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Between 1947 and 1953, Le Corbusier (1887-1965) produced a suite of 19 lithographs and illustrated calligraphic poems that are now regarded as the most complete statement of his worldview. The lithographs and texts of Le poème de l'angle droit are arranged in seven "zones" lettered A-G, and are assigned a thematic title and a color. Thus: A is Environment (green); B is(...)
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Between 1947 and 1953, Le Corbusier (1887-1965) produced a suite of 19 lithographs and illustrated calligraphic poems that are now regarded as the most complete statement of his worldview. The lithographs and texts of Le poème de l'angle droit are arranged in seven "zones" lettered A-G, and are assigned a thematic title and a color. Thus: A is Environment (green); B is(...)
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Le Corbusier : le poème de l'angle droit
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Between 1947 and 1953, Le Corbusier (1887-1965) produced a suite of 19 lithographs and illustrated calligraphic poems that are now regarded as the most complete statement of his worldview. The lithographs and texts of Le poème de l'angle droit are arranged in seven "zones" lettered A-G, and are assigned a thematic title and a color. Thus: A is Environment (green); B is Mind; C is Flesh (brown); D is Fusion (red); E is Character (white); F is Offering (yellow); and G is Instrument (purple). These titles, and their color codings, were in part inspired by Le Corbusier's study of alchemy, and each chapter in the book contains a subset of poetical meditations on themes related to alchemical theories of tensions between elements, colors and genders, and the relationship between spiritual evolution and architecture. Le poème de l'angle droit was published in 1955; when exhibited, it was arranged in a gridded, top-heavy cross composed of seven rows, an arrangement that is itself depicted at the beginning of the suite. Le Corbusier's handwritten text remains in its original French throughout; an English translation of the text is included as an appendix.
Le Corbusier : le poème de l'angle droit
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Between 1947 and 1953, Le Corbusier (1887-1965) produced a suite of 19 lithographs and illustrated calligraphic poems that are now regarded as the most complete statement of his worldview. The lithographs and texts of Le poème de l'angle droit are arranged in seven "zones" lettered A-G, and are assigned a thematic title and a color. Thus: A is Environment (green); B is Mind; C is Flesh (brown); D is Fusion (red); E is Character (white); F is Offering (yellow); and G is Instrument (purple). These titles, and their color codings, were in part inspired by Le Corbusier's study of alchemy, and each chapter in the book contains a subset of poetical meditations on themes related to alchemical theories of tensions between elements, colors and genders, and the relationship between spiritual evolution and architecture. Le poème de l'angle droit was published in 1955; when exhibited, it was arranged in a gridded, top-heavy cross composed of seven rows, an arrangement that is itself depicted at the beginning of the suite. Le Corbusier's handwritten text remains in its original French throughout; an English translation of the text is included as an appendix.
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books
books
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January 2013
January 2013
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Architecture Monographs
Architecture Monographs
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books
books
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OMA NY: Search term
OMA NY: Search term
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown(...)
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OMA NY: Search term
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
OMA NY: Search term
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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as ''a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond.'' OMA New York, has grown from an American outpost to a full-fledged operation with its own attitudes, contributing to the evolution of the globally acclaimed office. Through a diversity of projects, the firm has transformed our understanding of the city and our evolving relationship with art, fashion, food, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA’s philosophy even as they expand its portfolio geographically. Featured projects include residential skyscrapers in New York, Miami, and San Francisco, mixed-use developments in cities from Tokyo to Houston, and projects like 11th Street Bridge Park in the public realm, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec’s Musée National des Beaux-Arts, a cultural forum and neighborhood for Faena in Miami, and the expansion of museums such as the Albright-Knox Art Gallery in Buffalo and the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the sculptural installation of soaring concrete columns for An Occupation of Loss. In between projects are dialogues with leading policy makers, museum directors, artists, fashion designers, musicians, chefs, and curators—Christopher Hawthorne, Lisa Phillips and Massimiliano Gioni, Taryn Simon, Iris van Herpen, Virgil Abloh, David Byrne, Alice Waters, and Cecilia Alemani—who provide insight onto areas of the firm’s interests and preoccupations beyond the realm of architecture.
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books
books
Publication:
November 2021
November 2021
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$49.95
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of(...)
