Photographs of environmental phenomena: scientific images in the wake of environmental awareness
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Well before today's debates on global warming and climate change, photographic images have played an important role in educating the general public about the wonders of nature and the destruction of the global environment. Most now-iconic images have historical precursors. Gisela Parak illuminates how the interrelationship of photography and science gave rise to a genre(...)
Photographs of environmental phenomena: scientific images in the wake of environmental awareness
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Well before today's debates on global warming and climate change, photographic images have played an important role in educating the general public about the wonders of nature and the destruction of the global environment. Most now-iconic images have historical precursors. Gisela Parak illuminates how the interrelationship of photography and science gave rise to a genre of photographs of environmental phenomena. She emphasizes the power of these images to support and instruct the scientific pursuit of knowledge, as well as their potency as a means of persuading and shaping public opinion.
Theory of Photography
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L'entrepôt : Musée Bordeaux
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle(...)
L'entrepôt : Musée Bordeaux
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Construit au début du XIXe siècle, au moment où le port de Bordeaux cherche une seconde vie, l'entrepôt Lainé a abrité les épices et les marchandises précieuses ramenées des colonies pendant plus d'un siècle. Désaffecté, menacé de destruction, il est heureusement racheté par la ville de Bordeaux en 1973 pour devenir un lieu à vocation culturelle. Une nouvelle page de son histoire commence alors. Réaménagé par les architectes Pistre & Valode et Andrée Putman qui lui rendent son aspect d'origine, l'entrepôt devient musée d'art contemporain, offrant aux artistes une architecture épurée.
books
April 2000, Paris
Museums and Universal Exhibitions
Berlin Maps
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Over the past century, Berlin has undergone countless transformations. Rapid growth, destruction, survival, and finally a halting revival as a twin city reunited once more. This last phase has been characterised by stagnation and even shrinkage, which in turn strengthened Berlin’s unusual configuration as a polycentric settlement with no clear core. This atlas of the(...)
Architectural Plans and Cartography
March 2021
Berlin Maps
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Over the past century, Berlin has undergone countless transformations. Rapid growth, destruction, survival, and finally a halting revival as a twin city reunited once more. This last phase has been characterised by stagnation and even shrinkage, which in turn strengthened Berlin’s unusual configuration as a polycentric settlement with no clear core. This atlas of the special, strange, or undiscovered phenomena of the German capital is structured in eighteen chapters and offers a fascinating insider’s look at its architectural geography, urban history, political upheavals, scenic spaces, curiosities, and more.
Architectural Plans and Cartography
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à(...)
Bauhaus : l'idée qui a changé le monde
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La première décennie du XXe siècle a été marquée dans toute l’Europe par les jeunes, avec la force et la joie. Dans ce contexte, l’idée de renouvellement prônée par Bauhaus passait par la spiritualité, la sexualité libérée, la présence des femmes, l’anticapitalisme et le partage. La destruction du passé n’exigeait pas l’usage de la force ou des armes, mais s’exerçait à travers la liberté des individus. Cela, parmi tous les enseignements de cette école, devrait nous amener aujourd’hui, un siècle après la fondation du Bauhaus, à tenir compte de cette vérité.
Modernism
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a(...)
Violence taking place: the architecture of the Kosovo conflict
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While the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.
Architectural Theory
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Preserved buildings and historic districts, museums and reconstructions have become an important part of the landscape of cities around the world. Beginning in the 1970s, Tokyo participated in this trend. However, repeated destruction and rapid redevelopment left the city with little building stock of recognized historical value. Late twentieth-century Tokyo thus presents(...)
Tokyo vernacular : common spaces, local histories, found objects
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Preserved buildings and historic districts, museums and reconstructions have become an important part of the landscape of cities around the world. Beginning in the 1970s, Tokyo participated in this trend. However, repeated destruction and rapid redevelopment left the city with little building stock of recognized historical value. Late twentieth-century Tokyo thus presents an illuminating case of the emergence of a new sense of history in the city’s physical environment, since it required both a shift in perceptions of value and a search for history in the margins and interstices of a rapidly modernizing cityscape.
Contemporary Asian Architecture
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With the evolution of digital and material technologies, Japanese designers and architects are seeking ways to reverse the wholesale destruction of traditional public space in Japan brought about by industrialisation, automobiles, and Western-style concrete and steel interventions. Japanese public spaces (hiroba, or wide open areas), human-scale spaces traditionally(...)
