2018
Title:
Souto de Moura / directors: Carlos Quintáns, Juan Rodríguez ; photography: Juan Rodríguez ; texts: Carlos Quintáns, Santiago de Molina ; translation: Sarah Needham.
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327 pages : illustrations (some color), plans (some color), portraits (some color) ; 24 cm. + 1 card (1 unnumbered page : 2 illustrations ; 23 x 16 cm.)
Souto de Moura / directors: Carlos Quintáns, Juan Rodríguez ; photography: Juan Rodríguez ; texts: Carlos Quintáns, Santiago de Molina ; translation: Sarah Needham.
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- Library main 304844 | BIB 250557 | Available
- Library main 309824 | BIB 250557 | card | Available
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Description:
327 pages : illustrations (some color), plans (some color), portraits (some color) ; 24 cm. + 1 card (1 unnumbered page : 2 illustrations ; 23 x 16 cm.)
Form:
books
books
Publication:
A Coruña, Galicia, Spain : C2C Proyectos Editoriales de Arquitectura S.L., 2019., ©2018
A Coruña, Galicia, Spain : C2C Proyectos Editoriales de Arquitectura S.L., 2019., ©2018
Subject:
- Moura, Eduardo Souto de, 1952- Catalogs.,
- Moura, Eduardo Souto de, 1952- Criticism and interpretation.,
- Moura, Eduardo Souto de, 1952-,
- Architects Portugal 21st century.,
- Architecture Portugal History 21st century.,
- Architecture Portugal History 20th century.,
- Architecture, Modern 21st century Pictorial works.,
- Architecture Europe Pictorial works.,
- Architecture Portugal Histoire 21e siècle.,
- Architectes Portugal 21e siècle.,
- Architecture Portugal Histoire 20e siècle.,
- Architecture 21e siècle Ouvrages illustrés.,
- Architecture Europe Ouvrages illustrés.,
- Architects,
- Portugal,
- Catalogs,
- Criticism, interpretation, etc.
(See more)
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books
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[109] pages : chiefly illustrations ; 17 x 18 cm
Description:
[109] pages : chiefly illustrations ; 17 x 18 cm
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Publication:
Kazanʹ : Soi︠u︡z zhurnalistov Tatarii, 1968.
Kazanʹ : Soi︠u︡z zhurnalistov Tatarii, 1968.
Title:
Tatarstan : 100 fotosnimkov / [sostavitelʹ i avtor teksta, V. Zaporozhchenko] = Tatarstan : 100 fotorăsem / [tezu̇che ḣem tekstilar avtory, V. Zaporozhchenko].
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[109] pages : chiefly illustrations ; 17 x 18 cm
Tatarstan : 100 fotosnimkov / [sostavitelʹ i avtor teksta, V. Zaporozhchenko] = Tatarstan : 100 fotorăsem / [tezu̇che ḣem tekstilar avtory, V. Zaporozhchenko].
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[109] pages : chiefly illustrations ; 17 x 18 cm
Form:
books
books
Publication:
Kazanʹ : Soi︠u︡z zhurnalistov Tatarii, 1968.
Kazanʹ : Soi︠u︡z zhurnalistov Tatarii, 1968.
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books
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131 pages : illustrations (chiefly color) ; 31 cm
Description:
131 pages : illustrations (chiefly color) ; 31 cm
Subject:
Publication:
Sante Fe, N.M. : Arena Editions ; New York : Distribution by Distributed Art Publishers, 1997.
Sante Fe, N.M. : Arena Editions ; New York : Distribution by Distributed Art Publishers, 1997.
Title:
Adam Fuss / essay by Eugenia Parry.
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Description:
131 pages : illustrations (chiefly color) ; 31 cm
Adam Fuss / essay by Eugenia Parry.
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131 pages : illustrations (chiefly color) ; 31 cm
Form:
books
books
Publication:
Sante Fe, N.M. : Arena Editions ; New York : Distribution by Distributed Art Publishers, 1997.