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of(...)
Title:
Photogenic Montreal: Activisms and archives in a post-industrial city
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces. Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, the book participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.
Photogenic Montreal: Activisms and archives in a post-industrial city
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This publication takes a question initially posed by heritage debates - what does photography preserve? - and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself. The interplay of archives and activisms structures the book. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces. Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, the book participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.
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books
books
Publication:
November 2021
November 2021
Subject:
Architecture de Montréal
Architecture de Montréal
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books
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This guide offers the possibility of getting to know the works of Álvaro Siza, Pritzker laureate in 1992. From his early works on he was recognised as an architect who followed a route still under-explored in the context of the Modern Movement, revealing his longing for form and a global understanding of the work itself and its surroundings. The guide 'Álvaro Siza:(...)
$72.00
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This guide offers the possibility of getting to know the works of Álvaro Siza, Pritzker laureate in 1992. From his early works on he was recognised as an architect who followed a route still under-explored in the context of the Modern Movement, revealing his longing for form and a global understanding of the work itself and its surroundings. The guide 'Álvaro Siza:(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
March 2017
March 2017
Title:
Àlvaro Siza architectural guide: Built projects, Portugal
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This guide offers the possibility of getting to know the works of Álvaro Siza, Pritzker laureate in 1992. From his early works on he was recognised as an architect who followed a route still under-explored in the context of the Modern Movement, revealing his longing for form and a global understanding of the work itself and its surroundings. The guide 'Álvaro Siza: Projects Built in Portugal' will provide the user with a route of all the works built in his own country, selected by the architect himself, and presented with texts and drawings, accompanied by overlapping colour photographs.
Àlvaro Siza architectural guide: Built projects, Portugal
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This guide offers the possibility of getting to know the works of Álvaro Siza, Pritzker laureate in 1992. From his early works on he was recognised as an architect who followed a route still under-explored in the context of the Modern Movement, revealing his longing for form and a global understanding of the work itself and its surroundings. The guide 'Álvaro Siza: Projects Built in Portugal' will provide the user with a route of all the works built in his own country, selected by the architect himself, and presented with texts and drawings, accompanied by overlapping colour photographs.
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books
books
Publication:
March 2017
March 2017
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$51.90
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The juxtapositions of Zaha Hadid’s architectural models and drawings and Judith Turner’s photographs of the architect’s buildings in this volume reveal that Hadid and Turner are complicit. Hadid does not design with complete geometries in stable configurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does(...)
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The juxtapositions of Zaha Hadid’s architectural models and drawings and Judith Turner’s photographs of the architect’s buildings in this volume reveal that Hadid and Turner are complicit. Hadid does not design with complete geometries in stable configurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does(...)
Title:
Zaha Hadid, Judith Turner: A dialogue
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The juxtapositions of Zaha Hadid’s architectural models and drawings and Judith Turner’s photographs of the architect’s buildings in this volume reveal that Hadid and Turner are complicit. Hadid does not design with complete geometries in stable configurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does the same in her photographs, cropping before a form completes itself in a frame that leaves the rest of the form suggested outside the frame. Hadid structures her designs dynamically with diagonal lines and oblique planes playing with and against each other in three-dimensional fields.
Zaha Hadid, Judith Turner: A dialogue
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The juxtapositions of Zaha Hadid’s architectural models and drawings and Judith Turner’s photographs of the architect’s buildings in this volume reveal that Hadid and Turner are complicit. Hadid does not design with complete geometries in stable configurations, but designs instead with incomplete or distorted geometries that are dynamic and visually unstable. Turner does the same in her photographs, cropping before a form completes itself in a frame that leaves the rest of the form suggested outside the frame. Hadid structures her designs dynamically with diagonal lines and oblique planes playing with and against each other in three-dimensional fields.
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books
books
Publication:
March 2016
March 2016
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable(...)
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The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2009
September 2009
Title:
Josef Albers, Homage to the sqare
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The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable reproductions of Albers' famous series, which beautifully illustrate the artist's primary thesis, that the discrepancy between visual information received by the retina and what the mind perceives proves that this information is not intrinsic to color itself, but is dependent on its relationship with its surroundings.