Hiroba: all about public spaces in Japan
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With the evolution of digital and material technologies, Japanese designers and architects are seeking ways to reverse the wholesale destruction of traditional public space in Japan brought about by industrialisation, automobiles, and Western-style concrete and steel interventions. Japanese public spaces (hiroba, or wide open areas), human-scale spaces traditionally fashioned of warm and renewable materials, are making a comeback thanks to technological breakthroughs in glass and non-flammable woods that allow the expression of highly refined and delicate qualities. Includes an essay by Kengo Kuma and numerous exemplary projects.
Urban Theory
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This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving(...)
Architectural Theory
July 2002, Cambridge, Mass.
Iconoclash : beyond the image wars in science, religion, and art
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This book, which accompanies a major exhibition at the Center for New Art and Media (ZKM) in Karlsruhe, Germany, invokes three disparate realms in which images have assumed the role of cultural weapons. Monotheistic religions, scientific theories, and contemporary arts have struggled with the contradictory urge to produce and also destroy images and emblems. Moving beyond the image wars, ICONOCLASH shows that image destruction has always coexisted with a cascade of image production, visible in traditional Christian images as well as in scientific laboratories and the various experiments of contemporary art, music, cinema, and architecture. While iconoclasts have struggled against icon worshippers, another history of iconophily has always been at work. Investigating this alternative to the Western obsession with image worship and destruction allows useful comparisons with other cultures, in which images play a very different role. ICONOCLASH offers a variety of experiments on how to suspend the iconoclastic gesture and to renew the movement of images against any freeze-framing. The book includes major works by Art & Language, Willi Baumeister, Christian Boltanski, Daniel Buren, Lucas Cranach, Max Dean, Marcel Duchamp, Albrecht Dürer, Lucio Fontana, Francisco Goya, Hans Haacke, Richard Hamilton, Young Hay, Arata Isozaki, Asger Jorn, Martin Kippenberger, Imi Knoebel, Komar & Melamid, Joseph Kosuth, Gordon Matta-Clark, Tracey Moffat, Nam June Paik, Sigmar Polke, Stephen Prina, Man Ray, Sophie Ristelhueber, Hiroshi Sugimoto, and many others.
Architectural Theory
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After the destruction of the World Trade Center in New York on September 11th 2001, the photographer Joel Meyerowitz felt compelled to visit the site. On his return Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene(...)
Architecture since 1900, Europe
September 2006, London
Aftermath : world trade center archive
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After the destruction of the World Trade Center in New York on September 11th 2001, the photographer Joel Meyerowitz felt compelled to visit the site. On his return Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene but within a few blocks the officer’s reminder had turned into consciousness. To Meyerowitz, ‘no photographs meant no history’ and he decided at that moment to find a way in and make an archive for the City of New York. Within days he had established strong links with many of the firefighters, policemen and construction workers contributing to the clean up. With their assistance he became the only photographer to be granted unimpeded access to Ground Zero. Once there he systematically began to document the wreckage followed by the necessary demolition, excavation and removal of tens of thousands of tonnes of debris that would transform the site from one of total devastation to level ground. Soon after the Museum of the City of New York officially engaged Meyerowitz to create an archive of the destruction and recovery at Ground Zero. The 9/11 Photographic Archive numbers in excess of 5,000 images and will become part of the permanent collections of the Museum of the City of New York.
Architecture since 1900, Europe
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La décomposition affecte la matière organique, mais aussi le minéral et le synthétique, transformant les infrastructures construites en ruines. Métaphoriquement, on associe ces phénomènes à l’effritement des structures politiques et économiques ou à la destruction de notre civilisation. Mais la décomposition est aussi promesse de renaissance. Comment, dans un monde qui(...)
Esse 115 : Décompostion/Decay
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La décomposition affecte la matière organique, mais aussi le minéral et le synthétique, transformant les infrastructures construites en ruines. Métaphoriquement, on associe ces phénomènes à l’effritement des structures politiques et économiques ou à la destruction de notre civilisation. Mais la décomposition est aussi promesse de renaissance. Comment, dans un monde qui s’effondre, imaginer cette renaissance ? Ce numéro propose de contourner le dégout afin de percevoir la beauté dans la matière pourrissante pour découvrir d’autres manières d’envisager notre déclin. Il s’agit de fouiller nos décombres afin d’en extraire les substances qui nous permettront de nourrir l’art et de réfléchir le monde à venir.
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