Sante Fe, N.M. : Arena Editions ; New York : Distribution by Distributed Art Publishers, 1997.
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Description:
186, 39 pages
Description:
186, 39 pages
Subject:
- Photographers Biography.,
- Photography History.,
- Photographes Biographies.,
- Photographie Histoire.,
- Photographers,
- Photography,
- Fotografie,
- Quelle,
- Photographie 19e siècle Sources.,
- photographie 19e s.,
- photographe 19e s.,
- Daguerreotype Decouverte Histoire Invention Photographe Photographie,
- Biographies,
- History
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Publication:
Paris : J.-M. Place, ©1989.
Paris : J.-M. Place, ©1989.
Title:
Mémoires originaux des créateurs de la photographie / [édité par] R. Colson.
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Description:
186, 39 pages
Mémoires originaux des créateurs de la photographie / [édité par] R. Colson.
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Description:
186, 39 pages
Publication:
Paris : J.-M. Place, ©1989.
Paris : J.-M. Place, ©1989.
Subject:
- Photographers Biography.,
- Photography History.,
- Photographes Biographies.,
- Photographie Histoire.,
- Photographers,
- Photography,
- Fotografie,
- Quelle,
- Photographie 19e siècle Sources.,
- photographie 19e s.,
- photographe 19e s.,
- Daguerreotype Decouverte Histoire Invention Photographe Photographie,
- Biographies,
- History
(See more)
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books
books
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Description:
62 unnumbered pages : chiefly color illustrations ; 38 cm
Description:
62 unnumbered pages : chiefly color illustrations ; 38 cm
Author:
Subject:
- Amsellem, Olivier, 1971-,
- Architecture, Domestic France Var Pictorial works.,
- Architectural photography France Var.,
- Photographie d'architecture France Var.,
- Architectural photography,
- Architecture, Domestic,
- France Var,
- Architectural Photography France Var 1990-2010.,
- Dwellings France Var 1950-1980.,
- Houses France Var 1950-1980.,
- Modern Architecture (object genre) France Var 1950-1980.,
- Exhibition catalogs.,
- Illustrated works
(See more)
Publication:
Hyères : Villa Noailles, 2005.
Hyères : Villa Noailles, 2005.
Title:
Variations modernes / Olivier Amsellem ; [textes, Stéphane Boudin-Lestienne, Jean-Michel Fradkin, Florence Sarano].
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62 unnumbered pages : chiefly color illustrations ; 38 cm
Variations modernes / Olivier Amsellem ; [textes, Stéphane Boudin-Lestienne, Jean-Michel Fradkin, Florence Sarano].
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62 unnumbered pages : chiefly color illustrations ; 38 cm
Form:
books
books
Publication:
Hyères : Villa Noailles, 2005.
Hyères : Villa Noailles, 2005.
Subject:
- Amsellem, Olivier, 1971-,
- Architecture, Domestic France Var Pictorial works.,
- Architectural photography France Var.,
- Photographie d'architecture France Var.,
- Architectural photography,
- Architecture, Domestic,
- France Var,
- Architectural Photography France Var 1990-2010.,
- Dwellings France Var 1950-1980.,
- Houses France Var 1950-1980.,
- Modern Architecture (object genre) France Var 1950-1980.,
- Exhibition catalogs.,
- Illustrated works
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books
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432 pages : chiefly illustrations (chiefly color) ; 25 cm
Description:
432 pages : chiefly illustrations (chiefly color) ; 25 cm
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Subject:
Publication:
Milano : Electa, ©2013.
Milano : Electa, ©2013.
Title:
Luigi Ghirri : pensare per immagini : icone peaesaggi architetture / a cura di Francesca Fabiani, Laura Gasparini, Giuliano Sergio.
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432 pages : chiefly illustrations (chiefly color) ; 25 cm
Luigi Ghirri : pensare per immagini : icone peaesaggi architetture / a cura di Francesca Fabiani, Laura Gasparini, Giuliano Sergio.