Josef Albers, Homage to the sqare
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The experimentation blossomed into a lifelong obsession that would culminate in his best-known series of paintings, Homage to the Square, in which he painted several differently-colored squares within larger squares in order to illustrate his theory that alterations in environment, shape and light would produce changes in color. This edition contains impeccable reproductions of Albers' famous series, which beautifully illustrate the artist's primary thesis, that the discrepancy between visual information received by the retina and what the mind perceives proves that this information is not intrinsic to color itself, but is dependent on its relationship with its surroundings.
Form:
books
books
Publication:
September 2009
September 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$50.00
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story(...)
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story(...)
Title:
Steven Holl: Heart, Herning Museum of Contemporary Art
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.
Steven Holl: Heart, Herning Museum of Contemporary Art
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The Herning Museum of Contemporary Art (HEART) in Herning, Denmark, inhabits a new building designed by American architect Steven Holl, who was drawn to the project by the institution's collection of works by the Italian Conceptual artist Piero Manzoni. Holl's complex museum is surrounded by a landscape of hills and ponds that meshes with his structures; the single-story building itself, with its natural light and innovative roof construction, refers to the formal vocabulary of the 1960s factory opposite. In reference to its origins, an overhead view of the museum recalls outstretched shirtsleeves while the façade resembles wrinkled fabric.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$84.00
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Arthur Brown Jr. (1874-1957) is celebrated by his peers for such masterpieces as the City Hall, War Memorial Opera House, Temple Emanu-El, and Coit Tower in San Francisco; the Pasadena City Hall; and the Labor-ICC block of the Federal Triangle in Washington, DC. Brown epitomized the idea that architecture not only houses society’s daily rituals and defining events but(...)
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Arthur Brown Jr. (1874-1957) is celebrated by his peers for such masterpieces as the City Hall, War Memorial Opera House, Temple Emanu-El, and Coit Tower in San Francisco; the Pasadena City Hall; and the Labor-ICC block of the Federal Triangle in Washington, DC. Brown epitomized the idea that architecture not only houses society’s daily rituals and defining events but(...)
Title:
Arthur Brown, Jr. : progressive classicist
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Arthur Brown Jr. (1874-1957) is celebrated by his peers for such masterpieces as the City Hall, War Memorial Opera House, Temple Emanu-El, and Coit Tower in San Francisco; the Pasadena City Hall; and the Labor-ICC block of the Federal Triangle in Washington, DC. Brown epitomized the idea that architecture not only houses society’s daily rituals and defining events but also can itself shape the sociopolitical landscape of America. "Arthur Brown Jr.: progressive classicist" unifies the varied strands of the architect’s life, from the architectural forms and methods of the Ecole des Beaux-Arts in Paris to the reforming spirit and self-reliant confidence of San Francisco after the earthquake and fire of 1906 to the challenging economics and changing aesthetics of machine-age America. It details the development of Brown’s major works and many other civic, commercial, religious, academic, and residential buildings. It chronicles his unflagging commitment to the classical tradition, which he employed in contemporary, forward-looking institutional buildings that emphasized continuity with the past while meeting the needs of the future. To Brown, the classical tradition was not a sacrosanct, unchanging body of knowledge; it was an expanding and evolving set of ideas about architectural design that permitted, and even demanded, change as new conditions and technologies were developed.
Arthur Brown, Jr. : progressive classicist
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Arthur Brown Jr. (1874-1957) is celebrated by his peers for such masterpieces as the City Hall, War Memorial Opera House, Temple Emanu-El, and Coit Tower in San Francisco; the Pasadena City Hall; and the Labor-ICC block of the Federal Triangle in Washington, DC. Brown epitomized the idea that architecture not only houses society’s daily rituals and defining events but also can itself shape the sociopolitical landscape of America. "Arthur Brown Jr.: progressive classicist" unifies the varied strands of the architect’s life, from the architectural forms and methods of the Ecole des Beaux-Arts in Paris to the reforming spirit and self-reliant confidence of San Francisco after the earthquake and fire of 1906 to the challenging economics and changing aesthetics of machine-age America. It details the development of Brown’s major works and many other civic, commercial, religious, academic, and residential buildings. It chronicles his unflagging commitment to the classical tradition, which he employed in contemporary, forward-looking institutional buildings that emphasized continuity with the past while meeting the needs of the future. To Brown, the classical tradition was not a sacrosanct, unchanging body of knowledge; it was an expanding and evolving set of ideas about architectural design that permitted, and even demanded, change as new conditions and technologies were developed.
Form:
books
books
Publication:
November 2005, New York
November 2005, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
This thing called theory
This thing called theory
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how(...)
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
January 2017
January 2017
Title:
This thing called theory
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how architecture is inextricably connected to other social and theoretical practices.
This thing called theory
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In the age of post-digital architecture and digital materiality, This Thing Called Theory explores current practices of architectural theory, their critical and productive role. The book is organized in sections which explore theory as an open issue in architecture, as it relates to and borrows from other disciplines, thus opening up architecture itself and showing how architecture is inextricably connected to other social and theoretical practices.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Architectural Theory
Architectural Theory
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books
books
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$46.95
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"XXL-XS" represents the emerging discipline of ecological design by assembling a wide range of innovators with diverse interests. Geo-engineering, synthetic biology, construction site co-robotics, low-energy fabrication, up-cycling waste, minimally invasive design, living materials, and molecular self-assembly are just a few of the important advances explored in the book.(...)
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"XXL-XS" represents the emerging discipline of ecological design by assembling a wide range of innovators with diverse interests. Geo-engineering, synthetic biology, construction site co-robotics, low-energy fabrication, up-cycling waste, minimally invasive design, living materials, and molecular self-assembly are just a few of the important advances explored in the book.(...)
Title:
XXL-XS: new directions on ecological design
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"XXL-XS" represents the emerging discipline of ecological design by assembling a wide range of innovators with diverse interests. Geo-engineering, synthetic biology, construction site co-robotics, low-energy fabrication, up-cycling waste, minimally invasive design, living materials, and molecular self-assembly are just a few of the important advances explored in the book. At one extreme are massive public works, at the other, micro to nano-sized interventions that can have equally profound impacts on our world. From terraforming to bio-manufacturing, a whole new generation of designers is proposing unique ways of confronting the difficult challenges ahead. In this way design becomes a totality of relationships that affects all disciplines, which can no-longer be thought of as self-contained fields, each handled separately by narrowly focused specialists. Globalization demands a restructuring of the profession, as we know it. This requires a new breed of generalists who can work across fields and engage research on multiple sites around the globe. Today we need planetary designers versed in the craft of integral design. Our thesis is therefore both global and performative in scope. We need an architecture that is more than just a constellation of bio-picturesque images, digitally generated surface effects, and conventional materials. We seek a holistic architecture that uses the best techniques to connect directly with existing natural systems while creating a renewed ecology that can sustain itself well into the future. Along these lines, many of the projects featured in this book simply abandon the old tropes and construction processes of the past by creating numerous green alternatives that proliferate along unexpected pathways.
XXL-XS: new directions on ecological design
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$46.95
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"XXL-XS" represents the emerging discipline of ecological design by assembling a wide range of innovators with diverse interests. Geo-engineering, synthetic biology, construction site co-robotics, low-energy fabrication, up-cycling waste, minimally invasive design, living materials, and molecular self-assembly are just a few of the important advances explored in the book. At one extreme are massive public works, at the other, micro to nano-sized interventions that can have equally profound impacts on our world. From terraforming to bio-manufacturing, a whole new generation of designers is proposing unique ways of confronting the difficult challenges ahead. In this way design becomes a totality of relationships that affects all disciplines, which can no-longer be thought of as self-contained fields, each handled separately by narrowly focused specialists. Globalization demands a restructuring of the profession, as we know it. This requires a new breed of generalists who can work across fields and engage research on multiple sites around the globe. Today we need planetary designers versed in the craft of integral design. Our thesis is therefore both global and performative in scope. We need an architecture that is more than just a constellation of bio-picturesque images, digitally generated surface effects, and conventional materials. We seek a holistic architecture that uses the best techniques to connect directly with existing natural systems while creating a renewed ecology that can sustain itself well into the future. Along these lines, many of the projects featured in this book simply abandon the old tropes and construction processes of the past by creating numerous green alternatives that proliferate along unexpected pathways.
Form:
books
books
Publication:
June 2017
June 2017
Subject:
Green Architecture
Green Architecture