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432 pages : chiefly illustrations (chiefly color) ; 25 cm
Form:
books
books
Publication:
Milano : Electa, ©2013.
Milano : Electa, ©2013.
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books
books
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Description:
110 pages : chiefly color illustrations ; 25 x 31 cm.
Description:
110 pages : chiefly color illustrations ; 25 x 31 cm.
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Publication:
Firenze : Edizione della Meridiana ; Venezia : Bugno Art Gallery, [2005]
Firenze : Edizione della Meridiana ; Venezia : Bugno Art Gallery, [2005]
Title:
Marco Zanta : upon appearances / text by Angela Madesani ; translations, Mark J. Newman.
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Description:
110 pages : chiefly color illustrations ; 25 x 31 cm.
Marco Zanta : upon appearances / text by Angela Madesani ; translations, Mark J. Newman.
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Description:
110 pages : chiefly color illustrations ; 25 x 31 cm.
Form:
books
books
Publication:
Firenze : Edizione della Meridiana ; Venezia : Bugno Art Gallery, [2005]
Firenze : Edizione della Meridiana ; Venezia : Bugno Art Gallery, [2005]
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books
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Description:
33 leaves : chiefly illustrations ; 36 x 42 cm
Description:
33 leaves : chiefly illustrations ; 36 x 42 cm
Subject:
- Burtynsky, Edward, 1955-,
- Trees in art 21st century Pictorial works.,
- Photography of trees.,
- Nature photography 21st century.,
- Arbres dans l'art 21e siècle Ouvrages illustrés.,
- Photographie d'arbres.,
- Photographie de la nature 21e siècle Ouvrages illustrés.,
- Photographie de la nature 21e siècle.,
- PHOTOGRAPHY / General.,
- Trees in art,
- Nature photography,
- Grey (Ont. : County) Pictorial works.,
- Grey (Ont. : Comté) Ouvrages illustrés.,
- Ontario Grey (County),
- photobooks.,
- Pictorial works,
- Photobooks.,
- Livres de photographies.
(See more)
Publication:
Göttingen, Germany : Steidl, 2020.
Göttingen, Germany : Steidl, 2020.
Title:
Natural order : Grey County, Ontario, Canada, Spring 2020 / Edward Burtynsky.
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33 leaves : chiefly illustrations ; 36 x 42 cm
Natural order : Grey County, Ontario, Canada, Spring 2020 / Edward Burtynsky.
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Description:
33 leaves : chiefly illustrations ; 36 x 42 cm
Form:
books
books
Publication:
Göttingen, Germany : Steidl, 2020.
Göttingen, Germany : Steidl, 2020.
Subject:
- Burtynsky, Edward, 1955-,
- Trees in art 21st century Pictorial works.,
- Photography of trees.,
- Nature photography 21st century.,
- Arbres dans l'art 21e siècle Ouvrages illustrés.,
- Photographie d'arbres.,
- Photographie de la nature 21e siècle Ouvrages illustrés.,
- Photographie de la nature 21e siècle.,
- PHOTOGRAPHY / General.,
- Trees in art,
- Nature photography,
- Grey (Ont. : County) Pictorial works.,
- Grey (Ont. : Comté) Ouvrages illustrés.,
- Ontario Grey (County),
- photobooks.,
- Pictorial works,
- Photobooks.,
- Livres de photographies.
(See more)
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books
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Description:
160 pages : illustrations ; 18 cm.
Description:
160 pages : illustrations ; 18 cm.
Title:
Photographic studios and dark rooms : with numerous engravings and diagrams / edited by Paul N. Hasluck.
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Description:
160 pages : illustrations ; 18 cm.
Photographic studios and dark rooms : with numerous engravings and diagrams / edited by Paul N. Hasluck.
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Description:
160 pages : illustrations ; 18 cm.
Form:
books
books
Publication:
Philadelphia : D. McKay, 1913.
Philadelphia : D. McKay, 1913.
